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5c. SIDETONE level controls (channels A and C only)
Control the amount of each commentator’s output signal that is fed into their own headphone mix.
6. Labelling areas
Convenient areas for denoting the purpose of each SOURCE input and/or talkback circuit, using sticky labels,
chinagraph pencil etc.
7. Headphone routing switches
Allow each of the sources contributing to the headphone mix to be fed to just the left channel, just the right channel
or both channels of the headphones as preferred.
8. IEC mains input
Accepts worldwide mains voltages without adjustment. Power consumption is less than 12W. The inlet also houses
a 1A slow-blow HRC fuse and in the event of failure this should be replaced with an identical part to ensure
continuing protection.
9. SWITCH MODE selector
Allows the operation of the channel ON switches to be chosen as either ON/OFF or COUGH (see above).
10. BANDPASS FILTER selector
Allows an optional bandpass filter with -3dB rolloff points of approx. 80Hz and 12.5kHz to be applied to the channel
audio signals. Note: the filter is only applied when the channel input is set to MIC or MIC+PHANT.
11. DIRECT OUTPUTS level selector
Allows one of three level options to be selected for the three DIRECT channel outputs:
The 0dB+LIM position feeds the DIRECT outputs from the internal compressor/limiter at a nominal lineup level of
0dBu. With excessive input levels automatically restricted, this is the optimal choice for simpler installations.
The 0dB position feeds the DIRECT outputs with the uncompressed input signal at a nominal lineup level of 0dBu.
This option should be selected when peak signal level is to be controlled manually or by offboard equipment.
The -20dB position feeds the DIRECT outputs with the uncompressed input signal at a nominal lineup level of -
20dBu. This option delivers maximum headroom in applications where peak signal level is to be controlled
manually or by offboard equipment.
12. LOCAL RECORD output
A 3.5mm jack socket – accepting either mono or stereo jack plugs – carrying an unbalanced signal at -14dBu for
local recording onto MiniDisk, etc. The signal presented is a combination of the AUX/ MIXED output (i.e. the overall
output of the unit) and the signal being received on SOURCE input 1 (e.g. return PGM cue from studio, etc.).
13. AUX/ MIXED output
A balanced mono output carrying the combined output of all three audio channels at a nominal lineup level of 0dBu.
Signals sent to the MIXED output are always processed by the compressor/limiter. The level at the MIXED output is
displayed on the front panel LED meter.
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