background image

TGA-3 100 Watt Guitar Amplifier User’s Guide

Speaker Combining

A word about speaker combining: as mentioned earlier, there are 3 speaker outputs on the rear panel, labeled 

4, 8, and 16 (ohms). When connecting one speaker cabinet to the amp, you can choose one of the three jacks 

for proper impedance matching. When connecting a “full stack”, or multiple cabs, you should first determine the 

impedance of each cab, then calculate the total impedance of the stack. This is very simple to do when using two 

identical cabs with the same impedances. Simply divide the cab’s ohms by 2, and use the next smaller valued jack 

for the second cab, or plug one cab into another (if you can) and go into the 4 ohm jack only.

Example: If you have 2 Marshall-type 4X12’s at 16 ohms each, plug one into the 16 ohm jack and one into the 

8 ohm jack. If you’re running two Fender-type 2X15 or 2X12 cabs, or equivalent, at 8 ohms each, use the 8 ohm 

and 4 ohm jacks, or plug one into the other and use 4 ohm.

Impedance Formula

With differing impedances, or more than two cabs (not recommended), it is a bit more complex. The formula for 

calculating parallel resistances works in this situation, and is as follows:

 

RT = ____1_______________

            __1__ + __1__ + __1__ + . . . .

                  R1          R2         R3 

or,

        ____1____ = __1__ + __1__ + __1__ + . . . . 

                    RT            R1         R2         R3 

Or you can take my word for it, this means if you combine more than two speakers with low impedance, the 

figure becomes too low to use with this amp. Examples: 4 8-ohm speakers, when chained together have a total 

impedance of 2 ohms, and 2 ohms is too low. Conversely, a 16- ohm Marshall cab combined with one wired for 

4 ohms equals about 8 ohms. Wire cabs together and plug into 8 ohms, or plug one into 16 ohm and one into 4 

ohm. Two twin-12 or twin-15 Fender cabs, usually 8 ohms each, equal 4 ohms. Plug one cab into the 8 ohm jack 

and one into 4 ohm, or chain together and go into 4 ohm.

Loading

Note: this amp should always be connected to a load, even if you are using it as a “preamp.” You can come out of 

the slave amp output jack (on the rear panel), but only if this amp is connected to a speaker, or what is known 

as a “dummy” load. This is a large resistor, 8 or 16 ohms, mounted in an insulated box with a heat sink, which 

has a wattage rating of 100 watts or better. A “power soak” (speaker emulator) or “power attenuator” is not 

always a dummy load. Although not recommended, this scheme will work. Remember, power attenuators, which 

work with the amp fully “cranked”, will shorten the life of your tubes.

6900 Kingsbury Road  |  Templeton, CA 93465  |  805-461-4100  |  http://www.demeteramps.com/

Содержание TGA-3

Страница 1: ... Vintage British Crunch to modded super distortion this amp has it all and more Rear Panel Before you turn on the amp let s take a look at the rear panel where you will make the proper connections to your system Speakers No tube amp should be powered up without making sure that the speakers are connected If you have a TGA 3 100 combo amp the speaker will come connected but it is always a good idea...

Страница 2: ...follows RT ____1_______________ __1__ __1__ __1__ R1 R2 R3 or ____1____ __1__ __1__ __1__ RT R1 R2 R3 Or you can take my word for it this means if you combine more than two speakers with low impedance the figure becomes too low to use with this amp Examples 4 8 ohm speakers when chained together have a total impedance of 2 ohms and 2 ohms is too low Conversely a 16 ohm Marshall cab combined with o...

Страница 3: ...level turn off amp before switching this Output Balance To the left of the speaker jacks is a small adjustment screw labeled output balance To adjust turn the amp on with nothing plugged in but the speaker and listen to the amp idle With a screwdriver rotate the control clockwise and counter clockwise until you find the spot where the hum disappears This fine tuning will insure the best signal to ...

Страница 4: ...ithout redundant controls The TGA 3 100 becomes the master control for both amplifiers in stereo mode with the blue stereo FX loop return right channel controlling the volume of the slaved amplifier The slave amp output also can double as a line out to a miking board or sound system Rear Extra Input To the right of the slave out is an accessory extra input for convenience when rack mounting the TG...

Страница 5: ...rdrive architecture it s like having a high performance engine with two superchargers As you become accustomed to the amp you will set the gain and master controls of each channel for smooth or radical channel transitions Edge Boost Switch To the left of the green channel s gain is the edge lead switch When set to edge this control changes the gain structure of the amp to behave like a vintage pre...

Страница 6: ...ntioned the right return also controls the volume of a slave amplifier whether When effects or an amp is connected to this circuit the returns become another submaster control with still more subtle changes in the sound possible Presence Control Further right is the blue presence control similar to the presence knob on Fender and Marshall amps It gives overall brightness to all amp settings Note T...

Отзывы: