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dbx 160A  COMPRESSOR / LIMITER

 

Note: DO NOT CONNECT the output of a power amp or the speaker out of an instrument to the input of the 160A. Severe damage 

to 

system components may result.

Patch Bay

In the studio, the 160A may be connected to a patch bay to allow it to be used anywhere in the studio system. If your studio 
is not fully balanced, you must ground the unused XLR pin (either pin 2 or 3) or use the 1/4” phone jack OUTPUT, which 
is single-ended. Another option is to have a qualified technician install an optional output transformer, which will require 
grounding of either pin 2 or 3 of the XLR-type OUTPUT.
Sound Reinforcement

To compress a live mix or to protect loudspeakers, connect the 160A between the source (mixing board or distribution 
amp) and the power amp(s). If multi-way loudspeakers with low-level electronic crossovers are used, the 160A(s) should 
go after the crossover(s). For a stereo system, you can separately stereo couple the two high band crossovers, low band 
crossovers, etc. (see page 10). If limitations require that you use a single 160A before a crossover, adding an equalizer to 
the side chain may provide some additional protection to your high frequency components (see

 “Speaker Protection, page 

7).

INSTALLATION CONSIDERATIONS

Input/Output Cable Configurations

Hookups and Cabling

The 160A is a 600

Ω

, balanced (differential) unit designed for n4dBu levels; inputs and outputs are tip/ring/sleeve 

phone jacks and XLR-type jacks. The 160A can be used with either balanced or unbalanced sources and outputs can be 
used with either balanced or unbalanced loads, provided you use proper cabling.

A balanced line is defined as two-conductor shielded cable with the two center conductors carrying the same signal but of 
opposite polarity with respect to ground. An unbalanced line is generally a single-conductor shielded cable with the center 
conductor carrying the signal and the shield at ground potential .
Input Cable Configurations

The 160A has an actual input impedance of >40k

Ω

 in balanced or unbalanced configurations. This makes the 160A audio 

input suitable for use with virtually any source impedance, low or high. The 160A's input jacks are wired in parallel. That 
is, the phone jack TIP (+) connection is internally wired to the XLRe pin 2, the RING (-) is wired to pin 3, and the 
SLEEVE (shield) is wired to pin 1. Note that pins 2 and 3 are the reverse of certain older dbx and other manufacturer's 
equipment, but if the same connection is used at both the input and the output, the signal will be correctly polarized. (“in 
phase”)

Reversing the input wires to the input terminals will result in the output signal polarity being the opposite of the input sig-
nal (180° out of phase”).
Output Cable Considerations

The model 160A has two separate outputs: one single-ended amplifier driving the 1/4” stereo phone jack, and a separate 
active-balanced amplifier driving the XLR-type OUTPUT jack. Each is capable of driving a 600

Ω

 load to +24dBu.

12

166A

SIGNAL FLOW

160A

Figure 7: Signal Flow (Balanced Connection)

Содержание 160A

Страница 1: ...MODEL 160A COMPRESSOR LIMITER ...

Страница 2: ...r electric shock refer servic ing to qualified service personnel or equivalent If connected to 240V supply a suitable CSA UL certified power cord shall be used for this supply Safety Instructions Notice For Customers If Your Unit Is Equipped With A Power Cord WARNING THIS APPLIANCE SHALL BE CONNECTED TO A MAINS SOCKET OUTLET WITH A PROTECTIVE EARTHING CONNECTION The cores in the mains lead are col...

Страница 3: ...or to a retailer if you purchase a similar new one For Countries not mentioned above please contact your local authorities for a correct method of disposal By doing so you will ensure that your disposed product undergoes the necessary treatment recovery and recycling and thus prevent potential negative effects on the environment and human health IMPORTANT SAFETY INFORMATION DECLARATION OF CONFORMI...

Страница 4: ......

Страница 5: ...tents Quick Set Up 2 Inspection 2 Introduction 2 Applications 3 Operating Controls 3 Operating Notes 5 Connecting the 160A to your System 10 Installation Considerations 12 Technical Support Factory Service 13 Warranty 13 Specifications 14 1 ...

Страница 6: ...stereo coupled with a dbx 160XT 160X 160 161 or 162 unit True Power Summing When two 160A units are slaved together the RMS energy of the signal presented to the slave unit is summed with the RMS energy of the signal presented to the master unit to prevent phase cancellation of the two signals from causing unmusical compressor action LED Displays 19 Segment LED Display for high resolution monitori...

