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The Fitness Audio Loudness Monitor LM-30  

‘The Trigger’™

Thank you for purchasing the The Trigger LM-30 Loudness Monitor by Fitness Audio. The 

Trigger is an SPL (Sound Pressure Level) measuring device, made for and marketed by 

Fitness Audio. The Trigger provides the answer to the “How Loud is too Loud?” question for 

all Fitness Club Managements. Sound levels will vary from instructor to instructor, with  

different class styles and the total number of bodies in the studio at the time so sometimes 

the system has to be pushed harder for a full class but a lot less so when there’s only a 

handful of people attending. White dots on mixers and amplifiers to show “max volume  

settings” are a pointless exercise, the only sure way of knowing where you are with regards 

to sound levels is to have a simple continuous visual guide which is what Trigger does.
If you have purchased The Gov^nor with The Trigger then make sure The Trigger is mounted 

on a wall at least 3-5 metres away from the nearest speaker, or between speakers on a side 

wall and at least 2.5 metres off the floor – out of the direct line of fire of any speaker. In this 

position it can measure the ambient SPL Level in the room with a reasonable degree of 

accuracy. Most legal definitions of Exposure to Noise in the Workplace list 94dBA as the  

recommended level for a 60 minute exposure. In the case of a Group Exercise class “Noise” is 

a combination of the amplified Instructor’s Voice mixed over their choice of fitness music.
This product is best installed by someone qualified in setting up and adjusting it in conjunction 

with an SPL Meter or with The Gov^nor Sound Pressure Limiter SPL2.2 or the Aeromix 2+2 Mic/

Line Mixer also from Fitness Audio. The Trigger can also be a stand alone Loudness Level 

Display, if this is the case then it should be supplied with the optional extra 24V Power Supply.

1. Powering It Up As A Stand Alone Loudness Monitor

Select a position on a side wall between speakers about 2.5m off the floor at a position 

where it can be connected to electrical power from a socket in or near the ceiling. Decide if 

you want to hang it vertically or horizontally. There are 2 cross holes on the back that allow 

you to hang it either way off of one (Vertical) or two (Horzontal) screw heads. Connect the 

24V Powerpack to the socket and the DC Connector to the DC IN socket on the top edge of 

the Trigger. The 2 green -ON- LEDS will light up.

2. Powering It from The Gov^nor SPL2.2 Limiter 

Prepare The Trigger for wall mounting as above. If connecting to the SPL2.2 Limiter then 

you can use Cat 5 Cable or a length of speaker cable to power it from the green 3 pin Molex 

Connector on the back panel of the Gov^nor. If using Cat 5 cable Pin 1 is earth and Pin 3 

is +24V at both ends. Use the Green and Green/White pair for this, with the solid Green as 

the earth cable to Pin 2 at both ends. Once connected the Trigger will power up when the 

Gov^nor is turned on. 

3. Connecting the Control Signal to The Gov^nor SPL2 or SPL2.2 Limiters or Aeromix 2+2 Mixer

If using CAT 5 Cable use the Orange & Orange/White Pair. Trim back the 2 unused pairs of 

cables. This time we are using the green 4 pin Molex Connector at each end so strip back 

about 10cms of cable jacket so that the 2 used cable pairs can separate for both Molex 

plugs on the SPL2.2. Make sure you connect up to the same terminals at each end to the 

4 pin Molex Connector, the Earth (-) or Ground side of the cable is connected to the inside 

contact of Control Pair 1 of the Gov^nor, on the right hand side of the Molex connector. It is 

the same for the Trigger - use the solid Orange as the earth cable and the Orange/White for 

the Control signal. This also can be done using another length of standard Speaker cable.

4. Plug it in!

Once wired, plug all the Molex connectors in and turn on the Limiter and the sound system. 

Refer to the Operation Manual for the Gov^nor and the Aeromix for setting them up the 

way you want it.

