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L3x Three-Way 

Passive Crossover

Connection

The L3x has convenient spring-loaded terminals for 
wire connection.  Bare wire can be twisted tightly 
and inserted into the spring-loaded terminal; 
however Hybrid Audio recommends that the wire 
be tinned with solder to avoid oxidation, fraying, 
and to promote a better connection.  The following 
is the connection nomenclature on the L3x, from 
left to right on the circuit board:

+WF  Woofer positive input from amplifier 
IN - 

Woofer negative input from amplifier 

+WF  Woofer positive output to Hybrid Audio 
Technologies midbass or midrange positive 
terminal      
OUT -  Woofer negative output to Hybrid Audio 
Technologies midbass or midrange negative 
terminal      
+M/TW  Midrange and tweeter positive input from 
amplifier 

     

IN - 

Midrange and tweeter negative input from 

amplifier 

    

+M/H  Midrange positive output to Hybrid Audio 
Technologies midrange positive terminal, 0 
dB 

setting 

    

+M/L  Midrange positive output to Hybrid Audio 
Technologies midrange positive terminal, -3 
dB 

setting 

     

+T/H  Tweeter positive output to Hybrid Audio 
Technologies tweeter positive terminal, +3 dB 
setting 

      

+T/M  Tweeter positive output to Hybrid Audio 
Technologies tweeter positive terminal, 0 dB setting 
      +T/L 

Tweeter positive output to Hybrid 

Audio Technologies tweeter positive terminal, -3 
dB 

setting 

     

TW -  Tweeter negative output to Hybrid Audio 
Technologies tweeter negative terminal

NOTE: the L3x is a bi-wired crossover, meaning the 
crossover has two sets of inputs for use with two 
two-channel amplifiers or a four-channel amplifier.  
If you wish to not use two two-channel amplifiers 
or a four-channel amplifier, and use only one 
two-channel amplifier instead, simply “bridge” the 
connections b WF and + M/T and IN – and 
IN – with two short strands of insulated wire.

Once all speakers are installed, you will need to 
do a brief listening test with CD-quality music 
that you are intimately familiar with to determine 
which midrange and/or tweeter attenuation you 
desire.  Be sure that all equalization, bass, and treble 
levels are defeated or set to “zero” on the source 
unit before evaluating the intensity of the tweeters 
with respect to your midrange/midbass level and 
your listening taste.  Note also, after approximately 
25 hours, the speakers will begin to “break in”, like 
any mechanical component, and intensities may 
need to be re-adjusted again.  In other words, the 
midbass and midrange need to be broken in with 
typical play-time before final midrange and tweeter 
attenuation is set.  You may find that after break-in, 
the midrange and/or tweeter intensity will need to 
be re-adjusted.

Mounting

Choose your L3x mounting location carefully.  The 
L3x contains parts that are susceptible to damage 
through repeated shock, moisture, and electromag-
netic interference.  For example, it is advisable to 
install the passive crossovers inside the passenger 
compartment versus the door, since the door is 
exposed to repeated opening and closing “shock” 
which may damage the delicate passive crossover 
components, or cause soldered joints to break over 
time.  Likewise, moisture may be present in a door 
installation.  Finally, if you are mounting the passive 
crossovers in the kick panels or dashboard, be sure 
to keep the networks away from any noise-inducing 
device within the vehicle, such as factory ECU’s, 

auto transmission control ECU’s, BCM’s, alternator 
field/stator wiring, and numerous other devices.  
Readers note: be mindful of the location of throttle, 
brake, and clutch pedals when you are selecting a 
mounting location and where to route the speaker 
wiring.

If the only option for crossover mounting is in 
the door, it would typically be prudent to install 
the passive crossovers immediately adjacent to 
the midbass location to keep speaker wiring and 
connections short and allow access to the OEM 
wiring, if it is used, without having to extend it and 
creating an additional resistive splice in the wire.  
If you must install the L3x in the door, DO NOT 
MOUNT THE CROSSOVER INSIDE THE DOOR CAVITY!  
Rather, install the networks on the same mounting 
plane as the midbass, toward the passenger 
compartment, and behind the OEM door panel/skin, 
so as to not expose the delicate electronic parts 
contained within to moisture inside the door cavity.

Once an adequate spot for mounting the L3x is 
found, securely mount the crossover networks using 
the supplied screws.  Before any cutting, drilling, or 
insertion of screws, check the clearance of the panel 
from behind to verify that you won’t be damaging 
existing wiring, window or door lock motors, 
window tracks and the windows themselves, and 
etc.

