13
CHANNEL 1 AND 2 SUPER MIC/LINE CHANNELS (BACK PANEL CONNECTIONS)
14.
MICROPHONE INPUT
This XLR balanced input is for a low impedance
microphone or (through –20 dB pad) for a high level, high
impedance line source. Pin 2 is the positive input. Phantom
power is available and is described in number 63.
15. LINE
INPUT
The Line Input is a 1/4" (TRS) balanced line-level input for
high level signals. The tip is the positive input. A standard
1/4" (TS) unbalanced connection can be made here as well.
16. INSERT
This 1/4" stereo (TRS) jack allows an external device to be
inserted into the signal path between the MIC/LINE, TAPE
inputs and before the EQ. The tip has the send signal, the
ring is the return input. A switch in the jack normally
connects the send to the return until a plug is inserted.
17. DIRECT
OUTPUT
This is a 1/4" (TS) post-fader, post-mute, pre-pan,
unbalanced channel output ideal for a tape send.
18.
PAD SWITCH (CHANNEL 1 AND 2 ONLY)
The Pad Switch attenuates the microphone input signal by
20 dB. This will increase the dynamic range to
accommodate a higher input level before clipping.
19.
POLARITY SWITCH (CHANNEL 1 AND 2 ONLY)
The Polarity Switch reverses the phase of both microphone
and line input signals. This will compensate for an out-of-
phase input that would otherwise cause frequency
cancellations in the mix.
14
20
19
15
16
17
18
Содержание CPM 2462
Страница 20: ...20 CPM 2462 Block Diagram VIII ...
Страница 21: ...21 RSM 4062 Block Diagram ...
Страница 22: ...22 ...
Страница 23: ...23 ...
Страница 24: ...24 ...
Страница 29: ...29 CPM 2642 Ch 3 8 Mid EQ ...
Страница 30: ...30 CPM 2642 Channel Shelving EQ and LC Filter ...
Страница 31: ...31 CPM 2642 Channel 15 Mid ...
Страница 32: ...78 NOTES ...
Страница 33: ...NOTES ...
Страница 34: ...NOTES ...