background image

Balanced Audio Connections 

 
 

 

 
The beauty of balanced connections is that they promote the idea that current should be 
prevented from flowing down cable shields while letting the audio pass. Pins 2 and 3 
carry a signal across them (transverse mode) and any interference that gets through the 
shield is picked up equally by the wires (common mode). The common mode noise is 
canceled by the differential action of the instrumentation amplifiers in the first stage of 
the Monitor. Signal gets through and the grounds stay put inside their respective pieces of 
gear. 
 

 

Unbalanced Audio Connections 

 
An unbalanced source driving a Monitor input usually presents no problem 

because of the differential action of the input stage. 
 

 

 

It is a good idea to use 3 wire cables even in an unbalanced situation because the 

Monitor input can keep stray noise away from the signal even without the benefit of 
common mode rejection. If an unbalanced source gives one trouble, then this is usually 
because the source doesn’t have a proper ground reference. This is why there are 

Input 

Shield Lift

 jumpers inside the Monitor (and many other pieces of professional audio 

gear). 
 

 

 
The next section covers how to access the jumpers and how they work.  
 

 

-7- 

Содержание Dangerous Monitor

Страница 1: ...ment that brings you the highest quality for your purchase This manual will assist you in the installation and use of the Monitor There are helpful hints for safety grounding and terminology that appl...

Страница 2: ...r supplies at least several rack spaces if not in a different rack away from equipment that deals with low level signals Separation of high level and low level equipment can pre empt trouble caused by...

Страница 3: ...y between the converters in separate pieces of gear Many times the engineer can be fooled by differences in sound quality of clones DAT from a CD because the different brands of equipment don t sound...

Страница 4: ...drive power amplifiers These feeds are balanced and low impedance feeds capable of driving long cables The AC IN jack is where the power supply cable goes It is best to make sure that the power supply...

Страница 5: ...control is a 21 position stepped attenuator It was decided in the design process to use an attenuator for its accuracy and repeatability It was also found that attenuators provide consistent sound qu...

Страница 6: ...ed Digital Input to be monitored is fed to the D MTR XLR on the rear panel This output is a standard AES digital output that goes to MQ s AES input or another digital meter or phase scope Interface Th...

Страница 7: ...s stay put inside their respective pieces of gear Unbalanced Audio Connections An unbalanced source driving a Monitor input usually presents no problem because of the differential action of the input...

Страница 8: ...fest themselves as burn marks and smoked components This type of damage is not covered by the warranty Input cable Shield Header Jumpers are on the main circuit board to facilitate proper system shiel...

Страница 9: ...t and recording equipment manufacturers from the 50 s to the 80 s had chapters on how to fix hum and noise problems and it is from this wealth of information that this writer draws ideas from for trou...

Страница 10: ...uble shooting buzz issues is to make a short XLR cable with the shield lifted on the male connector and use this to test whether or not an XLR interface warrants a shield lift Alignment The Dangerous...

Страница 11: ...eally Pin 1 shield Pin 2 signal Pin 3 signal The A MTR jack is a male 6 pin XLR A breakout cable is provided with the unit but one can roll one s own with the following pinout Pin 1 Left shield Pin 2...

Отзывы: