Digital audio adda 2402 Скачать руководство пользователя страница 9

Connecting the analog audio cabels

After you have turned down the level on your sound system, you can rig the ADDA 2402’s
analog audio cables. You will find two balanced XLR input connectors marked 

L-Analog in-R

.

On The right side of the XLR input connectors you will find two Jack input connectors marked

L/R

 for unbalanced input. The maximum input level for giving a full scale digital signal  is +

18 dBu on the balanced input and + 4 dBu on the unbalanced input.
You can use either the XLR input or the Jack input as the analog audio input source, or you can
have both inputs connected. The active input source is selected on the front panel.

You will also find two balanced XLR output connectors marked 

L Analog out R

. On The right

side of the XLR output you will find two unbalanced Jack output connectors marked

L/R

. The output level equivalent to a full scale digital input signal is + 18 dBu on the balanced

output and + 4 dBu on the unbalanced output
The ADDA 2402 will generate an output signal on both the XLR and the Jack output
simultaneous, so you can interface to your mixing board and the analog input of a keyboard
simultaneously.

Connecting the digital audio cables

On the rear panel you will find a digital input section with an optical TosLink, an S/P DIF
input connector and an AES/EBU input connector, marked 

Digital in

Optical

S/P DIF

 and

AES/EBU

.

Connect one, two or all of them to the digital output on your DAT recorder, your CD player or/
and your harddisk recording system, and use the front panel to switch between the input
sources.

You will also find a Digital Output section with an Optical TosLink, an S/PDIF output
connector and an AES/EBU output connector, marked 

Digital out

Optical

S/P DIF

 and 

AES/

EBU

.

The ADDA 2402 generates an output signal on all digital output simultaneously, so you can
interface to the digital input on your DAT, keyboard or/and your harddisk recording system,
and use your DAT, keyboard and harddisk recording system to switch between them.

Connecting the digital sync input

On the left side of the main power connection you will find the AES11 external synchronisation
input connector, marked 

Ext. sync.

 If you are using an AES11 studio master clock, you can

connect this input to your AES11 master sync. output. The ADDA 2402 will be able to
synchronise the sample-rate to the sync. signal.

Use the ADDA 2402 as a small analog/digital cross-field

You can use your ADDA 2402 as a small analog/digital cross-field by connecting your
different studio equipment as shown below.

Mixer

HD Recorder

DAT Recorder

CD Player

Keyboard

S/P DIF IN

S/P DIF OUT

AES/EBU

IN/OUT

OPTICAL

IN/OUT

XLR

IN/OUT

JACK

IN/OUT

Analog input

Digital input

Digital Output Source

Sample Rate

Sync

XLR

Jack

Analog in

Digital in

S/P DIF

Optical

Carrier

32   

44,1

48    

64  

88,2

96   

Power

L

R

-60

-50

-40

-30

-20

-16

-12

-8

-4

0

-60

-50

-40

-30

-20

-16

-12

-8

-4

0

Int. sync

Ext. sync

Digital input

AES/EBU

kHz

kHz

kHz

kHz

kHz

kHz

Dither

20 bit

18 bit

16 bit

24 bit

Rec

D A T

10

Содержание adda 2402

Страница 1: ...ADDA 2402 User manual...

Страница 2: ...sources such as radiators heat registers or other products that produce heat 8 The product should be connected to a power supply only of the type described in the operating instructions or as marked...

Страница 3: ...e without notice Digital Audio Denmark a s shall not be liable for technical or editorial errors contained herein nor for incidental or consequential damages resulting from the furnishing performance...

Страница 4: ...ync input 10 USE THE ADDA 2402 AS A SMALL ANALOG DIGITAL CROSS FIELD 10 3 OPERATION 11 FRONT PANEL CONTROLS 11 Analog Input 11 Digital Input 11 Digital Output Source 11 Sample Rate 12 Dither 12 Sync 1...

Страница 5: ...6...

Страница 6: ...ias components in the digital signal eliminates the risk of generation of Alias Intermodulation Distortion AID 4 The D A converter converts a digital audio signal to a high quality analog signal havin...

Страница 7: ...8...

Страница 8: ...correctly shielded cable of good quality for all external connections when installing the ADDA 2402 For the power connection a normal un shielded cable can be used Make sure that the XLR Phono and Ja...

Страница 9: ...ll of them to the digital output on your DAT recorder your CD player or and your harddisk recording system and use the front panel to switch between the input sources You will also find a Digital Outp...

Страница 10: ...nt panel control the mode of operation of the ADDA 2402 All settings are shown by light diode indicators LEDs Each time a button is activated the corresponding mode will change between the possible se...

Страница 11: ...to Int Sync If the signal is re established the ADDA 2402 will automatically switch to the selected source unless the synchronisation mode has been changed It is possible to detect the sample rate of...

Страница 12: ...m the noise floor will thus be below 104 dBrel A to the nominal level of 6dBu 0dBrel 24 bit ADC XLR Amp in in Amp in Jack 18dBFs Fast Peak data clock Input level L R 4dBFs Analog Input Source XLR inpu...

Страница 13: ...14...

Страница 14: ...onse has a Stop band attenuation of 117 dB at half the sampling fre quency thus eliminating high frequency aliasing Dynamic range The Dynamic Range is better than 117 dB A weighted at 44 1 kHz samplin...

Страница 15: ...50 20 40 30 20 10 0 10 dBu Residual noise The residual noise floor is better than 140 dB Digital Audio Denmark A D Residual Noise 160 0 150 140 130 120 110 100 90 80 70 60 50 40 30 20 10 d B F S 20 20...

Страница 16: ...n 140 dB measured as a FFT Digital Audio Denmark level 60 dBFS 150 0 140 130 120 110 100 90 80 70 60 50 40 30 20 10 d B u 0 20k 2k 4k 6k 8k 10k 12k 14k 16k 18k Hz D A Dynamic range 17 Processing delay...

Страница 17: ...z sampling 120 40 115 110 105 100 95 90 85 80 75 70 65 60 55 50 45 d B r A 50 0 45 40 35 30 25 20 15 10 5 dBFS Linearity Linearity better than 0 5 dB down to 105 dB The output level is relative to 18...

Страница 18: ...o Digital Audio Conversion 19 Dynamic range When measured A weighted the dynamic range is bet ter than 112 dB Linearity Linearity better than 0 5 dB down to 110 dB Insertion gain At sample rates from...

Страница 19: ...20...

Страница 20: ...20 k Ohm Max Input Level Balanced 18 dBu Max Input Level Un balanced 4 dBu ANALOG OUTPUTS Connectors XLR pin 2 hot pin 3 cold pin 1 ground Jack Impedance Balanced 40 Ohm Impedance Un balanced 20 Ohm...

Страница 21: ...22...

Страница 22: ...se of this as a convenient reference signal EN50082 EN 50082 1 Electromagnetic compatibility generic immunity standard part 2 Residential commercial and light industry Published by CENELEC 1992 Note t...

Страница 23: ...s now that when new a tonal frequencies are added to the signal due to aliasing distortion such signals will mix very badly with the rest of the program and thus be audiable The important fact of this...

Страница 24: ...existing frequencies fim f1 f2 If two frequencies are denominated f1 and f2 where f2 f1 and assuming f2 2f1 the modulation frequencies generated are as shown in Table 1 IM distortion will appear up to...

Страница 25: ...d loudspeakers have lower distortion but most hi fi speakers will have IM distortion thus giving audible AID The only way to eliminate the problem with AID is to apply stop band filtering on the A D c...

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