Epifani 502 Скачать руководство пользователя страница 7

  • Getting Started

Now that you’ve become acquainted with the features of your new Epifani Amplifi er it’s time to actually 

experience the product. To operate this product to it’s fullest potential please read these instructions 

thoroughly. 

WARNING! - BEFORE PLUGGING YOUR UNIT IN FOR THE FIRST TIME READ THE FOLLOWING 
SECTION CAREFULLY.

AC outlet voltages vary from country to country. Make sure that the voltage in your area meets the 

voltage requirements printed on the apparatus (e.g., AC 230V 50 Hz or AC 120V 60Hz.)

Make sure that the voltage selector is set in the proper position for your area. Failure to do so could 

result in harm to your amplifi er and void the warranty.

  • Connections

1.) Remove  the  AC  cable  from  the  package  and  fi rmly  insert  the  female  end  in  the  AC  receptacle 

located on the back panel of your amp.

2.) With the amplifi er in the “OFF POSITION” plug the male end of the AC cable into the wall outlet.

3.) Connect the speaker using either the “Speakon™ or 1/4” phone jacks on the rear panel.  Make sure 

that you are using an “unshielded” speaker cable and that the polarity of the cable is correct. Do 

not use a shielded instrument cable to connect speakers to an amplifi er.

4.)

NEVER connect plus or minus to ground

 – (i.e. we highly recommend the use of a “Speakon™ 

to Speakon™” for a better connection. In the event of a Speakon™ to 1⁄4 inch connection be sure 

the  connection  from  the  amp  to  cabinet  is  made  while  the  amplifi er  is  OFF.  Note  -  (If  you’ve 

purchased an Epifani Combo amp the primary speaker connection has already been made.)

5.) Now you can connect your instrument to the amplifi er. Make certain that you are using a “shielded” 

instrument cable to connect your instrument to your amplifi er. If you are unsure of the type of 

cables  you  currently  own,  we  advise  you  take  a  trip  to  your  local  music  store  and  purchase 

the appropriate cables.

6.) If you have a passive instrument plug it into the jack marked “Passive” on the front panel. If you 

have an active instrument then plug it into the jack marked “Active” on the front panel.

  • Powering Up

Before turning your amplifi er on always set the “Master Volume Control” to the zero position. 
This will prevent damage to your speakers in the event of a product failure or faulty input signal.

1.) Turn the amplifi er on using the power switch located in the upper right hand corner of the amplifi er 

front panel. In the “on” position the indicator on the front panel should be illuminated blue. Upon 

power-up the mute feature will engage.

2.) Turn the volume on your instrument to the loudest position. 

3.) Next, set the EQ controls (bass, mid, and treble) to zero (twelve o’clock position) and begin playing 

aggressively

aggressively while turning up the Gain control of the appropriate channel (as indicated by the LED 

peak indicator light).  When the LED light is green there is still potential to increase the Gain. When 

the light turns red your input is too hot and your signal will distort. For the cleanest sounding 

results, allow the LED indicator to turn red intermittently (only while playing at the most aggressive 

levels). Note: this must be done separately for both Channels 1 Channel 2.

4.) Next,  turn  the  Master  Control  clockwise  to  the  desired  listening  volume.  Note:  make  sure  the 

Mute button is not engaged. At this point you should be hearing your instrument amplifi ed through 

the system.  Congratulations! You’re only a few steps away from hearing your instrument’s true, 

natural character.

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Страница 1: ... 502 Amplifier 902 Amplifier Quest II Preamp UL 112 Combo UL 210 Combo UL 115 Combo Instruction Manual Ultra Light Series ...

Страница 2: ...ervice you can feel confidant that we put as much pride in supporting our products as we do designing and building them Love the way you sound Nick Epifani Ultra Light Series 502 Amplifier 902 Amplifier Quest II Preamp UL 112 Combo UL 210 Combo UL 115 Combo 2 Table of Contents Introduction 2 Important Safety Information 3 Front Panel Features 4 Rear Panel Features 5 Getting Started 6 Connections 6...

