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16

AC75 and AC150 Effects Presets

00 

Medium Bright Plate.che

01 

Best Plate .che

02 

Medium Dark Spring.che

03 

Short Plate.che

04 

Long Bright Spring.che

05 

slapback 2.che

06 

slapback w verb.che

07  

Echo-Verb echo long verb.che

08  

slow st chor.che

09 

Hall Best Hall 2.che

10 

Hall Short Hall.che

11 

Hall Short Dark Hall.che

12 

Hall Short Bright Hall.che

13 

Hall Medium Hall.che

14 

Hall Medium Dark Hall.che

15 

Hall Medium Bright Hall.che

16 

Hall Long Hall.che

17 

Hall Long Dark Hall.che

18 

Hall Long Bright Hall.che

19 

Hall Best Hall.che

20 

Short Plate.che

21 

Short Dark Plate.che

22 

Short Bright Plate.che

23 

Plate Long Brite Plate.che

24 

Medium Dark Plate.che

25 

Medium Bright Plate.che

26 

med plate.che

27 

Long Plate.che

28 

Long Dark Plate.che

29 

Best Plate .che

30 

Short Spring.che

31 

Short Dark Spring.che

32 

Short Bright Spring.che

33 

Medium Spring.che

34 

Medium Dark Spring.che

35 

Medium Bright Spring.che

36 

Long Spring.che

37 

Long Dark Spring.che

38 

Long Bright Spring.che

39 

Best Spring.che

40 

slapback 2.che

41 

short echo.che

42  

420mS Delay high Feedback.che

43  

420mS Delay low Feedback.che

44  

550-275mS Delay cross Feedback.che

45  

550mS Delay high Feedback.che

46  

550mS Delay low Feedback.che

47  

650-325mS Delay cross Feedback.che

48  

650mS Delay high Feedback.che

49  

650mS Delay low Feedback.che

50  

flanger-reverb.che

51  

flanger-short reverb.che

52  

lt flanger-med reverb.che

53  

med flanger-med reverb.che

54  

slo flanger-long reverb.che

55  

flanger-long reverb.che

56  

stereo flanger-med reverb.che

57  

stereo flanger-long reverb.che

58  

whip flanger-short reverb.che

59  

whip flanger-long reverb.che

60  

slow chor short reverb.che

61  

slow chor med reverb.che

62  

slow chor long reverb.che

63  

med chor med reverb.che

64  

med chor long reverb.che

65  

fast chor short reverb.che

66  

fast chor long reverb.che

67  

trem chor med reverb.che

68  

trem chor long reverb.che

69  

big chor med reverb.che

70  

Echo-Verb 1.che

71  

Echo-Verb hard echo med verb.che

72  

Echo-Verb 2.che

73  

Echo-Verb 4.che

74  

Echo-Verb 3.che

75  

pre delay serial.che

76  

cross echo.che

77  

Echo-Verb echo long verb.che

78  

Echo-cross  verb.che

79  

echoverb.che

80  

Chorus 1.che

81  

Chorus 2.che

82  

Chorus fast.che

83  

deep slo chor.che

84  

deep fast chor.che

85  

med slo chor.che

86  

slow st chor.che

87  

leslie.che

88  

med leslie.che

89  

st chor.che

90  

slo lt flange.che

91  

lt flange.che

92  

deep slo flange.che

93  

deep lt flange.che

94  

deep lazer flange.che

95  

jet flange.che

96  

jet flange 2.che

97  

med flange.che

98  

med lazer flange.che

99  

strong flange.che

Содержание AC150

Страница 1: ... Acoustic Instrument Amplifier ...

Страница 2: ...ecep tacles and at the point at which they exit from the unit 11 Unplug this unit during lightning storms or when unused for long periods of time 12 Refer all servicing to qualified personnel Servicing is required when the unit has been damaged in any way such as power supply cord or plug damage or if liquid has been spilled or objects have fallen into the unit the unit has been exposed to rain or...