Summary

The Legatia L3x is an exceptional-quality three-way 
passive crossover device that can be used with any 
Hybrid Audio speaker system to accommodate 
any number of different bespoke system designs.   
At home in virtually any arrangement, the L3x is 
Hybrid Audio Stage V high-end three-way passive 
crossover, boasting exceptional performance and a 
design philosophy that goes hand in hand with true 
high-fidelity playback. 

Although the Legatia 
L2x is listed in the Stage 
V Legatia series, it has 
multiple complimentary 
uses for Legatia Pro 
products as well, given the 
complimentary crossover 
topology and use of 
low-tolerance, asymmetri-
cally-aligned componentry 
and lack of board-mounted 
equalization

Legatia Pro 

Speaker 

Design

 

© Hybrid Audio Technologies • Cumming, GA • 770.888.8200

© Hybrid Audio Technologies • Cumming, GA • 770.888.8200

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Содержание Legatia Pro Series

Страница 1: ...1240 Oak Industrial Lane Cumming Georgia 30041 United States Legatia Pro Series Component Speakers Installation Reference Manual T 1 770 888 8200 F 1 888 886 4605 hybrid audio com ...

Страница 2: ...Installation Pages 36 47 Component Specific Information Pages 6 35 Speaker Attributes Specifications Parameters and Mechanical Drawings 04 Warranty Pages 48 49 Hybrid Audio Technologies Cumming GA 770 888 8200 Hybrid Audio Technologies Cumming GA 770 888 8200 2 3 2 3 ...

Страница 3: ...nstallation advice Thank you and happy listening Welcome and Introduction by Scott Buwalda Founder We realize that you have a choice in loudspeakers and are thrilled that you have chosen the Legatia Pro series component speakers For more information about Hybrid Audio Technologies our philosophies regarding high end mobile audio to learn more about our lifetime guaranteed value program and for inf...

Страница 4: ...relates to how far the speaker can move in either direction without appreciable distortion The Legatia Pro dome midrange designs boast exceptional one way linear excursion Xmax Dome The shape weight and strength of the Legatia Pro midrange domes relate directly to the extended frequency response of the Legatia Pro range of drivers The Legatia Pro domes are convex shaped hybrid fine fabric Japanese...

Страница 5: ...tremely low music tones The dome topology better approximates a true monopole than a similarly sized cone midrange especially in the lower one third of its frequency response Notably what also makes the L3 Pro a very good approximation of a true monopole is the fact that the flange body of the driver is solid machined aluminum void of interstitial spaces which terminates resonances well Hybrid Aud...

Страница 6: ...e to the suspension The Thiele Small Response Paramters are Re The D C resistance of the voice coil measured in Ohms Sd The surface area of the speaker Fs The resonant frequency of the speaker Qes The electrical Q of the speaker Qms The mechanical Q of the speaker Qts The total Q of the speaker Vas The volume of air having the same acoustic compliance as the speaker s suspension Enclosure Recommen...

Страница 7: ...ith a Φ24 5 3 H NdFeB neodymium magnet structure to ensure a relatively small footprint size and shallow depth A perforated grille protects the dome The Pro L1 boasts a fully machined aluminum body the body is machined aluminum not cast aluminum The dense metal structure of the tweeter housing helps to reduce resonances within the body of the tweeter for effective reproduction of extremely low mus...

Страница 8: ... Pro in a simple baffle without worry of separating front and back waves nor building an enclosure The rear of the body propagates diaphragm back pressure into the tuned chamber to provide adequate communication to the back of the dome for acoustic suspension and proper operation Housing and Tuned Chamber In addition to the aluminum body of the Pro series drivers the L3 Pro includes a cast polypro...

Страница 9: ...on fabric which is highly consistent and does not suffer the variance of natural rubbers This surround terminates mechanical vibrations well having a low stiffness for positive damping of resonances Terminals The Legatia L3 Pro comes equipped with heavy duty nickel plated spring loaded push terminals for both positive and negative The terminals optimize contact and give the end user flexibility in...

Страница 10: ...on beyond simple tweeter attenuation We believe in making the speaker great not trying to fix a poor speaker with filtering and attenuation There s no crossover in the world that can make a poorly designed speaker sound good This is why there s a relatively simple high quality crossover topology employed on the Legatia L2x crossover with no additional board mounted equalization And this is also wh...

Страница 11: ...or example it is advisable to install the passive crossovers inside the passenger compartment versus the door since the door is exposed to repeated opening and closing shock which may damage the delicate passive crossover components or cause soldered joints to break over time Likewise moisture may be present in a door installation Finally if you are mounting the passive crossovers in the kick pane...

