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5

Hardware Features

Front Panel

9

13

12

10

11

14

14

1

5

7

6

8

2

3

4

All operational controls and metering for all eight channels are on the front panel.

1.  Input  gain  controls  1  to  8  –  eight  rotary  controls:  adjust  the  input  gain  for  the  signals  in 

Channels 1 to 8 respectively.

2.  O/L – each input channel has a red “overload” LED; this illuminates if the signal level causes 

clipping at the input to the compressor section. If this occurs, reduce the gain so that the LED 

stays off.

3.  INST 1 and INST 2 – two latching switches put Inputs 1 and 2 into “Instrument” mode. When 

INST is selected, the gain range and input impedance are altered (relative to LINE), and the 

input is made unbalanced. This optimises it for the direct connection of instruments via a 

2-pole (TS) jack plug. When INST is off, the inputs are suitable for the connection of line level 

signals. Line level signals may be connected either in balanced form via a 3-pole (TRS) jack 

or  unbalanced,  via  a  2-pole  (TS)  jack.  Each  switch  has  an  adjacent  green  LED  to  confirm 

selection.

4.  MIC 48V (1-4 & 5-8) – two latching switches, each enabling 48 V phantom power at the XLR 

contacts of four inputs: Channels 1 to 4 and 5 to 8 respectively. Each switch has an associated 

red LED indicating that phantom power is selected.

5.  COMPRESS 1 to 8  – activates the compressor section of each channel, and sets the threshold 

level. See “Compressor” on page 10 for further details.

6.  COMP  –  a  yellow  LED  which  illuminates  when  the  compressor  section  is  applying  gain 

reduction. The LED also blinks briefly when the COMPRESS control [5] is moved from its OFF 

position.

7.  MORE –  a  latching  switch  that  increases  the  ratio  of  the  compressor,  thus  applying  more 

gain reduction at the same setting of the COMPRESS control. An adjacent red LED confirms 

selection.

8.  Input signal level meters: eight LED bargraphs, one per channel. The input signal in each 

channel is metered post the input gain control and post the compressor section, so you can 

see the level being sent to the output.

9.  SAMPLE RATE – a soft switch which steps through the six available sample rate settings, 

the current rate being indicated by one of the adjacent green LEDs. The sample rate in use is 

stored in memory so that it is retained when the unit is switched off.

Содержание Scarlett OctoPre Dynamic

Страница 1: ...User Guide www focusrite com Version 1 0...

Страница 2: ...Dynamic with audio interface OctoPre as clock source Master 15 2 Scarlett OctoPre Dynamic with audio interface audio interface as clock source Master 15 3 Scarlett OctoPre Dynamic in ADAT Line mode 16...

Страница 3: ...ures The Scarlett OctoPre Dynamic is an eight channel pre amplifier for use with microphone line and instrument input signals It converts the inputs into multi channel 24 bit digital audio at sample r...

Страница 4: ...esive feet stick to underside of unit for table top use Printed on the inside of the box Getting Started Guide Bundle Code for on line product registration After registration you will have access to d...

Страница 5: ...ction 4 MIC 48V 1 4 5 8 two latching switches each enabling 48 V phantom power at the XLR contacts of four inputs Channels 1 to 4 and 5 to 8 respectively Each switch has an associated red LED indicati...

Страница 6: ...ady to use 12 ADAT LINE this soft switch modifies the operating mode of the unit When active incoming digital audio at the ADAT input ports is converted to analogue and made available at the rear pane...

Страница 7: ...kHz Channels 1 to 4 Channels 5 to 8 176 4 192 kHz Channels 1 2 Channels 3 4 As viewed looking at rear panel 17 ADAT IN two TOSLINK connectors providing the digital inputs to the unit when used in the...

Страница 8: ...by the SYNC switch 10 20 WORD CLOCK IN a BNC connector for the connection of an external word clock signal select by setting SYNC to WORD Use this input if you have a master reference clock which pro...

Страница 9: ...uire phantom power but most will operate normally with phantom power supplied Passive ribbon microphones do not require phantom power and may be damaged if supplied with phantom power If you are unsur...

Страница 10: ...sion to the signal for the same setting of COMPRESS Compressor additional information On the Scarlett OctoPre Dynamic the COMPRESS control is essentially a combined Threshold and Gain Make up control...

Страница 11: ...10 00 MAX MAX MID MID MIN MIN OFF OFF In Normal mode MORE mode off the compression ratio is 2 1 More Mode 50 00 60 00 60 00 dBr 40 00 30 00 20 00 10 00 0 00 50 00 40 00 30 00 20 00 10 00 0 00 dBFS 10...

Страница 12: ...and 4 The Scarlett OctoPre Dynamic is restricted to four channels of digital audio at these sample rates the outputs of Channels 5 to 8 are not available via the ADAT ports Use the SAMPLE RATE switch...

Страница 13: ...a BNC cable In this scenario the receiving device s sync source will need to be set to its external word clock input Scarlett OctoPre Dynamic as Clock Source Slave via ADAT Connect the Scarlett OctoP...

Страница 14: ...IPLEXER and D A CONVERSION OPTICAL INPUTS Ch 1 Ch 8 LINE OUTPUTS 1 8 ADAT LINE mode not selected ADAT LINE mode selected 8 chs 8 chs OPTICAL OUTPUTS This mode enables the Scarlett OctoPre Dynamic to b...

Страница 15: ...nternal dynamics if necessary and have compression applied to control the dynamic range of the signals The setup would also be appropriate for any other audio interface which has an ADAT input 2 Scarl...

Страница 16: ...erface are connected to desk Channels 1 to 10 Its OPTICAL OUT port is connected to an ADAT IN port of a Scarlett OctoPre Dynamic with ADAT LINE mode selected The OctoPre s LINE OUTPUTS are then connec...

Страница 17: ...rate SMUX IV mode each optical cable will then carry two channels of audio 5 Scarlett OctoPre Dynamic with analogue mixing desk Scarlett OctoPre Dynamic ANALOGUE MIXING DESK This setup uses the Scarle...

Страница 18: ...recording with or without secondary backup Because the Scarlett OctoPre Dynamic s ADAT OUT ports are always active you can record the performance on a DAW or other recording device with an ADAT interf...

Страница 19: ...27 dBu Maximum input level 13 dBu Gain Range 50 dB Input Impedance 3 k Line Inputs Frequency Response 20 Hz to 20 kHz 0 5 1 5 dB Dynamic Range 107 dB A weighted THD N 0 002 Maximum input level 21 dBu...

Страница 20: ...logue outputs 8 x balanced on rear panel TRS jack sockets Other I O ADAT I O 4 x TOSLINK optical connectors 8 channels at 44 1 48 kHz RH port 8 channels at 88 2 96 kHz Chs 1 4 RH port 5 8 LH port 4 ch...

Страница 21: ...ticles covering numerous troubleshooting examples COPYRIGHT AND LEGAL NOTICES Focusrite is a registered trade mark and Scarlett OctoPre Dynamic is a trade mark of Focusrite Audio Engineering Limited A...

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