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8

MUSTANG LT25 AMPLIFIER MODELS

This table lists the amp models in Mustang LT25. The amp label used in each preset appears in the lefthand 

column, followed by the amp type and a brief description in the righthand column.

50S TWIN

Based on a 1957 Twin—an original-era 2x12” Fender tweed 

classic prized for clean-to-dirty versatility

60S UK CLN

Inspired by the Vox AC30, which powered the British Invasion 

and produced remarkable clean and dirty tone

70S ROCK

Inspired by a late-’60s/early-’70s Marshall Super Lead, the 

amp that powered the dawn of hard rock

70S UK CLN

Inspired by the original 100-watt Hiwatt DR103, which is 

the classic cleaner-tone British stack

80S ROCK

Inspired by the Marshall JCM800, which produced quintessential ’80s metal tone

90S ROCK

Based on the Mesa Dual Rectifer, which featured distinctive 

distortion that shaped the “nu-metal” sound

BASSMAN

Based on the venerable ’59 Bassman

®

—one of Fender’s greatest tweed amps, which 

began life as a bass amp before being adopted by countless guitarists

BURN

Based on the “burn” channel of the modern Fender Super-Sonic amp, which has two 

cascading preamp gain stages for pronounced sustain

CHAMP

Based on the ’57 Champ

®

—the small but mighty late-’50s Fender recording great

DELUXE CLN

Based on the highly popular 1965 Fender Deluxe Reverb

®

—an amp with great tone 

whether clean or dirty, and cranked in countless clubs

DELUXE DIRT

Based on a 1957 Deluxe

—a medium-power late-’50s Fender tweed 

classic known for thick, compressed overdrive

DOOM METAL

Inspired by the “sludgy” majesty of the Orange OR120

EXCELSIOR

An elegantly eccentric modern-day Fender model with the 

distinctive thump of a 15” speaker

ALT METAL

Based on the distinctive nu-metal-defining distortion of the Mesa Dual Rectifier, gat-

ed with a very fast attenuation curve especially ideal for high-gain metal

METAL 2000

Modern high-gain scorch based on the EVH® 5150

III

PRINCETON

Based on a 1965 Princeton

®

—a mid-’60s Fender studio favorite with 

the snappy tone of a single 10” speaker

SMALLTONE

Inspired by the garage-classic 1960s Sears Silvertone 

beloved of retro/alternative players

SUPER CLEAN

Direct-to-mixing-desk studio-preamp purity with 

clean, uncolored tonal response

SUPER HEAVY

Modern high-gain scorch based on the EVH® 5150III, gated with a very fast attenua-

tion curve especially ideal for high-gain metal

TWIN CLEAN

Based on the 1965 Fender Twin Reverb

®

—an indispensable mid-’60s stage-and-

studio favorite prized for producing the Fender clean tone

Champ, Deluxe, Bassman, Princeton, Deluxe Reverb and Twin Reverb are trademarks of FMIC. All other non-FMIC product names and trademarks appearing in this manual 

are the property of their respective owners and are used solely to identify the products whose tones and sounds were studied during sound model development for this 

product. The use of these products and trademarks does not imply any affiliation, connection, sponsorship, or approval between FMIC and with or by any third party.

PRESET AMP LABEL

AMP TYPE AND DESCRIPTION

Содержание Mustang LT25

Страница 1: ...EXPANDED OWNER S MANUAL...

Страница 2: ...e Amplifier Model in a Preset 7 List of Mustang LT25 Amplifier Models 8 Editing and Saving Effects Control Settings 9 Replacing Adding and Deleting Effects 10 Setting Delay Times with the Tap Button 1...

Страница 3: ...ets and comprehensive descriptions of the amplifier and effect models It also includes illustrated step by step instructions for using Mustang LT25 s onboard tuner footswitch USB port and other functi...

Страница 4: ...ntrols actual overall volume I DISPLAY WINDOW Shows preset in use preset contents and parameters and other functions i e tuner and other menu functions J ENCODER Rotary control with press switch funct...

Страница 5: ...DRYCLEAN 23 POLICE THE AREA 04 VINTAGE TREMOLO 14 POWER PUNCH 24 VH BROWN SOUND 05 DREAMY 15 CLEAN DELAY 25 YOU TOO ANTHEM 06 COUNTRY PICKING 16 ROCK STRUM 26 PINK OF THE MOON 07 STRIPES FUZZ 17 LITT...

Страница 6: ...ber and name of the preset the amplifier type in use and four boxes that organize the effects used for that preset if any These effects category boxes are labeled STOMP stompbox MOD modulation DELAY a...

Страница 7: ...adjusted control val ues Pressing BACK returns the user to the preset contents screen pressing the ENCODER lets the user contin ue making controls setting changes and the box surrounding the control...

Страница 8: ...ations where the preset can be moved Select a new location by turning and pressing the ENCODER NOTE When using SAVE AS note that a preset can be moved to a different position even if no edits have bee...

Страница 9: ...he amp model appears at the top of this list Press the ENCODER once more to activate the amplifier replacement function the box surrounding the amp name will turn from blue to red and white arrows wil...

Страница 10: ...Deluxe a medium power late 50s Fender tweed classic known for thick compressed overdrive DOOM METAL Inspired by the sludgy majesty of the Orange OR120 EXCELSIOR An elegantly eccentric modern day Fende...

Страница 11: ...et a new value for the selected control value At this point press the ENCODER to accept the adjusted effect control value and exit edit mode the sur rounding box will then return to blue Alternately p...

Страница 12: ...R again to see the effect contained in the effect category box the name of the effect model is highlighted at the top of the DISPLAY WINDOW Press the ENCODER once more to activate the effect replaceme...

Страница 13: ...ly occupied effect category box now empty To add an effect to an empty effect category box first access the contents of a preset by pressing the ENCOD ER on it then use the ENCODER to scroll to the em...

Страница 14: ...Editing and Saving Effects Control Settings instructions found on page 9 using the EN CODER to scroll to select and adjust individual effect settings including delay time The second way is to use Must...

Страница 15: ...essor pedal with an especially strong compression effect and short attack time METAL GATE Noise gate with a very fast attenuation curve especially ideal for high gain metal 5 BAND EQ Five band graphic...

Страница 16: ...LL ROOM Warmer less echo y reverb typical of smaller spaces and classic echo chambers SPRING 65 Fender reverb effect built into classic mid 60s Fender amps PLATE The reverb type heard on countless rec...

Страница 17: ...f Mustang LT25 s built in chromatic tuner page 16 FOOTSWITCH For configuring Mustang LT25 s single button footswitch to provide easy hands free selec tion of any two presets page 17 SETTINGS Displays...

Страница 18: ...e the TUNER sound a note the letter name of the pitch will appear in the box at bottom and the shorter vertical bars on either side of the longer vertical center bar will illuminate red to indicate va...

Страница 19: ...will turn red Use the ENCODER to scroll to a new preset for the upper quick access position Press the ENCODER to select the new upper quick access preset the box surrounding the preset name will retu...

Страница 20: ...UNCTION RESTORE The fourth MENU function RESTORE enables restoration of all original factory presets and amplifier set tings To do this press the MENU utility button then use the ENCODER to scroll to...

Страница 21: ...at www fender com support articles fender universal asio drive Note that although the USB port and the auxiliary input can be used simultaneously the USB port cannot be used to record a signal from th...

Страница 22: ...er 8 FOOTSWITCH Fender 1 Button Economy On Off Footswitch optional PN 0994049000 DIMENSIONS AND WEIGHT Width 14 5 36 8 cm Height 13 1 33 2 cm Depth 8 3 21 1 cm Weight 12 8 lbs 5 8 kg Product specifica...

Страница 23: ...spective owners Copyright 2019 FMIC All rights reserved PN 7715452000 rev a SJ T 11364 O GB T 26572 X GB T 26572 Pb O O X X X O O O O O O O O O X O O O O O O O O O O O O O O O O O O O O O Hg Cd Cr VI...

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