Страница 3: ...eit aussetzen Um die Gefahr eines Stromschlags zu verringern sollten Sie weder Deckel noch Rückwand des Geräts entfernen Im Innern befinden sich keine Teile die vom Anwender gewar tet werden können Überlassen Sie die Wartung qualifiziertem Fachpersonal Der Blitz mit Pfeilspitze im glei chseitigen Dreieck soll den Anwender vor nichtisolierter gefährlicher Spannung im Geräteinnern warnen Diese Spann...

Страница 4: ...bjeto dentro de la unidad si esta ha quedado expuesta a la lluvia o la humedad si no funciona normalmente o si ha caído al suelo ATTENZIONE per ridurre il rischio di incendio o di scariche elettriche non esponete questo apparecchio a pioggia o umidità Per ridurre il pericolo di scariche elettriche evitate di rimuoverne il coperchio o il pan nello posteriore Non esistono all interno dell apparecchi...

Страница 5: ...0 3 SAMSON 1 800 372 6766 Fax 631 784 2201 www samsontech com Table of Contents Introduction 2 Hartke AC75 and AC150 Acoustic Amplifier Features 3 Guided Tour Front Panel 4 Guided Tour Rear Panel 5 Setting Up and Using Your Acoustic Ribbon Amplifier 6 11 AC75 and AC150 Set ups 12 AC75 and AC150 Effects Presets 16 AC75 and AC150 Specifications 17 ...

Страница 6: ...ternal bracing Hartke engineers have applied the same careful approach in the selection of the critical components and with the internal construction to produce a sound that is truly unique to the Acoustic Ribbon amplifiers The full range 5 inch drivers provide a smooth and even frequency response without the low frequency resonance associated with larger drivers The ribbon transducer provides swe...

Страница 7: ...nd Piezo inputs on Channel 1 and XLR mic and RCA line inputs on Channel 2 You can add a splash of delay and chorus or gallons of lush reverb to either input channel using one of the Acoustic Ribbon s 100 on board 24 bit digital effects The effects section includes a SELECT control with a bright dual seven segment LED display to dial up the effects presets plus a LEVEL control to adjust the amount ...

Страница 8: ... 2 Used to add effects to the signal connected to the Channel 2 input 12 FREQUENCY Notch Filter Used to set the center frequency for the Notch Filter 13 DEPTH Notch Filter Control Knob used to control the amount of attenuation applied by the Notch Filter 14 GRAPHIC EQUALIZER These sliders allow you to draw the tonal response of the system by adding 12 dB of boost or attenuation to seven different ...

Страница 9: ... and effects is sent out of this 1 4 inch jack and can be used with the AMP IN jacks as an effects loop I AMP IN LEFT jack A connection directly into the left side power amplifier that can be used with the PREAMP OUT jack as an effects loop J AMP IN RIGHT jack A connection directly into the right side power amplifier that can be used with the PREAMP OUT jack as an effects loop AC75 Rear Panel A AC...

Страница 10: ...e a battery use the PIEZO or passive input 4 Before we turn up the volume let s set the Acoustic Ribbon controls to the default setting for getting good sound quickly On Channel 1 set the GAIN knob to 3 the nine o clock position and set BASS and TREBLE controls to 0 the twelve o clock position On Channel 2 set the GAIN knob to 0 fully counter clockwise position Set the main VOLUME control to 0 ful...

Страница 11: ...10kHz Setting the BASS and TREBLE knobs to 0 twelve o clock position produces a flat frequency response To add more lows to the input connected to Channel 1 raise the BASS control above 0 and to reduce the low frequency response lower the BASS control to a setting below 0 To add more highs to the input connected to Channel 1 raise the TREBLE control above 0 and to reduce the low frequency response...

Страница 12: ...ter clockwise to descend through the preset list For this exer cise let use a large room reverb Use the SELECT control to choose preset number 08 Now slowly raise the effects LEVEL until you add the desired amount of HALL reverb to your acous tic If you want to add the EFX to the MIC or LINE input on Channel 2 engage the EFX ON OFF switch on Channel 2 Since the AC150 s 5 inch full range speakers a...

Страница 13: ... to connect a microphone first start by turning the main VOLUME all the way down Use a low impedance mic and make the connection with a standard XLR mic cable to the to the Channel 2 XLR mic input located on the front panel Next raise the main VOLUME to about 6 7 or the 1 to 3 o clock position Now slowly raise the GAIN until you add the desired amount of Mic level with your acoustic Keep in mind t...

Страница 14: ...e of your instrument By using the NOTCH FILTER you can get the maximum level out of your amplifier without feedback The NOTCH filter has two controls FREQUENCY and DEPTH The FREQUENCY control is used to set the specific frequency that the filter will cut from 55 to 720 Hertz The DEPTH control is used to set the amount of cut accruing at the FREQUENCY point The higher the setting the more cut Follo...

Страница 15: ...gnal from a acoustic pre amp or drum machine Connect the CD player or other Line level device to the LINE Input using a standard RCA cable If you connected a signal to the Channel 2 MIC input you will want to use the volume control on the CD player or other Line level device to set the balance between the track and your acoustic So start with the volume control all the way down and slowly raise it...

Страница 16: ...s equalizer and effects from the AC series preamp If you want send the signal of your instrument directly to the PA system set the PRE POST switch to PRE If you want the signal with the sound of the tone controls equalizer and effects set the PRE POST switch to POST The AC150 there features a LEFT and RIGHT DIRECT OUT You can use the LEFT and RIGHT DIRECT OUTs to maintain the stereo effects produc...

Страница 17: ...ange speakers and the right side of the effects will be heard in the right pair of 5 inch full range speak ers Using a standard shielded instrument cable connect the AC series rear panel PRE AMP OUT to the input of your signal processor Now use a standard shielded instrument cable to connect the output of the signal processor to the AC series AMP IN connector located on the rear panel If you are u...

Страница 18: ...B of cut or boost in five narrow frequency bands The five band graphic equalizer provides seven sliders each corresponding to a single narrow frequency band 100Hz 315Hz 1kHz 3 5kHz and 10kHz This allows you to draw the desired tonal response of your system When a slider is in its center position 0 it has no effect When it is moved above center towards 12 the particular frequency area is being boos...

Страница 19: ...ker The specific EQ you will apply to your Acoustic signal is very much dependent upon your particular instrument and personal taste and playing style However here are a few general suggestions For that super warm or mellow sound boost low frequencies slightly while attenuating the highest ones leave mid range frequencies flat or slightly attenuated as shown in the illustration on the right To rem...

Страница 20: ...mS Delay high Feedback che 46 550mS Delay low Feedback che 47 650 325mS Delay cross Feedback che 48 650mS Delay high Feedback che 49 650mS Delay low Feedback che 50 flanger reverb che 51 flanger short reverb che 52 lt flanger med reverb che 53 med flanger med reverb che 54 slo flanger long reverb che 55 flanger long reverb che 56 stereo flanger med reverb che 57 stereo flanger long reverb che 58 whip flang...

Страница 21: ...adphone St TRS 1 4 phone Direct Output Male XLR Speaker System Impedance Ohms 4 Ohms Impedance Low Frequency Drivers AC75 2 x 5 Special Design Hartke full range 8 ohm 25 watt Drive Unit AC150 4 x 5 Special Design Hartke full range 8 ohm 25 watt Drive Unit High Frequency Driver AC75 2 x 4 inch planer ribbon on a 5 x 7 waveguide AC150 2 x 4 inch planer ribbon on a 7 x 7 waveguide Dimensions AC75 Hei...

Страница 22: ...18 Notes ...

Страница 23: ......

Страница 24: ...Hartke 45 Gilpin Avenue Hauppauge New York 11788 8816 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 631 784 2201 www samsontech com ...

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