3
28
Adventure 800 with CD / USB Player & Digital Recorder
Fig. 3
TREBLE
MASTER
BASS
CH
CH
FUSE
POWER
EAR
SD card
REC
LINE
EQ
VO/M3
DEL.
MODE
A-B
STOP
PLAY
VOL
VOL
M I C
M I C I N
R
L/L+R
F
C
a
b
c
d
e
f
g
h i
m
j
k
l
n
o
p
q
Caution and tips on how to obtain the best results
1.Before inserting the batteries, please make sure that they are inserted according to the
correct polarity.
2.For PLL-16-frequency agile version, before operation please make sure that the
corresponding receiver MUST have the same frequency group and channel number as the
transmitter.
3.For fixed frequency version, before operation please make sure that corresponding
receiver MUST have the same frequency as the transmitter.
4.Before making any channel change, please switch off the power supply. The synthesized
program works in such a way that a change of channel will only take place after a power off
and on action. Otherwise, the previously selected frequency will stay unchanged.
5.After making a channel change, please make sure that the corresponding change is made
on the matching receiver also. To be exact, changes MUST be made at both the transmitter
and receiver.
6.The audio cable of M-1002 and SM-916 also serve as antenna. The length of the cable is
cut according to the specific frequency range. Do not alter the length or mix around the
cable of different transmitters. The use of wrong audio cable will affect the antenna
efficiency of the transmitter!
7.Use only brand new Alkaline batteries. Do not use " general purpose " batteries. When
batteries are weak, replace the three batteries altogether at the same time. Do not mix and
use new and old batteries together.
8.Position the receiver such that it has the least possible obstructions between it and the
transmitter. Line of sight is best!
9.The transmitter and the receiver should be as close as possible but not less than 1m.
10.A receiver cannot receive signals from two or more transmitters simultaneously.
11.Turn the transmitter off when it is not in use. Remove the batteries if it is not to be used
for a period of time.
Input Level Gain Control Adjustment
Low impedance ( Lo-Z ) " MT" & high impedance ( Hi-Z ) " GT" gain controls are situated
inside the transmitter as shown in Fig 10. Gain controls are adjustment ports that enable
you to use microphones of differing output levels and Guitar or instruments with Hi-Z output.
To adjust microphone ( Lo-Z ) input levels, turn the " MT" control and to adjust the Guitar or
instrument ( Hi-Z ) input, adjust the " GT" gain control to set the transmitter's desired audio
input level.
a
. POWER
b
. LCD Display
c
. EAR
d
. USB
e
. SD Card Slot
f
. LINE
▲▼
g
. EQ
h
. REPEAT
i
.
j
.
k
. REC
l
. STOP
m
. MODE.
n
. PLAY ll
o
. MIC VOL
p
. MIC IN
q
. VOL
