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D-BOX

 |  5

Benefit:  Avoid figuring out a separate means of communication to the artist (i.e. complicated mic setups)  

Keep it quick, easy, and simple.

Operation: Hit the 

tb

 (talkback) switch (3) to activate this function.  Then starting at the minimum, gently 

increase the volume utilizing the 

level

 

knob

 until the sweet spot is achieved.   More magic revealed 

about this switch in the next segment.  (Hint: 

momentoggle

.)

Tip: 

,

  Always start with the level control completely counter-clockwise (minimum).  You don’t want to be 

the cause of someone’s hearing loss.  

Tip: 

To create an isolated talkback output, choose one of the headphone outputs and turn the volume 
completely counter-clockwise. The talkback level is independent of the headphone level.

3A. FUNCTION BUTTONS (TB, MONO, ALT SPKR)

 

Feature:   The 

tb

 switch (3) injects the microphone into the Headphones.

Benefit:  See section 2 and 

momentoggle

 

for more.

Feature:   The 

mono

 switch (3) combines the left and right channels to the monitors. 

Benefit:   Always check phase by depressing this button.  Did things get quieter?  Louder?  Instruments 

missing?  This is an indication that left and right are not playing nicely together.  

Tip:  

,

  Many formats are still delivered in mono.  Consider television and radio in developing countries.  Or 

what about all those folks listening to music on their iPhone’s built-in speaker?  

Feature:   The

 

alt

 

spkr

 switch (3) allows the engineer to switch between two sets of monitors.

Benefit:   Every studio should have at least two points of reference.  Not all switchers are equal!  The D-Box 

achieves this noiselessly, without drop outs or phase shift.  Remember... every decision you make 
while tracking and mixing is affected by your monitor management system.  It is the only piece of 
gear that EVERYTHING goes through. 

Tip:  

,

  Make certain to level match your monitors, so one is not louder, since humans are often fooled by 

the “louder is better” illusion.  These adjustments should be made on the monitors themselves.

Feature:  

momentoggle

 is a feature built into the three function buttons above.  It provides either a momentary 

or latching mode, at the user’s discretion.

Benefit:  Want to dart between mono and stereo a few times quickly? [

toggle

 

mode

] Or need to leave it in 

mono to see what’s ailing the mix? [

latch

 

mode

]

Содержание D-Box

Страница 1: ...U S E R G U I D E D BOX Dangerous Music s Greatest Hits...

Страница 2: ...trouble caused by heat and EMI 4 Care should be taken to avoid liquid spills around equipment If a spill occurs please shut off the gear and disconnect the mains A qualified technician should investi...

Страница 3: ...gn construction and component choices by recording industry veterans The Dangerous Music D Box is designed to improve your quality of life by allowing you to hear on a different level There are many f...

Страница 4: ...2 DANGEROUS MUSIC TABLE OF CONTENTS Overview 3 D BOX Front Panel Features Benefits 4 D BOX Rear Panel Features Benefits Connection 9 Connection Scenarios 12 Appendix 16 Specifications 18 Warranty 19...

Страница 5: ...e most useful and requested options were incorporated into the design with sonic purity being prioritized over feature count This unadulterated signal path was born out of Chris Muth s design expertis...

Страница 6: ...caution when selecting a level See tip Operation First choose a source to monitor from by depressing the appropriate input select button 4 Then determine a moderate listening level via the volume knob...

Страница 7: ...ings get quieter Louder Instruments missing This is an indication that left and right are not playing nicely together Tip Many formats are still delivered in mono Consider television and radio in deve...

Страница 8: ...ing to set the input selection mode and the analog input gain To exit setup mode press one of the flashing switches The D Box is now reset and any input selection mode and or analog input gain mode ch...

Страница 9: ...tal inputs that feed the D Box s D A converter Benefit Monitoring from the same D A allows mix decisions to be made unbiased by different converters Wow where s all that top end crunch coming from Tha...

Страница 10: ...e assign both the bass and vocal track to a mono output in the computer software Now patch their signals into your favorite outboard gear like a BAX EQ and then on into the D Box s sum inputs 7 and 8...

Страница 11: ...r this jack Closing the ring to the tip activates the Talkback function of D Box Ask for a normally open momentary footswitch at your local audio dealer 10 ANALOG INPUT Feature The analog input provid...

Страница 12: ...nputs that feed the D Box s D A converter Benefit Every decision you make is influenced by the monitor section via headphones or reference monitors It had better sound transparent or you won t make th...

Страница 13: ...Remember every decision you make while tracking and mixing is affected by your monitor management system It is the only piece of gear that is ALWAYS on while in the studio Operation alt spkr switch 3...

Страница 14: ...12 DANGEROUS MUSIC D BOX AND UNIVERSAL AUDIO APOLLO...

Страница 15: ...NITOR INPUTS XLR F XLR M AES OR S PDIF CD PLAYER OUT TO CD DIGITAL INPUT XLR F XLR M iPOD OUT TO ANALOG INPUT MINI 1 8 2XLR M 8 OUTPUTS TO SUMMING INPUT 1 4 BALANCED DB25 S PDIF OUTPUT TO DAW DIGITAL...

Страница 16: ...14 Endox 14 DANGEROUS MUSIC D BOX AND SYMPHONY 8X8...

Страница 17: ...NSION SETUP FROM D A CONVERTER OR COMPUTER INTERFACE OUTPUTS 17 24 DIGITAL OUTPUT OF THE INTERFACE OR CONVERTER AES OR SPIDF FROM D A CONVERTER OR COMPUTER INTERFACE OUTPUTS 9 16 TO A D CONVERTER OR C...

Страница 18: ...16 DANGEROUS MUSIC APPENDIX ANALOG 8 CHANNEL DB25 TASCAM PROTOCOL H HOT C COLD G GROUND PIN OUT WIRING FOR DB25 CONNECTOR...

Страница 19: ...D BOX 17 APPENDIX CONTINUED EXTERNAL TALKBACK KEY WIRING PIN OUT AES TO S PDIF WIRING DIAGRAM...

Страница 20: ...35 Crosstalk 97dB Noise 89dBu total energy in audio band Maximum Input 27dBu MONITOR SECTION Frequency Response 1Hz 100kHz within 0 1dB THD N 0 002 IMD 0 003 Crosstalk 101dB Noise 92dBu total energy i...

Страница 21: ...ousmusic com Fon 49 2236 393731 E mail info dangerousmusic de Dangerous Music Inc reserves the right to alter the software and design of their equipment If after reading the manual more information fo...

Страница 22: ...Dangerous Music Inc 231 Stevens Road Edmeston NY 13335 info dangerousmusic com www dangerousmusic com...

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