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MECHANICAL NOISE FROM INSTRUMENT CABLE

TIGHTEN  ALL PLUG HARDWARE

T R O U B L E   S H O O T I N G   G U I D E

SYMPTOM

TYPICAL CAUSE

SOLUTION

NO SIGNAL

WITH BATTERY POWER

NO SIGNAL WHEN USING 

AUX / MIC IN JACK ONLY  WITH BATTERY POWER

DISTORTED OR NO MIC SIGNAL

WITH ACTIVE PICKUP 

(BATTERY ON INSTRUMENT)

MUTE SWITCH IN

STEREO IN JACK MUST BE PLUGGED IN FOR POWER

TO BE ON WHEN USING BATTERY POWER

MIC IS GROUNDED-OUT 

BY THE INSTRUMENT’S ONBOARD PREAMP

SET MUTE SWITCH TO OUT POSITION

LOOSE BATTERY COMPARTMENT TERMINALS

REMOVE BATTERY AND RE-TENSION TERMINALS BY

PULLING THEM UP WITH YOUR FINGER

DEVICE APPEARING AT MIX EFFECTS RETURN

IS BREAKING THE SIGNAL PATH

REMOVE PLUG FROM EFFECTS RETURN

MICROPHONE CHANNEL DEAD 

WITH MINI-MIC 

CONNECTED TO STEREO IN JACK

PHANTOM POWER IS OFF ( SWITCH IS IN )

TURN PHANTOM POWER ON ( SWITCH IS OUT )

WHEN SENDING MIC SIGNAL THROUGH STEREO IN

JACK, ANY SIGNAL CONNECTED TO THE AUX / MIC IN

JACK OVERRIDES THE MIC

DISCONNECT SIGNAL FROM AUX / MIC IN JACK

DEVICE APPEARING AT THE MIC EFFECTS RETURN IS

BREAKING THE SIGNAL PATH

REMOVE PLUG FROM MIC EFFECTS RETURN

INSERT A 1/4” PLUG OR UNUSED 

INSTRUMENT CABLE INTO THE STEREO IN JACK

INSTALL A FISHMAN SMART SWITCH 

OR USE SEPARATE CABLES 

FOR MIC AND PICKUP

NO SIGNAL

WITH AC POWER

AC ADAPTER IS DAISY-CHAINED TO OTHER DEVICES

MUTE SWITCH IN

DEVICE APPEARING AT MIX EFFECTS RETURN IS

BREAKING THE SIGNAL PATH

REMOVE OTHER DEVICES 

FROM BLENDER’s POWER SUPPLY

SET MUTE SWITCH TO OUT POSITION

REMOVE PLUG FROM EFFECTS RETURN

MIC IS DEAD AND PICKUP APPEARS 

IN MICROPHONE CHANNEL

MIC AND PICKUP ARE WIRED TO STEREO OUTPUT

JACK BACKWARDS

( MIC TO TIP AND PICKUP TO RING )

WIRE PICKUP TO TIP AND MIC TO RING OF STEREO

OUTPUT JACK

PIEZO / MAGNETIC PICKUP OR DYNAMIC

MIC DEAD OR LOW LEVEL IN MIC CHANNEL

PHANTOM POWER IS ON

( SWITCH IS OUT )

TURN OFF PHANTOM POWER

( SWITCH IS IN )

DISTORTION FROM EXTREMELY 

‘HOT’ SIGNALS SUCH AS EXTERNAL PICKUP

INPUT CLIPS WITH TRIM CONTROL ALL THE WAY DOWN

CONSULT FISHMAN

TECH SUPPORT LINE AT 978-988-9665

PIEZO HIGH FREQUENCY LOSS 

INSTRUMENT CABLE IS TOO LONG

USE ONLY 15’ OR SHORTER INSTRUMENT CABLES 

WITH PASSIVE PICKUP

HUM

USE OF AN UNREGULATED POWER SUPPLY WILL

CAUSE THE BLENDER TO HUM UNDER AC POWER 

USE ONLY FISHMAN 910-R 

OR ROLAND PSA SERIES AC ADAPTERS

POORLY SHIELDED OR UNSHIELDED CABLE

USE ONLY QUALITY FULLY SHIELDED 

INSTRUMENT CABLES

NOISE OR DISTORTION 

FROM EITHER CHANNEL

LOW BATTERY

PLUG INTO STEREO IN JACK AND PUSH IN BATTERY LOW

SWITCH; IF LED LIGHTS UP REPLACE BATTERY

TRIM CONTROL(S) SET TOO HIGH

LOWER TRIM CONTROL(S)

UNTIL DISTORTION DISAPPEARS

MECHANICAL NOISE FROM INSTRUMENT

LISTEN TO INSTRUMENT ACOUSTICALLY 

TO ISOLATE NOISE

A C O U S T I C   B L E N D E R   S Y S T E M

17

Содержание ACOUSTIC BASS BLENDER

Страница 1: ...ACOUSTIC BLENDER A C O U S T I C I N S T R U M E N T P R E A M P ACOUSTIC BASS BLENDER A C O U S T I C B A S S P R E A M P O W N E R S M A N U A L...

