Cosmotronic VPRTEX Скачать руководство пользователя страница 21

EXOTIC SHAPES

Patching any of the outputs back
into any of the inputs is always a
useful experiment.

The first picture is an example
where the SINE output of VCO1 is
patched into the PHASE MOD input.

The second picture is an example of
self-patching the SQUARE output
into the FOLD input.

Try

combining

sync

with

self-

patching or use different outputs
from

VCO2

to

modulate

the

parameters

on

VCO1

(or

vice

versa).

Don’t forget to audition all the
outputs to hear what the effects
are.

There’s

really

no

limit

to

this.

Experimentation

is

the

key

to

unlocking many exotic waveforms
and interesting timbres.

NOISE PATCH

When patching the SQUARE output
into

the

LINEAR

FM

input

it’s

possible to create colored noise
coming from the MAIN output.

Experiment with the pitch and FM
INDEX to get different variations of
noise

(red,

pink,

white,

...).

Remember that the FM settings
influence the TRIANGLE core so the
SINE used to modulate either VCO
will be shaped into noise as well.

VORTEX / Complex Oscillator

20

Содержание VPRTEX

Страница 1: ......

Страница 2: ...lot of timbral shaping options useful normalizations CV inputs for every parameter and attenuators to control the amounts of both internal and external modulation Contents of the box width 26HP VORTEX...

Страница 3: ...odule In doubt do not connect the module to your system MAKE SURE YOU TURN OFF THE POWER TO YOUR SYSTEM BEFORE CONNECTING VORTEX The white line on the back of VORTEX next to the 10 pin header indicate...

Страница 4: ...ts bipolar signals and the knob is an attenuator for this signal You can use any signal as the modulator by patching it into the MOD input This input is also normalized to the SINE of VCO2 SHAPE VCO1...

Страница 5: ...ing ring modulated You can patch any signal into the MOD input jack it s normalized to the SINE of VCO1 You can further modulate the amount of ring modulation using a signal patched into the DEPTH inp...

Страница 6: ...UARE OUTPUT This output is affected by the sync settings and FM VCO2 SQUARE OUTPUT This output is affected by the sync settings and FM VCO2 SINE OUTPUT This output is affected by the waveshaper ring m...

Страница 7: ...he internal normalization V OCT inputs By patching a CV signal into either V OCT input it s possible to control the pitch of VCO1 and VCO2 seperately offsetted by the positions of the coarse and fine...

Страница 8: ...is normalized to the FM inputs FM INPUTS You can patch any bipolar signal into the FM INDEX inputs The left input controls de global amount of FM for VCO1 the right input controls the global amount of...

Страница 9: ...t s possible to modulate the SHAPE parameter using the SINE of VCO2 normalized The knob is an attenuator for this modulation You can override the normalization by patching a signal into the SHAPE inpu...

Страница 10: ...You can override this normalization by patching a signal into the FOLD input This input accepts bipolar signals and the knob is an attenuator for this external modulation Maximum modulation is achieve...

Страница 11: ...k the normalization by patching a signal into the MOD input This input accepts bipolar signals It s also possible to modulate the DEPTH with the SINE from VCO2 normalized The knob is an attenuator for...

Страница 12: ...ll be capable of opening and closing the filter completely Although this filter has a really basic feature set it provides for plenty of additional timbral shaping of whatever is coming out of the MAI...

Страница 13: ...e clean waveshapes are available at the dedicated SINE output next to the MAIN output as this output bypasses both the WAVEFOLDER and the LOW PASS FILTER It s possible to modulate the SHAPE parameter...

Страница 14: ...ring modulation With the slider in the most upper position full range ringmodulation without amplitude loss or gain is achieved with signals from 5V to 5V You can however send 10V to 10V signals into...

Страница 15: ...into the FOLD input This input accepts biploar signals The knob is an attenuator for this external modulation With the slider in the down position the maximum wavefolding is achieved with 5V Sending...

Страница 16: ...e 20 Soft sync has a different sonic quality and is able to produce some octave switching effects when changing the relative pitch of the master and slave oscillators Using SYNC can be a method to mak...

Страница 17: ...C indicated by the soft synced triangle icon This switch also works when using external SYNC signals SYNC INPUTS The SYNC inputs for VCO1 and VCO2 make it possible to SYNC either or both oscillators t...

Страница 18: ...INDEX the resulting sound will lose it s clear pitch though Both VCO1 and VCO2 have a knob for setting the maximum amount of TZFM labeled THRU ZERO The big knob in the center labeled FM INDEX controls...

Страница 19: ...ly 3 o clock This can be used to act as a quick and dirty way to transpose any pitch sequence patched into the regular V Oct inputs FM INDEX The big knob in the center of VORTEX controls the global am...

Страница 20: ...itude modulation greatly resembles ring modulation but on top of the sidebands the pitch of the carrier is also present at the output This is the main difference between AM and RM PULSE WIDTH ANIMATIO...

Страница 21: ...O1 or vice versa Don t forget to audition all the outputs to hear what the effects are There s really no limit to this Experimentation is the key to unlocking many exotic waveforms and interesting tim...

Страница 22: ...ADDENDUM VCO1 FLOWCHART VCO2 FLOWCHART FM BUS FLOWCHART VORTEX Complex Oscillator 21...

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