3.3
3.4
3.5
3 - Stomp Module
21
Chorus
After the Delay the signal goes into the analog chorus / vibrato unit. This
recreates the deep and articulated tone that only analog chorus boxes can
deliver
(fig. 21)
.
Click on the “Chorus” big button to engage the effect. The red led shows that
the unit is active.
Level:
determines the amount of modulated sound over the direct one.
Fully counterclockwise is dry, no effect, normal chorus is obtai
ned in the center position, while fully clockwise gives
a very nice vibrato tone.
Rate:
sets the chorus / vibrato modulation frequency. From 0.1 Hz to 6 Hz.
Depth:
controls the depth of the modulation. When used in vibrato
mode determines the amount pitch deviation.
Flanger
This stomp box creates a wide effects range, from subtle chorusing up to
rich and full jet plane ‘ whoosh’
(fig. 22)
.
Click on the “Flanger” big button to engage the effect. The red led shows
that the unit is active.
Level:
sets the amount of modulated sound over the direct. Fully coun
terclockwise is dry, no effect, flanging effects are from 25 to 75%
and fully clockwise is useful to get feedback vibrato sounds.
Rate:
controls the modulation frequency. From 0.1 to 6 Hz.
Depth:
determines the depth of the modulation.
Feedback:
controls the amount of feedback. When used at low settings the
effect is similar to a rich chorus, when turned up it gives thef ull
flanging character.
Overdrive
This is modeled after one of the most acclaimed overdrive stomp box ever
made. When used with crunch or lead amps it delivers a very high gain, and
when used with clean amps it can drive them to produce a rich, warm and
thick crunch sound
(fig. 23)
.
Click on the big “Overdrive” big button to engage the effect. The red led
shows that the unit is active.
Distortion:
determines the amount of distortion that occurs inside the over
drive pedal. High settings of this control will produce a more
solid-state sounding kind of distortion because the distortion
occurs within the circuitry of the overdrive pedal.
fig. 21
fig. 22
fig. 23