Страница 2: ...d play with complete free dom of movement 2 STEREO INSTRUMENT CABLE The microphone and pickup signals are fed into a stereo jack also called TRS or Tip Ring Sleeve that is mounted on the instrument Th...

Страница 3: ...t Switch to connect a microphone to the stereo endpin jack for the system to operate See Page 22 PICKUP AND MICROPHONE WITH SEPARATE MONO INSTRUMENT CABLES You may choose to route the pickup and micro...

Страница 4: ...ont panel 3 Set all front panel switches to the OUT position Set both Gain controls fully counter clockwise Set the Output Level to 3 00 Set Bass and Treble controls to 12 00 4 Run a cable from one of...

Страница 5: ...13 TRANSDUCER TREBLE CONTROL See Page 9 14 TRANSDUCER TRIM CONTROL See Page 9 15 TRANSDUCER PHASE SWITCH See Page 9 16 BATTERY LOW LED See Page 10 17 HEADPHONES OUTPUT See Page 10 18 MUTE SWITCH See P...

Страница 6: ...ICROPHONE channel and the Tip signal goes to the TRANSDUCER channel 2 TRANSDUCER CHANNEL ONLY OPERATION Mono Cable One signal from your instrument is routed through a mono instrument cable to the STER...

Страница 7: ...ntom Power for applications that use a dynamic microphone or pickup The OUT position provides 4 5 Volt Phantom Power to the Ring of the STEREO IN jack OR the Tip of the AUX MIC IN jack BASS CUT SWITCH...

Страница 8: ...ill be either in the same position or one in and one out When you set up in a different venue the Phase of the house sound system and room acoustics can contribute to different Phase relationships com...

Страница 9: ...n also be used to calibrate the MICROPHONE and TRANSDUCER Gain controls If there is a disparity between the signal strength of the two channels use the Trim control to normalize the levels Try setting...

Страница 10: ...TCH Shuts off all signals to the main outputs of the BLENDER and allows you to disconnect your cable from the BLENDER or from your instrument silently It does not affect the Phones jack or the Effects...

Страница 11: ...EFFECTS LOOP allows you to interface blended MICROPHONE and TRANSDUCER Channel signals with outboard signal processors and effects such as equalizers compressors volume pedals and reverb units The MI...

Страница 12: ...ignals through a stereo instrument cable you may need to install a Fishman SMART SWITCH for the system to operate See Page 22 2 PICKUP ALONE Single pickup is sent through a mono instrument cable to th...

Страница 13: ...pickup signal Tip is sent to the TRANSDUCER Channel C Surface mount pickup signal Ring is sent to the MICROPHONE Channel Phantom Power must be turned OFF switch pushed IN NOTE Both signals may be rou...

Страница 14: ...ut of your PA System The PA will see a blended signal both microphone and pickup This is a great way to control exactly what the soundman has to work with and what the audience will hear 3 XLR MIX AND...

Страница 15: ...5 4 USING MULTIPLE OUTPUTS All of the Acoustic BLENDER s outputs can be used simultaneously This offers virtually any combination of signal routing and interfacing options to accommodate a wide variet...

Страница 16: ...S LOOPS The BLENDER has three Effects Loops one each for the MICROPHONE TRANSDUCER and MIXED signals The Sends can be used as additional outputs and the Returns can be used as alternate inputs The TRA...

Страница 17: ...AC POWER AC ADAPTER IS DAISY CHAINED TO OTHER DEVICES MUTE SWITCH IN DEVICE APPEARING AT MIX EFFECTS RETURN IS BREAKING THE SIGNAL PATH REMOVE OTHER DEVICES FROM BLENDER s POWER SUPPLY SET MUTE SWITCH...

Страница 18: ...nput Level 20 dBV Input Overload 20 Hz 20 kHz 14dBV Input Stage Impedance Transducer 10 Megohms Microphone without Phantom Power 1 0 Megohms Microphone with Phantom Power 2 2 kilohms Phantom Power 4 5...

Страница 19: ...ly mounted in or outside the sound chamber of most stringed instruments The microphone with a TRS stereo jack included can be attached to the instru ment using one of the following mounting systems GM...

Страница 20: ...s are Guitar 95 105 Hz Bass 65 75 Hz Violin 275 300 Hz Cello 125 135 Hz To address Cavity Resonance Feedback 1 POSITION THE MICROPHONE away from the opening on non flat top instruments This works well...

Страница 21: ...At high volume levels when a mic ed instrument and speaker are in phase the sound pressure from the speaker will excite the instrument s sound chamber creating a feedback loop at the instrument s lowe...

Страница 22: ...wn GLM 200 microphone to a switching jack configura tion creates an electronic version of musical chairs in which the microphone sig nal and negative battery wire are both vying for the same RING term...

Страница 23: ...23 A C O U S T I C B L E N D E R S Y S T E M N O T E S...

Страница 24: ...h the Return Policy as follows This warranty remains valid only if repairs are performed by FISHMAN TRANSDUCERS This warranty gives you specific legal rights and you may also have other rights which m...

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