Страница 12: ...ge midbass and tweeter pairing Hybrid Audio manufactures The following are the L3x s design attributes Filter Set The L3x is a bi wired three way passive crossover that has the following filters Lowpass midbass 300 Hz at 12 dB octave Linkwitz Riley Bandpass midrange 300 Hz to 6 000 Hz at 12 dB octave Linkwitz Riley Highpass treble 6 000 Hz at 12 dB octave Linkwitz Riley The only filtering on the b...

Страница 13: ...x mounting location carefully The L3x contains parts that are susceptible to damage through repeated shock moisture and electromag netic interference For example it is advisable to install the passive crossovers inside the passenger compartment versus the door since the door is exposed to repeated opening and closing shock which may damage the delicate passive crossover components or cause soldere...

Страница 14: ...truction Φ24 5 3 H NdFeB Φ49 5 X 5mm H NdFeB Recommended Minimum Crossover Frequency 2 000 Hz at 24 dB octave highpass 400 Hz at 24 dB octave highpass Pnom Rated Power Input No Crossover 20 watts AES Standard 30 watts AES Standard Pmax Rated Power Input No Crossover 40 watts AES Standard 60 watts AES Standard Pmax With Recommended Minimum Crossover 100 watts 80 watts Resonance Frequency Fs 700 Hz ...

Страница 15: ...Legatia L1 Pro Mechanical Drawing Legatia L3 Pro Mechanical Drawing Hybrid Audio Technologies Cumming GA 770 888 8200 Hybrid Audio Technologies Cumming GA 770 888 8200 28 29 ...

Страница 16: ...Legatia L2x Mechanical Drawing Legatia L3x Mechanical Drawing Hybrid Audio Technologies Cumming GA 770 888 8200 Hybrid Audio Technologies Cumming GA 770 888 8200 30 31 ...

Страница 17: ...Legatia L3 Pro Frequency Response Graph Legatia L1 Pro Frequency Response Graph Hybrid Audio Technologies Cumming GA 770 888 8200 Hybrid Audio Technologies Cumming GA 770 888 8200 32 33 ...

Страница 18: ...Legatia L2x Frequency Filter Plot Legatia L3x Frequency Filter Plot Hybrid Audio Technologies Cumming GA 770 888 8200 Hybrid Audio Technologies Cumming GA 770 888 8200 34 35 ...

Страница 19: ... techniques concepts and principals where a little bit of additional installation work can net immense gains in overall sound quality There are certainly many things you can do to improve your mobile audio system such as addition of amplification a dedicated subwoofer system higher gauge speaker wire and higher end passive crossovers and active crossovers All of these things require an additional ...

Страница 20: ...e Legatia Pro midrange should be placed as far forward from your listening position as possible and every effort should be made to optimize time and intensity domain characteristics of the installation Lesson Two Equalization of Pathlength Differences Continued In scenario a we show the installation of the Legatia Pro midrange in the dashboard or high in a door panel As you can see from the diagra...

Страница 21: ...good quality brand name self adhesive damping product a solid wood mounting baffle with sound damping treatment will augment the Legatia Pro installation by eliminating resonances Lesson Four Point Sourcing The term point sourcing is often used to describe the technique of having a single pair of speakers in an installation cover the majority of the critical middle band frequencies In many install...

Страница 22: ...he chosen crossover frequencies should be evaluated for sonic character while balancing distortion and power compression at high amplitude levels Advanced Installation of the Legatia Pro Component Speakers Continued Mounting baffle dimensions While building baffles is important it is notable that mounting baffle size is equally important All mounting baffles should be kept as small as possible wit...

Страница 23: ...ndent or perhaps to improve image placement or stage coherency Advanced Installation of the Legatia Pro Component Speakers Continued Time Correction It is our humble opinion that time correction should only be used in three different circumstances 1 When the installer recognizes that a vehicle cannot image properly from both seated positions and it seems more plausible to make the vehicle stage an...

Страница 24: ...pplied treatments there is a point where the vehicle can begin to approach semi anechoic conditions and lose its liveliness which is not ideal Reflections are all around us and are a part of our day to day lives It is our opinion that some lateral reflection is a good thing it helps to establish stage boundaries and gives the recoded playback and more visceral and believable sound The first princi...

Страница 25: ...echnologies 2 physical abuse to overload of or misuse of the product or operation thereof in a manner inconsistent with the use indicated in the instructions 3 any use of the product other than that for which it was intended or 4 shipment of the product to Hybrid Audio Technologies for service This warranty does not cover labor costs Hybrid Audio Technologies is not liable for any special incident...

Страница 26: ...1240 Oak Industrial Lane Cumming Georgia 30041 United States T 1 770 888 8200 F 1 888 886 4605 hybrid audio com ...

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