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REAR PANEL 

  

DIRECT OUTPUTS

 

– Three XLR balanced DIRECT OUTPUTS are provided for connection to PA systems, recording 

interfaces, or external power amplifiers.  CHAN 1 and CHAN 2 outputs are post-channel volume/pre-EQ/pre-effects (to 
take advantage of the dual inputs on each channel) while the CHAN 1+2 output is pre-master volume/post-EQ/post-
effects to aid in sending 

out a “finished” mixed signal.  The DIRECT OUTPUTS signal grounds may be connected or lifted 

using the GLOBAL PIN 1 switch.  This switch lifts pin 1 on all of the DIRECT OUTPUTS to eliminate hum or buzz due to 
ground loops between the 

ACOUSTIC ARRAY™ PRO 

and other equipment connected to the DIRECT OUTPUTS.  

These outputs are fully protected against phantom power and may be used for driving lines of up to 300 feet.

 

 

INTERNAL EFFECTS CANCEL 

– Either internal effect may be cancelled globally by connecting a standard 2 button 

latching style footswitch with a ¼” TRS (tip/ring/sleeve) connector into this jack.  Shorting the tip to the sleeve cancels the 
Reverb, and shorting the ring to the sleeve cancels the Chorus.  (Footswitch not included). 

 
EFFECTS LOOP 

– A rear panel effects loop (SEND and RECEIVE) is provided for connecting “serial” outboard devices 

such as compressors and may also be used for parallel type outboard devices (delays, reverbs, harmonizers, octavers 
etc.) by using the mix control located on the outboard device.  This loop is located right before the MASTER VOLUME 
control and is also intended as a Preamp Out / Power Amp In connection for possible “chaining” of amplifiers in a Master / 
Slave configuration.  The effects loop contains a “normal switch” in the RECEIVE jack that interrupts the signal path when 
a plug is inserted into the RECEIVE jack.  The SEND jack may be used for an aux. output without breaking the signal 
path. 
 

AUX INPUT 

– A 1/4” stereo line level auxiliary input is provided that sums directly to the main output bus controlled by the 

MASTER VOLUME control.  This input is ideal for practicing or performing with recorded tracks from a CD player, 
IPOD/IPAD, cell phone, or MP-3 player.  This input is a tip-ring-sleeve type jack with built-in summing resistors that sum 
left and right signals when used with a stereo cable.  This input will also work with a mono tip-sleeve plug.  Adjust the level 
of the playback source to balance with the 

instrument’s volume. 

 

HEAD PHONES

 

– A 1/4” TRS jack is provided for connection to headphones for silent practice use.  Do not connect this 

output to anything but headphones. 
 

NOTE 

– For silent practice use, the combo’s internal speakers will need to be disconnected at the amplifier’s speaker 

output jacks, however there is no danger in operating the amplifier without any type of speaker load connected. 
 

Содержание ACOUSTIC ARRAY PRO

Страница 1: ...rofessional acoustic instrument amplification The innovative speaker system features a 10 woofer and integrated 4 x 2 5 cone driver line array element which delivers smoothness clarity dynamics and dispersion like no other acoustic amplifier available This array system design reproduces the natural tone of the acoustic stringed instrument and greatly increases the horizontal dispersion and project...

Страница 2: ...tively allows the amplifier to function as a 4 channel amplifier The most effective way to use this feature is to first set the PREAMP VOLUME CONTOUR and EQUALIZATION on the desired channel using the MIC input and then adjust the level and tone controls on the instrument itself assuming that it has them to blend the levels and tone between the MIC and INST inputs The amp s channel EQUALIZATION and...

Страница 3: ...l REVERB This control sets the level for the amount of Reverb effect CHORUS This control sets the level for the amount of Chorus effect MASTER SECTION REVERB TIME This control adjusts the decay time of the internal digital reverb effect The more the control is turned clockwise the longer the decay time This provides a wide range of useable reverb effects A good starting point for this control woul...

Страница 4: ...arallel type outboard devices delays reverbs harmonizers octavers etc by using the mix control located on the outboard device This loop is located right before the MASTER VOLUME control and is also intended as a Preamp Out Power Amp In connection for possible chaining of amplifiers in a Master Slave configuration The effects loop contains a normal switch in the RECEIVE jack that interrupts the sig...

Страница 5: ...ified service technician is required to correct the problem SPEAKER SYSTEM DESIGN The heart of the ACOUSTIC ARRAY PRO design is the combination of a 10 woofer in a ported chamber and an integrated 4 x 2 5 neodymium cone driver line array placed directly in front of the woofer This allows all of the audio to project from a single point source for a more even and seamless projection of all frequenci...

Страница 6: ...duty padded cover is offered for full protection while in transit This is much more than a dust cover and offers thick Cordova covering for protection against the elements and heavy padding for the bangs and knocks of the road SPECIFICATIONS ACOUSTIC ARRAY PRO Rated Power 150 watts 8 ohms 300 watts 4 ohms Speaker System Freq Response 60 20KHz Dimensions 16 75 H x 15 75 W x 13 75 D Weight 27 lbs Pr...

Страница 7: ...evice In addition by use of this device the user agrees to hold GENZLER AMPLIFICATION and its designers sales agents and all other affiliates and related parties harmless in the event of any accident injury damage or loss resulting from such use Manufacturer s sole responsibility is to provide a warranty on the specified performance of the product under normal operating conditions for a period of ...

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