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Understanding the DIP Switches: 

 

 

 
 
A very important thing to remember is that ramping 
always gets reset when bypassing.  The parameters’ 
current knob position control where the parameters 
ultimately will either start or stop ramping.  
 

The Volume, Tone, Rate, Depth, and Sway

 dip switches 

on the left side simply turn that parameter on or off 
for ramping or expression / CV capability. 
 

Volume, Tone, Rate, Depth, and Sway

 dip switches on 

the right side control whether or not the parameters 
will rise (go clockwise in ramp mode) or fall (go 
counterclockwise in ramp mode).  It also controls 
how the parameters will behave with an expression 
pedal plugged in.   
 

Bounce: 

When on (and no expression pedal), 

parameters will go 

back and forth 

(i.e. modulate)

if 

it’s off, parameters will ramp and hold.    
 

Mode: 

When engaged, this transforms the “S – B – H” 

toggle. S = Standard Tremolo, H = Harmonic Tremolo, 
and B = both for standard and harmonic 
simultaneously.  B is particularly novel and fun, it’s a 
completely unique sound, but at the same time it is 
immediately familiar and accessible. 
 

MoToByp

:  Momentary-to-bypass. If on, the pedal is 

only activated when the bypass stomp is pressed in. 
 
 
 

 

Tap Control

: “R” stands for ramp, “P” for parameter 

(RPM in this case).  In the P position, tapping in a 
tempo will dictate the RPM rate.  In the R position, 
tapping in the tempo will dictate the Ramp rate.  This 
is great for modulating parameters.  Remember, the   
“Bounce” dip switch needs to be on if you want to 
ramp parameters back and forth, rather than just 
ramping and holding.   
 

Tap Division

: In position “3” allows for 3, 6, 8 tap 

divisions.  This is also important for selecting MIDI 
note divisions.  More on that on the following page.  
 

Sweep

: this controls where ramp sweeps.  In “T” (top) 

the ramping (or expression control) will occur 
between the current knob position and the max 
position (fully clockwise).  In “B” (bottom) the 
ramping (or expression control) will occur between 
the current knob position and the minimum position 
(fully counterclockwise).  
 

NOTE: 

 It may seem overwhelming and difficult for 

users to take all this in at first.  My suggestion is 
always to forget about the dip switches for a while 
when you get the pedal.  Get to know the basic 
functionality of it, and then if/when you want to 
experiment with ramping or expression, it will likely 
be easier.   
 
Some of these concepts are much easier to explain 
and demonstrate on video, and I have many tutorials 
available on my youtube channel at 

www.youtube.com/c/ChaseBlissAudio

. I also love to 

hear from customers and answer questions so feel 
free to write me anytime at 

[email protected]

.  Thank you so much for 

purchasing this product and ENJOY! 
 

 
 

 
 

 

 

 
 
 
 
 
 
 
 
 
 
 

Содержание GRAVITAS

Страница 1: ...with the drive control The main purpose of having this knob is so that you can set up a second tremolo and then adjust the depth of it TONE This is a very musical and wide ranging tone knob When the pedal is at noon the pedal is transparent Clockwise for a brighter sound and counter clockwise for a smoother mellow dark sound This circuit is also the basis for the harmonic tremolo as that effect is...

Страница 2: ... the end Power Other Info This pedal consumes 20mA and should be operated with an alkaline 9V battery or a standard 2 1mm 9V 18V DC center negative adapter If you want more output and headroom out of the pedal we recommend powering it at 18V We recommend Voodoo Labs Pedal Power Input impedance of this device is 1M and output impedance is less than 1k Expression CV Control Dip Switches The Volume T...

Страница 3: ... P position tapping in a tempo will dictate the RPM rate In the R position tapping in the tempo will dictate the Ramp rate This is great for modulating parameters Remember the Bounce dip switch needs to be on if you want to ramp parameters back and forth rather than just ramping and holding Tap Division In position 3 allows for 3 6 8 tap divisions This is also important for selecting MIDI note div...

Страница 4: ...ilable Slots 1 and 2 are the presets that can be saved and activated directly from the pedal via the preset toggle Slot 1 is the right slot Slot 2 is the left slot Sending a Program Change message of 0 puts the pedal in Live mode which is identical to when the preset toggle switch is in the middle position in normal pedal operation If you do not save something into presets 3 through 122 nothing wi...

Страница 5: ...th notes 3 for quarter notes 4 for eighth notes and 5 for sixteenth notes Tap Switch 93 You can send any value with this CC it will simulate pressing down the tap switch In short it s a way to set tap tempo via midi Expression 100 Sending a value 0 would be equivalent to an expression pedal being completely off sending 127 is equivalent to a fully depressed expression pedal All numbers in between ...

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