CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
SAFETY
INSTRUCTIONS (EUROPEAN)
The conductors in the
AC power cord are colored in accordance with the following code.
GREEN &
YELLOW—Earth BLUE—Neutral BROWN—Live
U.K. MAIN PLUG W
ARNING:
A
molded main plug that has been cut of
f from the cord is unsafe. NEVER
UNDER
ANY
CIRCUMST
ANCES SHOULD
YOU INSER
T
A
DAMAGED OR CUT
MAIN PLUG INT
O
A
POWER SOCKET
.
IMPOR
TANT! FOR YOUR PROTECTION, PLEASE READ THE FOLLOWING:
W
A
TER AND MOISTURE: Appliance should not be used near water (near a bathtub, washbowl, kitchen
sink, laundr
y tub, in a wet basement, or near a swimming pool, etc). Care should be taken so that
objects do not fall and liquids are not spilled into the enclosure through openings.
POWER SOURCES: The appliance should be connected to a power supply only of the type described
in the operating instructions or as marked on the appliance.
GROUNDING OR POLARIZA
TION: Precautions should be taken so that the grounding or polariza-
tion means of an appliance is not defeated.
POWER CORD PROTECTION: Power supply cords should be routed so that they are not likely to
be walked on or pinched by items placed upon or against them, paying particular attention to cords
at plugs, convenience receptacles, and the point where they exit from the appliance.
SERVICING: The user should not attempt to ser
vice the appliance beyond that described in the
operating instructions. All other ser
vicing should be referred to qualified ser
vice personnel.
FUSING: If your unit is equipped with a fuse receptacle, replace only with the same type fuse. Refer
to replacement text on the unit for correct fuse type.
REFER SER
VICING T
O
QUALIFIED SER
VICE PERSONNEL!
This symbol is intended to alert the user
to the presence of uninsulated “dangerous
voltage” within the product’
s enclosure that
may be of sufficient magnitude to consti-
tute a risk of electric shock to persons.
This symbol is intended to alert the
user to the presence of important
operating and maintenance (ser
vic-
ing) instructions in the literature
accompanying the appliance.
LIMITED W
ARRANTY
Y
our Car
vin mixer is guaranteed against failure for 1 YEAR unless other
wise stated. Car
vin will
ser
vice and supply all parts at no charge to the customer providing the unit is under warranty
.
Shipping costs are the responsibility of the customer
. CARVIN DOES NOT P
A
Y FOR P
A
R
TS OR
SERVICING OTHER THAN OUR OWN. A COPY OF THE ORIGINAL INVOICE IS REQUIRED TO
VERIFY YOUR W
ARRANTY
. Car
vin assumes no responsibility for horn drivers or speakers dam-
aged by this unit. This warranty does not cover
, and no liability is assumed, for damage due to:
natural disasters, accidents, abuse, loss of parts, lack of reasonable care, incorrect use, or failure
to follow instructions. This warranty is in lieu of all other warranties, expressed or implied. No
representative or person is authorized to represent or assume for Car
vin any liability in connec-
tion with the sale or ser
vicing of Car
vin products.
CARVIN SHALL NOT BE LIABLE FOR INCIDEN-
TAL OR CONSEQUENTIAL DAMAGES.
SER
VICE:
In the USA go to www
.car
vin.com/cs
Outside the USA, contact your dealer or go to http://www
.car
vinworld.com
for your nearest
ser
vice center
. Include a written description of the problem with serial number and date of pur-
chase.
MAINT
AINING YOUR
EQUIPMENT
A
void spilling liquids or allowing any other foreign matter inside the unit. The panel of your
unit can be wiped from time to time with a dr
y or slightly damp cloth in order to remove
dust and bring back the new look.
As with all pro gear
, avoid prolonged use in caustic
environments such as dust or salt air
. When used in such an environment, be sure the
mixer is adequately protected by a cover
.
1
4
3
C1644P
REAR P
ANEL
2
CC
11
66
44
44
PP
PP
OO
WW
EE
RR
AA
MM
PP
SS
PP
EE
CC
IIFF
IICC
AA
TT
IIOO
NN
SS
::
RMS Continuous Power:
4
Ω
(20-20kHz, .1%THD) 300W/amp
8
Ω
(20-20kHz, .1%THD) 200W/amp
Frequency Response:
±0.5dB, 20Hz-20kHz
±1.5dB, 10Hz-40kHz
THD: (50% output)
0.03%
Output Noise:
< -75dBu speaker out (all levels minimum)
Protection Circuits:
Soft Start, Short Cir
cuit, No Load, SpeakerGuard , Thermal
Shut-Off, Protect and Clip Indicators, Distortion-free Peak
Limiters.