5. A vs C Weighting

*A-WEIGHTING follows the frequency sensitivity of the human ear at low levels. This is the 

most commonly used weighting scale, as it also predicts quite well the damage risk of the 

ear. Sound level meters set to the A-weighting scale will filter out much of the low frequency 

noise they measure, similar to the response of the human ear. Noise measurements made 

with the A-weighting scale are designated dBA.
*C-WEIGHTING follows the frequency sensitivity of the human ear at very high noise levels. 

The C-weighting scale is quite flat, and therefore includes much more of the low-frequency 

range of sounds than the A scale.
In a practical sense A Weighting responds slower than C Weighting as far as the LEDs are 

concerned because it is a flatter curve recording more bass energy, so if your major concern 

is complying with orders to reduce excessive bass use the C Weighting, but if your primary 

concern is to comply with the standard Occupational Health & Safety exposure of 94dBA for 

a one hour class then use the A weighting position of Switch (4)

6. Adjusting the Threshold Level

The Trigger comes pre-set at the centre click position or 94dB. If you want to change this 

setting then using a small slot head screwdriver insert in the top of this 11 click rotary pot 

and count it up or down at 3dB per click position. You can go up or down 15dB from the 

centre spot. Most agencies in North America, Europe and Australia/New Zealand agree that 

94dBA is the reference point for an hour of noisy work before people’s hearing starts to  

suffer damage over time. The other marked levels are 85dB which is the recommended level 

for background music and noise for an 8 hour working day at the place of work and 103dBA 

is there to remind you that your ears could be damaged if this level is maintained for longer 

than 7.5 minutes! Once set insert the rubber plug in the hole as a set and forget exercise.

7. The Trigger Loudness Monitor 

If you are using the Trigger to control the Gov^nor then follow these instructions but if you 

are setting it up manually using an SPL meter refer to section 8.

7.1 Setting the upper limit

Switch the Limiter Switch (7) to ON and the Control switch (1) to ON once The Trigger is 

connected and turned on. Now set The Trigger’s Threshold Control to the recommended 

level of 94dBA and preview with the live mic and music. When the volume reaches the level 

of 94dBA the red LEDs will illuminate and a voltage control signal will trigger the Limiter 

to start working. The object of the exercise now is to mix to the top 3 yellow LEDs with the 

94dB level as the top limit using the limiter to put the brakes on it going louder than that.

7.2 Setting the Gov^nor’s Controls

There are 3 coloured control knobs that need to be adjusted by trial and error so use 

your ears. The first is the red knob marked Peak Level Reduction (9) which determines the 

amount of limiting (gain reduction) that needs to be applied to the signal – ie the harder 

the system gets driven the more to the right you should turn it!
Next is the yellow knob marked Limit Threshold (10) – this adjusts the volume ceiling up 

and down and determines how much of the signal gets the limiting treatment.
Finally the green third knob Meter Trim (11) controls the LED output display on the front 

panel and is independently adjusted so that it can always have an ‘in the red’ presence, if 

that’s what management want their staff to see.
The Response Time (8) adjusts the time (from 2 to 8 seconds) between when The Trigger’s 

red lights come on and the Gov^nor starts limiting the audio level. This will allow a few 

words of amplified encouragement through before the limiter cuts in and clamps down on 

their voice.
As we said this needs to be set up by trialling it to find the best settings that work best for 

the client.
Once it’s working correctly then the users will be turning the music up to light up the 

yellow lights on The Trigger with the red lights coming on only occasionally when the 

instructors voice is raised. If the red LEDS are lit continuously at the Threshold Setting then 

this will ‘trigger’ the Limiter to cut in and hold the level at the threshold setting and a click-

ing sound can be heard as this happens. Just back off the Voice and/or Music controls a 

touch to get the red LEDs flashing only on short sharp peaks not permanently and that’s 

where the sound level should be.
NB The Gov^nor SPL2.2 will also work in a similar way when connected to SoundEar® 

Products @ www.soundear.dk

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