245 out I-II / II-I switch
– selects how the 245 engine routes the signal to the plug-ins’s Left
and Right output channels. I-II is a default routing. II-I swaps the output channels’ routing.
MOD multiplier
– sets the reverberator’s modulation depth. The default value is at the 12
o’clock position. Turning the trimpot clockwise leads to a strongly modulated and muddied
effect. Turning the trimpot counter-clockwise reduces the modulation which results in
reduced tail smoothness and a more resonant character to the reverberation tail.
Close button
– click to close the hidden parameters’ flap.
HPF
– sets the reverberation high pass filter to reduce the amount of low frequency content
in the reverberated signal. The high pass filter is located on the input of the reverberation
input.
LOW
– adjusts the reverberation time for low frequency range.
HIGH
– adjusts the reverberation time for high frequency range.
WIDTH
– sets the stereo width of the reverberated signal.
BALance
– sets the balance of the reverberated signal.
___________________________________________________________________
PSP 2445 Operation Manual
7
Most algorithmic reverberators have some inherent modulation—sometimes noticeable,
sometimes not. This is because the complexity of algorithmic reverbs is considerably
simplified from an actual studio or hall environment. This is reflected in the number
of resonances, or the pattern and mechanical character, of reverb tail reflections. To deal
with these limitations, modulation is added to spread resonances and smooth out a tail
pattern. Sometimes you may want this modulation to obvious on tracks, other times you
may not, so we provide a parameter that will lessen or exaggerate the modulation
in PSP 2445. The lower the modulation the more synthetic, resonant and grainy
the reverb is—however chorusing is less noticeable. The higher the modulation level
is set the less periodic the reverb tail is and is more blurred—at the expanse
of exaggerated chorusing effects.
Try lowering the MOD multiplier counter clockwise from the 12:00 hardware default
setting if a track naturally exaggerates the reverb's internal modulation. Set the MOD
to a high value by turning it clockwise if you want to get a blurred tail with a highly
noticeable warbling.
245 out I-II / II-I switch
– selects how the 245 engine routes the signal to the plug-ins’s Left
and Right output channels. I-II is a default routing. II-I swaps the output channels’ routing.
MOD multiplier
– sets the reverberator’s modulation depth. The default value is at the 12
o’clock position. Turning the trimpot clockwise leads to a strongly modulated and muddied
effect. Turning the trimpot counter-clockwise reduces the modulation which results in
reduced tail smoothness and a more resonant character to the reverberation tail.
Close button
– click to close the hidden parameters’ flap.
HPF
– sets the reverberation high pass filter to reduce the amount of low frequency content
in the reverberated signal. The high pass filter is located on the input of the reverberation
input.
LOW
– adjusts the reverberation time for low frequency range.
HIGH
– adjusts the reverberation time for high frequency range.
WIDTH
– sets the stereo width of the reverberated signal.
BALance
– sets the balance of the reverberated signal.
___________________________________________________________________
PSP 2445 Operation Manual
7
Most algorithmic reverberators have some inherent modulation—sometimes noticeable,
sometimes not. This is because the complexity of algorithmic reverbs is considerably
simplified from an actual studio or hall environment. This is reflected in the number
of resonances, or the pattern and mechanical character, of reverb tail reflections. To deal
with these limitations, modulation is added to spread resonances and smooth out a tail
pattern. Sometimes you may want this modulation to obvious on tracks, other times you
may not, so we provide a parameter that will lessen or exaggerate the modulation
in PSP 2445. The lower the modulation the more synthetic, resonant and grainy
the reverb is—however chorusing is less noticeable. The higher the modulation level
is set the less periodic the reverb tail is and is more blurred—at the expanse
of exaggerated chorusing effects.
Try lowering the MOD multiplier counter clockwise from the 12:00 hardware default
setting if a track naturally exaggerates the reverb's internal modulation. Set the MOD
to a high value by turning it clockwise if you want to get a blurred tail with a highly
noticeable warbling.
