DSM Noisemaker Drive Maker Скачать руководство пользователя страница 4

CONTROLS:

 

 

Voice:

 

CW

 

is

 

a

 

treble

 

boost,

 

CCW

 

is

 

a

 

bass

 

boost,

 

flat

 

at

 

the

 

middle.

 

It´s

 

amazing

 

how

 

things

 

change

 

by

 

tweaking

 

the

 

voice

 

knob...want

 

it

 

fuzzy?

 

or

 

sparkly?

 

or

 

twangy?

  

 

Gain:

 

Goes

 

from

 

clean

 

(yes,

 

"clean"

 

clean)

 

to

 

overdrive,

 

to

 

full

 

out

 

too

 

much

 

gain

 

to

 

control.

 

 

Gate:

 

For

 

high

 

gain

 

stuff,

 

some

 

gating

 

is

 

a

 

very

 

good

 

thing.

 

It

 

is

 

not

 

a

 

decimator,

 

but

 

it

 

helps

 

a

 

lot...

 

 

Treble:

 

Boost

 

/

 

cut

 

+

­

10dB

 

 

Bass:

 

Boost

 

/

 

cut

 

+

­

10dB

 

 

Level:

 

Output

 

volume.

 

This

 

thing

 

is

 

LOUD.

 

Over

 

noon

 

it

 

will

 

overdrive

 

your

 

amp´s

 

input.

 

WHY?

 

Because

 

you

 

can

 

use

 

it

 

as

 

a

 

clean/mid/bass/treble/TS

 

style

 

boost!

 

 

Boost:

 

huge

 

boost

 

available

 

(+24dB).

 

Maybe

 

too

 

much

 

so

 

use

 

sparingly...

 

Switches:

 

Mode:

 

 

OD:

 

Soft

 

clipping,

 

very

 

articulated

 

and

 

transparent.

 

Over

 

noon,

 

it

 

will

 

start

 

behaving

 

as

 

an

 

overdrive

 

into

 

a

 

tube

 

amp

 

(CMOS

 

clipping

 

kicks

 

in)

 

 

Dist:

 

More

 

Gain

 

and

 

harder

 

clipping,

 

fatter,

 

thicker

 

tones.

 

 

Broken:

 

Very

 

asymmetric,

 

weird

 

drive.

 

At

 

mid

 

gain

 

it

 

is

 

very

 

bluesy

 

and

 

full

 

of

 

harmonics.

 

At

 

high

 

gain,

 

with

 

powerful

 

pickups,

 

it

 

"chokes"

 

and

 

sounds

 

fuzzy

 

and

 

weird..very

 

unique.

 

Octave:

 

 

Low:

 

No,

 

it

 

is

 

not

 

a

 

sub

­

octave.

 

It

 

is

 

an

 

octave

 

up

 

effect,

 

but

 

mildly

 

mixed

 

with

 

the

 

signal.

 

This

 

adds

 

Crossover

 

distortion,

 

extra

 

harmonics

 

and

 

a

 

crispy

 

texture.

 

 

Normal:

 

Octave

 

up

 

off.

 

 

High:

 

Octave

 

Up

 

fully

 

mixed.

 

It

 

is

 

very

 

sensitive

 

to

 

voicing

 

and

 

mode

 

settings,

 

so

 

there´s

 

a

 

whole

 

world.

 

Even

 

sitar

 

tones.

 

MIDS:

 

 

Scoop:

 

for

 

metal

 

tones..Scoops

 ­

12dB

 

around

 

700Hz.

 

 

Boost:

 

Boosts

 

the

 

mids

 

around

 

800

­

2k

 

Hz.

 

Very

 

good

 

for

 

live

 

use!!

 

 

Flat:

 

regular

 

mid

 

response,

 

similar

 

to

 

a

 

Marshall

 

Tonestack.

 

 

Содержание Drive Maker

Страница 1: ......

Страница 2: ...ive Engine NAFTA stands for Not Another Friggin Ts Again This engine has been carefully designed to have a huge range of different sounds It starts with a couple of Opamp stages that define the pre emphasis and low mid gain clipping behavior after that CMOS stages introduce tube amp like feel and smooth clipping The Gain control balances the gain between each stage so there s a huge range of clipp...

Страница 3: ...to push your amp tubes FX loop An internal FX loop lets you activate your favorite effects just by engaging the Drive maker Also it can be assigned for boost channel only Guitar or Bass use An internal switch lets you choose between 2 types of output voicings designed to work with guitar or bass frequencies ...

Страница 4: ...t clipping very articulated and transparent Over noon it will start behaving as an overdrive into a tube amp CMOS clipping kicks in Dist More Gain and harder clipping fatter thicker tones Broken Very asymmetric weird drive At mid gain it is very bluesy and full of harmonics At high gain with powerful pickups it chokes and sounds fuzzy and weird very unique Octave Low No it is not a sub octave It i...

Страница 5: ...n use either mode really Whatever sounds best for you Use a precision screwdriver or something similar to toggle these switches through the holes at the bottom of the pedal Connections Input Yes Input jack FX send Send jack for the internal fx loop FX Return Yes exactly you can leave the Send empty and use the return as an insert Eg a parallel compressed clean signal Output Of course DC Jack Cente...

Страница 6: ...Sample settings For Guitar ...

Страница 7: ...SAMPLE SETTINGS FOR BASS ...

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