Maximum Gain:
Mic in to Speaker Out: 74dB
Power Requirements:
120V
AC 60Hz or optional 240V
AC 50Hz model, 1200V
A
Size:
24”W x 16”D x 9”H
W
eight:
38 lbs.
CC
11
66
44
44
PP
RR
EE
AA
RR
PP
AA
NN
EE
LL
FF
EE
AA
TT
UU
RR
EE
SS
::
1 & 2. SPEAKER OUTPUTS
The
1/4” JACK
(1.), and
TWIST
-LOK JACK
(2.) of each amp are wired in parallel.
The minimum load for each amp is 4 OHMS
. Chaining together more than one speaker on an output is
fine as long as the total impedance is not below 4 ohms. If the speaker load is lower than 4 ohms, the
amp may go into one of the PROTECT modes. (T
wo 8 ohm speakers in parallel = 4 ohms) 12 Gauge TWIST
-
LOK speaker cables are an industr
y standard for high power applicattions (pin 1+ is POS, pin 1- is NEG,
pins 2+ and 2- are not used). The 1/4” jacks are used for lower power applications. Use only 16 gauge
(or heavier) speaker cables, NOT shielded instrument cables. T
urn power off before connecting speaker
cables.
3. AMP ROUTING switch
will select between two internally routed configurations:
OUT postion: AMP1-LEFT
, AMP2-RIGHT
, AMP3-MONITOR1, AMP4-MONITOR2
IN position: 1 amp each, for Monitors 1 thru 4.
Speaker output levels are adjusted from the Left/Right faders or Monitor 1-4 controls. The front panel
GRAPHIC EQs function with the amps, depending on the front panel EQ1 and EQ2 switch settings.
4. AMP P
A
TCH INSER
T jacks
offer full flexibility for mixer to amp signal routing. These jacks are T
-R-S
(T
ip-Ring-Sleeve). T
ip is the power amp input. Ring is the signal sent from the mixer determined by the
AMP
ROUTING
switch. The limiters are post insert. Patching a compressor or equalizer between the
mixer and the amp can be done by using a stereo insert cable (like Car
vin’
s
AP1
). Connect the RING
signal to the INPUT of the external device, and the TIP signal from the OUTPUT of the device. Plugging
in a standard 1/4” cable (mono) into the AMP
P
A
TCH INSER
T jacks allows any external signal to be sent
to the internal power amps.
***
DO NOT
USE A BALANCED CABLE***
For example, you may want to patch the GROUP outputs (1-4) into the power amps.
-Plug one end of each cable into the GROUP jacks on the top panel of the mixer
.
-Plug the other ends of the cables into the AMP P
A
TCH INSER
T jacks.
The GROUP 1-4 faders will now control what is heard at the SPEAKER OUTPUTS.
C1644P FRONT P
ANEL INDICA
TORS:
5. AMP CLIP LEDs
- The red CLIP LEDs will flash when the particular amp has reached it’
s maximum
output. Occasional flashing caused by bass frquencies is OK. Consistent flashing caused by higher fre-
quencies may damage drivers due to excessive distortion. This will not damage the amp.
6. PROTECT LED
- The yellow LED indicates the power amp system has gone into one of its protection
modes. There will be no output from the amps. If the amp output has been short cir
cuited, or overloaded
by putting less than 4 ohms on the output the amp will go into protection. Check for shorted speaker
cables and speaker impedance, then reset the POWER switch (off-on). If the amp has overheated, lower
the volume and make sure the fan vents are not blocked. W
ait for the fan to cool the amps. Normal oper-
ation will return in about 1-3 minutes.
