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4

LS4

24dB/Octave Active Stereo Crossover

The Rear Panel:

22 - POWER JACK:

Plug the small end of the AC

adapter into this jack. Plug the other end of adapter into
a suitable source of the proper AC voltage, as indicated
on the adapter. Use only the supplied 10VAC, 1400mA
adapter.

23 - POWER SWITCH:

Use this switch to turn the

crossover on and off.

24, 28 - HIGH OUT / MID OUT:

These 1/4” mono

jacks are used as follows:

Stereo mode:

#24 sends the Channel 2 high frequency

signal to the channel 2 high frequency amplifier and
#28 sends the Channel 1 high frequency signal to the
channel 1 high frequency amplifier.

Mono mode:

#24 sends the high frequency signal to the

high frequency amplifier and #28 sends the mid fre-
quency signal to the mid frequency amplifier. (See the
section entitled “For Tri-Amping” on page 11).

25, 29 - LOW OUT:

These 1/4” mono jacks are used as

follows:

Stereo mode: 

#25 sends the Channel 2 low frequency

signal to the channel 2 low frequency amplifier and
#29 sends the Channel 1 low frequency signal to the
channel 1 low frequency amplifier.

Mono mode:

#25 is not used. #29 sends the low fre-

quency signal to the low frequency amplifier. (See the
section entitled “For Tri-Amping” on page 11).

26, 30 - 1/4” BALANCED INPUT:

These 1/4” TRS jacks

are used as follows:

Stereo mode:

#26 feeds the channel 2 input signal into

the crossover’s Channel 2 and #30 feeds the channel 1
input signal into the crossover’s Channel 1.

Mono mode: 

#26 is not used. #30 feeds the input signal

into the crossover. 

(Use the 1/4” jacks for shorter cable runs, or when XLR
connectors are unavailable.)

27, 31 - XLR BALANCED INPUT: 

These 3-pin XLR jacks

are used as follows:

Stereo mode:

#27 feeds the channel 2 input signal into

the crossover’s Channel 2 and #31 feeds the channel 1
input signal into the crossover’s Channel 1.

Mono mode: 

#27 is not used. #31 feeds the input signal

into the crossover. 

(Use the XLR jacks for long cable runs, or when 1/4”
connectors are unavailable.)

Содержание Live Sound LS4

Страница 1: ...User s Guide for the LS4 24dB Octave Active Stereo Crossover In order to achieve the highest level of performance from your crossover please read this owners guide prior to its use Thank You from...

Страница 2: ...nced or unbalanced inputs All of the outputs are 1 4 TRS jacks and can also be used either balanced or unbalanced CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOC...

Страница 3: ...encies and 17 sets the crossover point between the mid and high frequencies 7 18 X1 X10 This switch determines the range of the Frequency controls 6 17 When this switch is depressed the crossover freq...

Страница 4: ...mode 25 sends the Channel 2 low frequency signal to the channel 2 low frequency amplifier and 29 sends the Channel 1 low frequency signal to the channel 1 low frequency amplifier Mono mode 25 is not...

Страница 5: ...below illustrates the effect these switches have on frequency response The Low Cut and High Cut Switches The Low Cut switch 3 14 provides a 6dB octave cut in the amplitude of signals below 40Hz to el...

Страница 6: ...he basic connections are illus trated below Connect the line level output of your source mixer preamp etc to the CHANNEL ONE BALANCED INPUT of the LS4 A Connect the LS4 s CHANNEL ONE LOW OUT to the in...

Страница 7: ...the location of the two speaker cabinets the subwoofer and the upper range cabinet If the two cabinets are in close proximity to each other and the front faces are aligned a relatively high crossover...

Страница 8: ...test CD Position an SPL meter at the center axis of your system at a distance of about 10 feet refer to the illustration below and follow these steps Make sure that all equalization in your system is...

Страница 9: ...ers will list the lowest recommended crossover frequency accompanied by the maximum power the unit will handle with different horn types A good rule of thumb is to stay above the recommended frequency...

Страница 10: ...s very important Check your speaker manufacturer s specifications for the sen sitivity of each driver and balance the system as described on page 8 using pink noise and or a Real Time Analyzer in conj...

Страница 11: ...amp etc to the BALANCED INPUT MONO MODE of the LS4 A Connect the LS4 s LOW OUT MONO MODE to the input jack of the amplifier which will be used to power the low frequency driver B Connect the LS4 s MID...

Страница 12: ...z Riley state variable filters Control Range 50 1kHz X1 500 10kHz X10 3 Way Mono Mode Operation Internally Wired Input Impedance10k ohms Input Connections Balanced XLR 1 4 T R S Output Impedance 2 2k...

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