DAPAudio D1366, Руководство пользователя

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5
The microphone
Rugged construction, high SPL handling in a compact chassis makes the CM-67 an ideal choice for live
sound reinforcement or live recording applications. It is also an ideal choice as a utility microphone for
home or project studios where performance is required, yet budget is a concern.
The CM-67 can easily be used as an overhead mic. for drum kits, for guitar and bass cabinets or
anywhere where superior sound quality and high sound pressure handling is required. The CM-67 is also
the microphone of choice for vocals saxophone, flutes, brass or woodwinds, acoustic guitar or acoustic
bass where subtlety and clarity is needed.
In live sound applications and remote recording, the CM-67’s cardioid pattern offers excellent feedback
rejection, better isolation and will give you the best results on most vocal applications and a wide range
solo instruments, including background, brass and woodwinds, acoustic stringed instruments (violin, cello
etc.), drums and percussion.
Note: The cardioid symbol on the microphone housing denotes the live side, or front face of the
microphone that in all cases should face the recording source.
Switching the internal low cut filter on or off
The CM-67 is a professional medium diaphragm condenser microphone with an internal -6dB 100Hz low
cut filter switch. To operate the low cut switch, unscrew the bottom of the microphone housing, slide the
microphone body from the chassis.
Look for the blue switch in the middle of the microphone circuit board. Pressing the switch activates the
low cut filter.
In virtual all recording or live sound applications, the low cut filter should be engaged to reduce handling
noise and low frequency rumble.