C1644P 1200w Powered Mixer
6
5
C1644P FRONT P
ANEL
THREE BAND
CHANNEL T
ONE
CONTR
OLS
P
AD
GAIN
MID
LO
W
MIC
PRE
CHANNEL
F
ADER
LEFT
TAPE IN
RCA
P
AN
RIGHT
CHANNELS
line pad
(-16dB)
PHONES
LEVEL
PHONES
OUTPUT
RIGHT
LEFT
EFFECTS RETURN
3L - 3R
HI
RETURN 3
LEVEL
L - R
METERS
INSER
T
MIC
LINE
LO
CUT
MUTE
PFL
LEFT & RIGHT
BAL OUT
HEADPHONE
AND METER
SWITCHES
L - R
LEFT
RIGHT
EFF 1
EFF 2
PFL
MON 1 - 4
LEVEL
LEFT
F
ADERS
GROUP 1
MUTE
TAPE OUT
GROUP 2
GROUP 3
GROUP 4
MON 3
MON 4
MON 1
MON 2
GR
OUPS 1 - 4
1 - 4
BAL
TRS
BAL
TRS
SWITCH T
O
GRAPHIC
EQ
RIGHT
ƒ
REQ
LEFT
RIGHT
EFFECTS RETURN
4L - 4R
TAPE IN
R
TN 4
LEVEL
SWITCH T
O
GRAPHIC
EQ
MON 1 & 2 ONL
Y
PFL
MONO
MONO
BAL OUT
RIGHT
LEFT
ASSIGN
EFF SNDS
1 & 2
DSP
x 2
MON 1 - 4
TO
L & R
TO
MONS 1 - 3
F
ADERS
LEFT
RIGHT
EFF 1
EFF 2
PFL
GROUP 1
GROUP 2
GROUP 3
GROUP 4
MON 3
MON 4
MON 1
MON 2
SIG
PEAK
STEREO
IN 1
IN 2
MON 1
MON 2
MON 3
MON 4
EFF 2
EFF 1
CARVIN ENGINEERING DA
T
A
C844, C1644(P), C2444, C3244 4-BUS
MIXER
OPERA
TING MANUAL
76-02444D 1008
C1644 BLOCK
DIAGRAM
MONO
0
0
0
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
R
T
N 3
MON 2
MON 1
M
ON 4
R
TN 4
M
ON 3
T
A
PE IN
RETURN
MONIT
ORS
01
0
5
MONO
L-R
+18
+12
+6
0
-
6
-12
-18
-24
-30
PEAK
LR
PO
WER
PFL
PHONES
EQ 1
LEFT
/
MON 1
EQ 2
RIGHT
/
MON 2
dB
CONCER
T SERIES
C1644
01
0
5
-30
-50
+
-12
-24
12
+
6
-30
-50
-12
-24
12
6
-30
-50
-12
-24
12
6
-30
-50
-12
-24
12
6
-30
-50
+
-12
-24
12
+
6
01
0
5
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
125
2
50
500
63
1K
2K
4K
8K
16K
0
8
4
4
8
–12
+12
0
8
4
4
8
12-
12+
0
8
4
4
8
–12
+12
0
8
4
4
8
12-
12+
LR
T
A
PE IN
1
L
T
APE OUT
R
MON 1
4
23
PHONES
EFF 1
3
L
3
R
RETURN
MONO
MON 2
MON 3
RT
N
4
MON 4
EFF SW
EFF 2
GR
OUPS
METERS
1234
L
R
PFL
PFL
PFL
PFL
00
1-2
3-4
MON
MON
4
3
2
18
7
6
5
8
7
6
5
4
3
2
1
LINE
LINE
LINE
LINE
LINE
LINE
LINE
8
6
5
4
3
2
17
1-
8
PHANT
OM
PO
WER
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
INSER
T
INSER
T
INSER
T
INSER
T
INSER
T
INSER
T
INSER
T
INSER
T
12
11
10
91
6
15
14
13
16
15
14
13
12
11
10
9
9-16
PHANT
O
M
PO
WER
MID
MID
MID
MID
MID
MID
MID
MID
HI
HI
HI
HI
HI
HI
HI
HI
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5
k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
PA
N
PA
N
PA
N
PA
N
PA
N
PA
N
PA
N
PA
N
PEAK
SIG
PEAK
SIG
PEAK
SIG
PEAK
SIG
PEAK
SIG
PEAK
SIG
PEAK
SIG
PEAK
SIG
05
0
GAIN
LO CUT
LINE
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5
k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5
k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5
k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5
k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
LO
W
L
O
W
LO
W
L
O
W
LO
W
L
O
W
LO
W
L
O
W
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
LINE
LINE
LINE
LINE
LINE
LINE
LINE
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
INSER
T
INSER
T
INSER
T
INSER
T
INSER
T
INSER
T
INSER
T
INSER
T
MID
MID
MID
MID
MID
MID
MID
MID
HI
HI
HI
HI
HI
HI
HI
HI
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
PA
N
PA
N
PA
N
PA
N
PA
N
PA
N
PA
N
PA
N
PEAK
SIG
PEAK
SIG
PEAK
SIG
PEAK
SIG
PEAK
SIG
PEAK
SIG
PEAK
SIG
PEAK
SIG
05
0
GAIN
LO CUT
LINE
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5
k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5
k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5
k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5
k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5
k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
LO
W
L
O
W
LO
W
L
O
W
LO
W
L
O
W
LO
W
L
O
W
PFL
MUTE
3-4
1-2
L-R
0
-12
-24
-30
-50
+
12
+
6
-6
100
5
k
1k
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
01
0
5
C
LR
05
0
GAIN
LO CUT
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
P
ARAMETER
ECHO
REGEN
TIME
REVERB
D
A
MPING
DECA
Y
FLANGE
SPEED
DEPTH
CHOR
US
