Hartke Acoustic Attack, Руководство пользователя

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Using the HARMONICS control
The Bass Attack provides a HARMONICS control for adding overtones, which produce a
tube like tone. The HARMONICS control allows you to add a little warmth to your sound,
or dial up complete distortion for a radical roots rock sound. When using the Harmonics
circuit, keep in mind the BRITE control is turned on with the HARMONICS (using the
ON/OFF footswitch), and will affect the sound. The MIX control is also active to adjust the
balance between clean and effects.
• Switch the ON/OFF footswitch so the red LED is illuminated, indicating the HAR-
MONICS circuit is engaged.
• Now adjust the HARMONICS control to set the amount of overtones.
• Next, use the MIX control to adjust the blend between the clean signal and the
Harmonics.
• Adjust the BRITE control for more high frequencies.
Using the SHAPE control
The SHAPE control applies a specialized 20 dB notch filter to the specified frequency area
so that you can customize the effect of the Shape curve to best complement your particu-
lar bass instrument. Moving the Shape control clockwise causes the notch filter to be
applied to higher frequencies while moving it counterclockwise causes it to be applied to
lower frequencies. At the fully clockwise position, the filter is applied to the 1 kHz frequen-
cy area; this will act to attenuate mid-range frequencies and give your bass a deep, low
tone. At the fully counterclockwise position, the filter is applied to the 90 Hz frequency
area; this will act to attenuate low frequencies and give your bass a biting, trebly sound.
• Switch the SHAPE footswitch so the red LED is illuminated indicating the SHAPE cir-
cuit is engaged.
• Now, sweep through the frequencies and find the Shape curve that’s the best for your
sound.
Operating the Bass Attack
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