Страница 7: ...button to select the OverEasy compression characteristic The amber THRESHOLD LED turns On when the signal is in the OverEasy region When this button is out the 160A operates as a hard knee compressor limiter In Hard Knee mode the threshold of compression is defined as that point above which the output level no longer chang es on a 1 1 basis with changes in the input level See Figure 1 In OverEasy ...

Страница 8: ...ut level For proper unbalanced operation the unused pin either pin 2 or 3 MUST be grounded Nominal output signal level is 4dBu into 600Ω and typical maximum output level is 25dBu into 600Ω This jack accepts XLR type connectors wired pin 2 HOT pin 3 COLD and pin 1 chassis ground For applications which require a true transformer output an optional output transformer can be installed Contact our Cust...

Страница 9: ...ut signals which fall below this level will pass through the 160A unprocessed except for fixed gain changes directed by the OUTPUT GAIN control See Figure 1 Page 4 In OverEasy Mode OVEREASY button depressed signals begin to gradually activate the 160A s gain change circuitry as they approach the THRESHOLD reference level and they do not get fully processed in the manner defined by the RATIO contro...

Страница 10: ...approximately 4 1 then adjust the THRESHOLD control for 10dB to 12dB of gain reduction Compression less ens the loudness variations among the strings and increases the bass inherent sustain Other instruments such as horns vary in loudness depending on the note being played and benefit similarly To control untimely volume shifts in hot guitar or synth parts and to keep them from overloading your ta...

Страница 11: ... g a dbx 20 or 30 Series Graphic Equalizer or a vocal effects device e g reverb delay distortion can be added to further toughen the performance It is also possible to separate certain vocals or instruments from a mono program already mixed refer to frequency weighted compression on page 8 Note When compressing a stereo program with a pair of 160As the factors affecting a compression curve and the...

Страница 12: ... compensated for The 160A as a Line Amplifier To use the 160A as a line amplifier adjust the COMPRESSION RATIO control fully counterclockwise 1 1 position THRESHOLD fully clockwise 20 and OUTPUT GAIN to whatever setting is required for the application Remember excessive gain may lead to output clipping of high level signals To add compression adjust the COMPRESSION RATIO and the THRESHOLD controls...

Страница 13: ... must be added By inserting an equalizer in the detector path to the 160A it can be made more sensitive to frequencies in the range handled by the sensitive drivers The system can then be run at higher lev els and will only be dropped back when damaging signals are present Using a Filter in the Level Detector Circuit The results of inserting a filter in the level detector circuit are basically the...

Страница 14: ... of a single unified panorama of sound The stability of the psy choacoustic image of each sound source within the stereo program depends upon its ability to maintain a specific phase and amplitude relationship from left to right channel If two independent compressors are used to process the stereo program a loud sound occurring in one channel will cause the image to shift to the opposite side This...

Страница 15: ...zer s volume control and boost the track s output level using the 160A s OUTPUT GAIN control or the mixer s volume fader the latter here is great for track fade outs If the 160A is post fader i e the 160A is connected to mixer inserts so that the compression effect occurs after the level set by the mixer channel s volume fader adjusting the mixer s volume fader changes the input level and the amou...

Страница 16: ...tip ring sleeve phone jacks and XLR type jacks The 160A can be used with either balanced or unbalanced sources and outputs can be used with either balanced or unbalanced loads provided you use proper cabling A balanced line is defined as two conductor shielded cable with the two center conductors carrying the same signal but of opposite polarity with respect to ground An unbalanced line is general...

Страница 17: ... you are responsible for transportation charges to the factory dbx will pay return shipping if the unit is still under warranty Shipping Instructions Use the original packing material if it is available Mark the package with the name of the shipper and with the following words in quotes in red DELICATE INSTRUMENT FRAGILE Insure the package properly Ship prepaid not collect Do not ship parcel post ...

Страница 18: ...dBm Dynamic Range 113dB Gain Adjustment Range Variable from 20dB to 20dB Threshold Range 40dBu to 20dBu Threshold Characteristic Selectable OverEasy or Hard Knee Compression Ratio Variable 1 1 to 1 thru to 1 1 60dB Maximum Compression Attack Time Program Dependent Typically 15ms for 10dB 5ms for 20dB 3ms for 30dB Release Time Program Dependent Typically 8ms for 1dB 80ms for 10dB 400ms for 50dB 125...

Страница 19: ...dbx 160A COMPRESSOR LIMITER NOTES 15 ...

Страница 20: ... Sandy Pkwy Sandy Utah 84070 Phone 801 568 7660 Fax 801 568 7662 Questions or comments E mail us at customer dbxpro com or visit our World Wide Web home page at www dbxpro com 18 2040V C 12 08 10 Printed in China ...

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