REV LEVEL
DEPTH
SELECT
PK
PK
MUTE
MUTE
OFF
9
9
6
6
3
3
1
MON
2
MON
OFF
9
9
6
6
3
3
1
MON
3
MON
24-BIT DU
AL STEREO EFFECTS
SELECT
P
ARAMETER
10
1
2
3
4
56
7
8
9
10
1
2
3
4
5
6
7
8
9
EFFECTS 2
T
O
MONIT
ORS
RETURN
EFFECTS 1
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
16
15
14
13
12
11
10
9
4
4
4
4
4
4
4
4
3
3
3
3
3
3
3
3
2
2
2
2
2
2
2
2
1
1
1
1
1
1
1
1
MON
MON
MON
MON
MON
MON
MON
MON
EFF
EFF
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1
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1
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1
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4
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3
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3
3
3
3
3
2
2
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2
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1
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MON
MON
MON
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1
1
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C1644
CONCER
T 44 SERIES
The
CC
88
44
44
,, CC
11
66
44
44
((PP
)),,
CC
22
44
44
44
and
CC
33
22
44
44
feature 8 to 32 channels with true 4-
bus performance.
The
CC
11
66
44
44
PP
adds four 300 watt power amplifiers built
into our ROAD W
ARRIOR case. Never
before have so many features been packed into such a rugged, compact USA made mixer
. The best feature of
the Concert 44 Series is the sound. Sound that is pure and quiet enough for digital recording studios. Ever
ything
is logically laid out making the powerful features simple to use. The knobs have been located so that adjust-
ments can be made quick and easy with visible pointers showing you the status of your mix at a glance.
TRUE 4-BUS DESIGN
The Concert 44 Series offers increased mixing flexibility over standard stereo con-
soles by letting you assign channels to one of the 4 sub groups or L/R. This allows you to mix the entire drum,
horn, choir
, etc. into one sub group, which feeds the L/R faders. This is an easy way to control the volume of
grouped mics and inputs. If you don’t need subgrouping, you can depress the L/R channel button and the
channel goes directly into the L/R output like a standard stereo console. All 4 sub group outputs have bal-
anced outputs for long cable runs.
TWO EFFECT SENDS / TWO 24-BIT EFFECT PROCESSORS
Two built-in 24-Bit effects, each offeri
ng
256 stereo effects, is a first in a 4-bus mixing console. Since there are two, you no longer have to choose between
that great vocal reverb with delay and that awesome guitar chorus - you can have both! Each processor offers
lush REVERBS, rich CHORUSES, thick textured FLANGING
and pristine ECHOES with fully adjustable parame-
ters for damping, decay
, depth, speed, time and regeneration. Both processors can be sent back into the moni-
tor mix so the performers can hear exactly what the audience is hearing.
FOUR MONITOR SENDS
Ever
y channel has 4 MONIT
OR sends
with MASTER output level controls.
Monitor
send jacks are balanced TRS.
3 BAND EQ/MID SWEEP
The superb EQ system gives extended 15 dB boost and cut tone shaping.
The
LOW frequency control builds bass starting with 20 Hz through 80 Hz for a solid non-flabby low-end. The exclu-
sive offset of the MID FREQ. control ends the confusion of selecting your mid frequency from 100 Hz to 5kHz.
The MID cut and boost control adjusts the gain to the perfect mid-dip or boost cur
ve to enhance all instruments
and vocals. The 11.5k Hz HI treble control adds sparkle to your top-end without adding harshness. Both the
LOW and HI are “shelving”, which means they are effective from 20 Hz and up to 20k Hz. The LO CUT switch
eliminates stage rumble or other unwanted low frequencies that would normally rob power from your woofers.
