Focusrite Red 1 Скачать руководство пользователя страница 5

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4

power set up

Power Connections

There is an IEC mains lead supplied in the package

which should have the correct moulded plug for your

country. The wiring colour code used in all Focusrite

products is:

For units shipped to the USA, Canada, Taiwan and Japan:

Live

- Black   

Neutral 

- White   

Earth

- Green

For units shipped to any other country:

Live 

- Brown   

Neutral 

- Blue   

Earth 

- Green and Yellow

In all modules, the chassis is connected directly to the

mains safety earth. We do not provide an earth lifting

switch, since such a switch can allow for a dangerous

wiring arrangement.

Warning:

For safety reasons, it is absolutely IMPERATIVE

that all modules have the mains safety earth connected.

Power Supply

All modules will work correctly from either 50 Hz or 60

Hz power supplies.

Most modules will operate on a range of voltages, and

have a two-position switch on the rear panel that

should be set to the correct voltage:

115V

Set to this position if the module is to be 

used with voltages in the range 90V to 120V

230V

Set to this position if the module is to be 

used with voltages in the range 220V to 240V

To comply with the safety codes in some countries,

modules may be supplied without a voltage selector. In

this case, the module is preset to the local supply

voltage, which is clearly marked on the rear of the

module. Check that the voltage is set correctly.

Power Consumption

The processing modules draw approximately 35VA

from the mains supply at highest load. 

Signal Connections

All the signal connections are via connectors mounted

on the rear panel. Standard XLR connectors are used

for all mic and line level signals, and are wired to the

AES standards, which are:

Pin 1

Screen

chassis

Pin 2

Live

audio 0°

Pin 3

Return

audio 180°

On every module except for the Red 3 and Red 5, all

inputs and outputs are transformer coupled. (The Red

3 is transformer coupled on the outputs but not at the

inputs, and the Red 5 has no transformer coupling.)

Transformer coupling creates a complete electrical

barrier between all the internal circuitry and power

supply and the outside world, and so removes the

possibility of ground loops. It is designed for balanced

connections: if you want to make unbalanced

connections, you must connect pins 1 and 3 of the

XLR together, as shown in the diagram.

For all inputs and outputs, the screen (pin 1 of the

XLR) is connected to the chassis earth point. When the

screen and earth wiring of the module is completed

correctly, all modules which are marked with the

European Community CE marking comply fully with

the relevant EMC regulations.

+

2

1

Chassis

XLR Pin

3

2

3

Chassis

1

Содержание Red 1

Страница 1: ...Red Range Manual featuring Red 1 3 7 8...

Страница 2: ...ns of those people who buy and use them To ensure this is the case I would ask you to go online to www focusrite com and register your product This will help us to monitor customer reaction and also e...

Страница 3: ...ective product This warranty is in addition to your statutory rights This warranty does not cover any of the following Carriage to and from the dealer or factory for inspection or warranty Consequenti...

Страница 4: ...d Attack and Release Setting the Attack Rate Setting the Release Rate Make up Gain Gain Change 14 dB Limiter Using the Key Input Compressing and Limiting a Stereo Signal Compensating for a Quiet Signa...

Страница 5: ...tor In this case the module is preset to the local supply voltage which is clearly marked on the rear of the module Check that the voltage is set correctly Power Consumption The processing modules dra...

Страница 6: ...input signal coming into the channel watch the meter as you use the gain control to modify the gain and set the gain control so that the meter registers between 4 VU and 0 VU This sets the level to g...

Страница 7: ...ults easily If this is the case try using samples instead if you have access to them or record your own track uncompressed and then play it back through the Red 3 There are two separate parts to the R...

Страница 8: ...of the medium The Controls The ratio and threshold controls set the amount of compression applied to the signal The attack and release controls set the duration of the compression The make up gain se...

Страница 9: ...signal returns below the threshold The release rate is probably the most important variable when recording rock music since it controls loudness Loudness is determined by the maintenance of high mean...

Страница 10: ...h the key input Note that the key input signal is not output from the unit it is the original input that is compressed but compression is applied as if the key input signal were being compressed For e...

Страница 11: ...nge so that you can monitor the effect of compression 2 Reduce the threshold and monitor the effect this has on the sound Listen to the reduction in the dynamic range Watch the meter to see the amount...

Страница 12: ...meter The red switch to the left of the meter activates the mic level input and allows you to use the mic gain control next to it The green switch to the right of the meter activates the line level i...

Страница 13: ...ts of the frequency spectrum Move the control until you start compressing the frequency range containing the sibilance or start amplifying the frequency range you want to restore with the exciter High...

Страница 14: ...ou open the module Warning Do not attempt to investigate fuse failure in a Red 5 Power Amplifier without first consulting your dealer or the factory The fuses in a power amplifier are the safety devic...

Страница 15: ...page 14 notes...

Страница 16: ...Focusrite Audio Engineering Ltd Lincoln Road Cressex Business Park High Wycombe Bucks HP12 3FX England Phone 44 0 1494 462246 email sales focusrite com Website www focusrite com...

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