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3.1 Structure of the filterbank

The module has an analog filter bank consisting of 12 filter bands. The first 11 filter bands are
24db bandpasses (resonance filters) with fixed frequencies and medium resonance, the excep-
tion being channel 12, a 24dB highpass filter that lets through all higher frequencies from around
5Khz.

The center frequencies of the channels are:
90Hz, 150Hz, 240Hz, 350Hz, 500Hz, 700Hz, 1KHz, 1.4KHz, 2KHz, 2.8KHz, 3.9KHz, >5.6KHz

Each filter band has an output volume slider. This allows you to lower these frequencies in the
overall sound or remove them entirely. Up to this point, the filter bank resembles a graphic equa-
lizer. But the filters in the CURVES have other properties that clearly distinguish them from an
equalizer. On the one hand, there are the resonant filters that particularly amplify the range
around the respective center frequencies. On the other hand, the individual frequency bands do
not overlap. Therefore, the timbre is noticeably affected because it adds resonances at key
points in the sound spectrum.

Each channel has a VCA for electronic volume control through the internal sequencer or sepa-
rately through the BAND CV input. With a CV voltage of 0 to +5v the channel can be regulated
separately. The BAND Leds signal the level of the VCA. Each channel has an additional output
for the audio signal, which can be tapped independently at the socket. The channel control has
no influence on the level (in order to be able to process the signal separately, even though it may
have been removed from the mix).

3. FILTERBANK

8

u

v

w

x

BAND LEDs

LED display VCA level of the filter band

BAND SLIDERS

Audio filter band attenuators 

BAND AUDIO OUT

Audio individual outputs of all filter bands

BAND CV IN

CV inputs of the VCAs of the filter bands 

u
v

w

x

Содержание CURVES

Страница 1: ...CURVES ANALOG RESONANCE FILTERBANK MANUAL Version 2 00 FLAME...

Страница 2: ...el 9 3 3 Filter bank control 10 3 4 MODE Sequence 11 Knob ENVELOPE 12 Knob VARIATION 13 Knob FILL 13 3 5 MODE Manually 14 FILTERTYPE 14 CUTOFF 15 SMOOTH 15 4 MIDI functions 16 4 1 Overview 16 4 2 Sync...

Страница 3: ...tions available into which a maximum of 99 four bar patterns can be loaded The patterns are selected either directly by button by MIDI program change or by CV input SEQUENCE With the help of the Curve...

Страница 4: ...ty If the module is poled accidentally wrong safety diodes avoid the immediate destruction of the module but further damages cannot be excepted So please pay attention Check the connection various tim...

Страница 5: ...ers channel volume Filter channel direct audio outputs MIDI input CV inputs Reset input 16th clock input Audio inputs odd mono even Audio outputs odd even ALL mono Filter channel single VCA inputs Inp...

Страница 6: ...quences or firmware updates via sysex Connect the MIDI input to the MIDI output of your keyboard controller or computer An appropriate commercially available adapter MIDI DIN to Mini TRS B or a 3 5mm...

Страница 7: ...MIX control is in the middle position the volumes of the original and effect signals are approximately the same The LEVEL control then determines the level of the mix signal at the ALL output socket T...

Страница 8: ...hat particularly amplify the range around the respective center frequencies On the other hand the individual frequency bands do not overlap Therefore the timbre is noticeably affected because it adds...

Страница 9: ...volume control via CV and a slider for manually attenuating the audio signal The VCAs can be controlled in different ways directly via channel CV input Filter simulations by manual controls CV intern...

Страница 10: ...Y Display oF KNOB ENVELOPE Smoothing of passing through the filter bands KNOB VARIATION Selection of one of 6 filter types KNOB FILL Adjust filter type cutoff In CURVES there are two different ways MO...

Страница 11: ...n externally This is done eit her with MIDI clock start stop or via the CLOCK and RESET sockets The analog CLOCK input requires a 16th pulse sequence Since the sequencer runs internally at a higher re...

Страница 12: ...riggered by the sequencer The length of the step gate time has no influence on the envelope However if the position of the controller is bet ween 9 and 12 o clock the envelope is set to type AR Attack...

Страница 13: ...This happens in addition to the playing sequence The sequence con tinues to be heard until the maximum is reached The effect can be compared to the dry wet beha vior of the MIX controller where the o...

Страница 14: ...CUTOFF Adjust filter type cutoff FILTERTYPE The VARIATION control sets one of six filter types These algorithms use the filter bands to simu late classic filter types such as lowpass bandpass highpas...

Страница 15: ...through the individual fil ter bands like a low pass filter You can see this from the glowing LEDs of the filter channels The filter type algorithm automatically regulates the volume of the individua...

Страница 16: ...ecognized 4 2 SYNC per MIDI Each filter channel can be played with an external keyboard for example A note number is assigned to each filter band for this purpose Velocity affects the triggered volume...

Страница 17: ...CA_BAND5 11 VCA_BAND6 12 VCA_BAND7 13 VCA_BAND8 14 VCA_BAND9 15 VCA_BAND10 16 VCA_BAND11 17 VCA_BAND12 18 ENV_BAND1 19 ENV_BAND2 20 ENV_BAND3 21 ENV_BAND4 22 ENV_BAND5 23 ENV_BAND6 24 ENV_BAND7 25 ENV...

Страница 18: ...n both sequence keys while you power on the module The display shows UP UPDATE 4 Now send the Sysex firmware file to the module While the update runs you can see the progress indicator display shows c...

Страница 19: ...IDI connections voltage problems If you have any complaints please contact your dealer or send an e mail to service flame instruments de 6 3 Terms of production conformity CE RoHS UL 6 4 Disposal The...

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