–
Per
c
Par
adi
s
e
Mod
:
t
hi
s
i
s
a
“
ha
c
k”
t
ha
t
c
a
us
es
t
he
per
c
us
s
i
on
t
o
nev
er
dec
a
y
.
Wha
t
'
s
s
pec
i
a
l
i
n
t
hi
s
i
s
t
ha
t
i
f
y
ou
a
c
t
i
va
t
e
t
he
s
c
a
nner
v
i
br
a
t
o
ef
f
ec
t
,
y
ou'
l
l
not
i
c
e
t
ha
t
t
he
vi
br
a
t
o
i
s
a
ppl
i
ed
t
o
t
he
r
es
t
of
t
he
dr
a
wba
r
s
but
not
t
o
t
he
per
c
us
s
i
on
t
one.
–
Ot
her
s
et
t
i
ngs
:
her
e
y
ou
c
a
n
a
dj
us
t
t
he
dept
h
of
t
he
vi
br
a
t
o
c
i
r
c
ui
t
a
nd
t
he
mi
x
a
mount
t
ha
t
a
f
f
ec
t
s
t
he
c
hor
us
s
et
t
i
ngs
,
pl
us
s
ome
pa
r
a
met
er
s
r
el
a
t
ed
t
o
t
he
gener
a
t
i
on
of
t
he
Key
Cl
i
c
k
noi
s
e.
–
Pr
eamp
Bas
s
/
Tr
ebl
e
:
a
dj
us
t
t
he
f
r
equenc
y
r
es
pons
e
of
t
he
or
ga
n'
s
bui
l
t
-
i
n
pr
ea
mp
c
i
r
c
ui
t
r
y
.
Pa
r
a
met
er
s
f
or
t
he
Rot
a
r
y
Spea
k
er
a
r
e:
–
Hor
n
s
l
ow
/
f
as
t
:
a
dj
us
t
t
he
s
peed
of
f
s
et
of
t
he
hor
n
f
or
when
t
he
s
peed
i
s
on
s
l
ow
or
on
f
a
s
t
.
–
Bas
s
s
l
ow
/
f
as
t
:
s
a
me
a
s
a
bov
e
but
f
or
t
he
ba
s
s
r
ot
or
.
–
Hor
n
up
/
down
:
a
dj
us
t
t
he
ac
c
el
er
a
t
i
on
a
nd
dec
el
er
a
t
i
on
t
i
mes
of
t
he
hor
n
f
or
t
he
t
r
a
ns
i
t
i
ons
bet
ween
t
he
s
l
ow
a
nd
f
a
s
t
s
peeds
.
When
t
he
br
a
k
e
i
s
enga
ged,
t
he
power
i
s
t
a
k
en
of
f
f
r
om
t
he
mot
or
s
o
t
he
hor
n
s
l
ows
down
unt
i
l
s
t
oppi
ng
onl
y
dr
i
v
en
by
t
he
c
ent
r
i
f
uga
l
f
or
c
e,
s
o
t
he
t
i
me
bet
ween
f
a
s
t
a
nd
s
t
op
ma
y
be
l
onger
t
ha
n
f
r
om
f
a
s
t
t
o
s
l
ow.
–
Bas
s
up
/
down
:
s
a
me
as
a
bov
e
but
f
or
t
he
ba
s
s
r
ot
or
.
–
Ambi
enc
e
:
a r
ea
l a
mpl
i
f
i
er s
t
a
y
s i
n a r
ea
l envi
r
onment c
a
us
i
ng t
he
mi
c
r
ophones
t
o
c
a
pt
ur
e
t
he
s
ound
r
ef
l
ec
t
i
ons
a
s
wel
l
a
s
t
he
di
r
ec
t
s
ound
c
omi
ng f
r
om t
he s
pea
k
er
s
. Thi
s pa
r
a
met
er a
dj
us
t
s t
he a
mount of
envi
r
onment
a
l
r
ef
l
ec
t
i
ons
.
–
Cabi
net
:
a
dj
us
t
s
t
he
a
mount
of
r
es
ona
nc
es
c
aus
ed
by
t
he
wooden
c
a
bi
net
.
–
Mi
c
Angl
e
:
a
dj
us
t
s
t
he
a
ngl
e
bet
ween
t
he
t
wo
mi
c
r
ophones
a
t
t
he
hor
n,
r
a
ngi
ng
f
r
om
0
(
bot
h
mi
c
r
ophones
i
n
t
he
s
a
me
s
pot
)
t
o
180
degr
ees
(
mi
c
r
ophones
a
t
t
he
oppos
i
t
e
s
i
des
of
t
he
c
a
bi
net
s
)
.
Thi
s
s
i
mul
a
t
i
on
c
ons
i
der
s
onl
y
t
hr
ee
mi
c
r
ophones
,
t
wo
f
or
t
he
hor
n
a
nd
one
f
or
t
he
ba
s
s
r
ot
or
.
–
Hor
n
EQ
:
not
a
l
l
v
i
nt
a
ge
r
ot
a
r
y
s
pea
k
er
s
ha
v
e
t
he
s
a
me
qua
l
i
t
y
f
or
wha
t
c
onc
er
ns
t
he
s
ound
c
omi
ng
f
r
om
t
he
hor
n,
s
ome
a
r
e
br
i
ght
er
,
s
ome
a
r
e
dul
l
er
or
ma
y
be
j
us
t
wel
l
ba
l
a
nc
ed.
Thi
s
pa
r
a
met
er
l
et
s
y
ou
a
dj
us
t
t
he
t
r
ebl
e
r
es
pons
e
of
t
he
hor
n
s
ound.
CRUMAR
MOJ
O
CL
ASSI
C
USER'
S
MANUAL
-
Pa
ge
15/
20