Страница 3: ...aditional cabinet too heavy for one person to handle This material allows for a sturdier cabinet construction more precise cabinet tuning and further reduces sound damaging resonance Loaded with high performance neodymium drivers built to demanding specifications specifically for Epifani the cabinets are tuned to reveal the true nature and nuance of your instrument s character Even the crossovers ...

Страница 4: ...cularly at the plugs or at the point where they exit the device 11 Unplug this apparatus during lightning storms or when unused for long periods of time 12 Refer servicing to all qualified service personnel Servicing is required when the apparatus has been damaged in any way such as the power cable has been damaged or liquid has been spilled or objects have fallen into the apparatus or the apparat...

Страница 5: ...the level accordingly to your preference Start at the twelve o clock position and add deduct as you prefer 13 Channel 2 Parametric Midrange Level Control This feature allows you to boost or cut a particular frequency chosen by the Mid Frequency Control 14 When the Level Control is set at 12 o clock it is at 0 it is neither boosting nor cutting any frequencies therefore you will hear no difference ...

Страница 6: ...while the amplifier is OFF 22 Pedal Control Allows you switch between Channel 1 and Channel 2 and toggle Mute Tuner and Mid cut 23 Effect Send Return This feature allows you to use outboard effects with the Ultra Light Amp Effects Send Return Can also be run in series or parallel via the selector switch 23 24 Tuner Out Connect your tuner using an instrument cable While in mute mode you can directl...

Страница 7: ...u are using a shielded instrument cable to connect your instrument to your amplifier If you are unsure of the type of cables you currently own we advise you take a trip to your local music store and purchase the appropriate cables 6 If you have a passive instrument plug it into the jack marked Passive on the front panel If you have an active instrument then plug it into the jack marked Active on t...

Страница 8: ...at that process but instead of boosting the Mid Level cut the level by turning the control counterclockwise Play your instrument and sweep the Mid Frequency control You ll hear the frequencies you are sweeping cut from the sound of your instrument By going through this process you will have become more familiar with frequencies impacted by the semi parametric EQ and ultimately find it easier to us...

Страница 9: ...put of your effect to the UL Amp Series Effects Input Using the Serial Parallel switch you can choose run your effects in line with the dry signal or along side of the dry signal Typically a reverb would be run in parallel and a chorus or flanger would be run in series To practice along with pre recorded music you could take the output of a tape player CD player or MP3 player and plug it into the ...

Страница 10: ... x 21 1 2 H Inputs 1 Active 1 Passive Signal to Noise Ratio 90 dB Output Impedance 4 ohms Input Impedance Passive 470 Kohms Active 200 Kohms Speaker 1 x 300w RMS Cast Aluminum Frame 100w RMS Tweeter Freq Response 43Hz 16kHz Power Rating 300w RMS 1200w Peak UL 115 Combo Power Rating 600w 4 ohms Weight 58 lbs Dimensions 19 5 W x 16 25 D x 27 5 H Inputs 1 Active 1 Passive Signal to Noise Ratio 90 dB ...

Страница 11: ...ame 100w RMS Tweeter Freq Response 40Hz 16kHz Power Rating 700w RMS 2100w Peak 8 or 4 Ohms Suggested Wattage 400w 2000w Sensitivity 103dB SPL 1w 1m Recessed Handles 59 lbs UL310 Speaker 3 x 250w RMS Cast Aluminum Frame 100w RMS Tweeter Freq Response 40Hz 16kHz Power Rating 750w RMS 1800w Peak 4 Ohms Suggested Wattage 200w 1000w Sensitivity 103dB SPL 1w 1m Recessed Handles 47 lbs UL 410 Speaker 4 x...

Страница 12: ...y Barnes Chic Stanley Banks George Benson Malcolm Prescott John Benitez Steve Mosher Moses Graphite Luis Rivera Joe Gallant Steve Zerlin Bo Bradley Joe Lauricella Fodera Guitars Tony Garnier Bob Dylan Gabriel Nicholson John Love John Flitcraft Michael Tiny Lindsey MichaelTolcher Rashon Alexander Bernard Bell Gap Band Stacy McGee Ginuwine Lamont McCain DJ Logic Anthony Corley Bryant Wilder Drew Lus...

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