TWO 9 BAND EQUALIZERS
Precision equalizers provide 1 octave adjustments to tune in your overall sound
and control feedback. Unlike one stereo equalizer
, two independent 9 bands offers total flexibility
. With two
convenient buttons, you can assign either EQ to the R/L outputs or to the 1/2 monitor outputs. Center frequencies
are 63, 125, 250, 500, 1k, 2k, 4k, 8k & 16k Hz.
RECEIVING INSPECTION—read before getting star
ted
INSPECT YOUR MIXER FOR DAMAGE which may have occurred during shipping. If damage is
found, please notify the shipping company and CARVIN immediately
.
SA
VE THE CAR
TON & ALL P
ACKING MA
TERIALS. In the event you have to re-ship your unit, always
use the original carton and packing material. This will provide the best possible protection during
shipment. CARVIN and the shipping company are not liable for damage caused by improper packing.
SA
VE YOUR INVOICE. It will be required for warranty ser
vice if needed in the future.
SHIPMENT SHOR
TAGE. If you find items missing, they may have been shipped separately
. Please
allow several days for the rest of your order to arrive before inquiring.
RECORD THE SERIAL NUMBER on the enclosed warranty card or below on this manual for your
records. Keep your portion of the card and return the portion with your name and comments to us.
USA customers register online at:
www
.car
vin.com/registration
All other countries register online at:
www
.car
vinworld.com/registration
CHANNEL FEA
TURES
Ever
y channel has a full balanced XLR and LINE (1/4”) preamp with an INSER
T
jack for a compressor or EQ that also ser
ves as a DIRECT OUT
when plugged half way
. The P
AN con-
trol directs the channel into the L/R output or any of the 4 sub groups after depressing the appropriate
ASSIGN switches. A PFL (pre fader listen) switch allows you to hear the channel in the headphones
before the fader is turned up. A solid “on” condition of the PEAK LED indicates that the MUTE switch
has been activated which turns the channel off including all monitor and effect sends. When flashing
during use, the PEAK LED also lets you know when to adjust the channel’
s GAIN control to prevent chan-
nel cliping. The SIGNAL LED lets you know that a
signal is coming through the channel starting at –20
dBu. A silky smooth 60mm audio taper F
ADER delivers professional fade-outs. The PHANTOM power
switches provide power through the XLR connectors for use with condenser mics like the Car
vin CM90E
in groups of 8 channels.
MASTER FEA
TURES
Each of the 4 SUB GROUP
faders can be switched to the R/L outputs or used
independently through their own balanced output jacks. Each of the sub group’
s PFL switches allow you
to listen to the sub groups in your headphones before it is turned up. The R/L MAIN output faders are
independent for added flexibility over a single stereo fader
. A MONO control sums both the R/L outputs
together (pre-graphic EQ) for a center
, side fill or subwoofer output. The stereo HEADPHONE control
tracks the METER switches which allow you to look and listen from the L/R, MONO, MONITOR 1/2 and
3/4 outputs and channel PFL switches. The master section also features 2 EFFECT SENDS, 4 RETURNS
and RCA T
APE IN/OUT jacks. All 4 SUB GROUPS, 4 MONITORS, XLR L/R and MONO outputs are bal-
anced. A FOOT SWITCH jack turns both effects processors on or off remotely with the optional FS22
foot switch.
SWITCHING POWER SUPPL
Y
Our exclusive 125k Hz switching power supply eliminates trans-
former noise. Like a laptop computer
, go anywhere in the world and not worr
y about power because
you can run on any voltage from 90 to 250V
AC. (
except C1644P
)
SUPERB SOUND
State-of-the-art low impedance, low noise preamps are featured on ever
y channel.
The balanced common mode rejection is better than 70 dB to eliminate cable noise. All main outputs are
balanced to guard against system noise. The near theoretical limit on distortion has been achieved with THD
below .01% to guarantee the purity of your sound, ensuring it will be dynamically open and transparent.
ENGINEERED TO LAST
Hidden deep in the heart of these San Diego, CA made mixers is the SMT con-
struction that utilizes surface mounted components to prevent malfunctions caused by vibrations. Sealed
controls and switches guard against the outside elements while heavy-duty jacks provide a positive con-
nection to your cables. Fire retardant FR-4 militar
y spec circuit cards feature double-sided copper to elim-
inate radio frequency
interference. Precision 1% tolerance components guarantee your settings will be
accurate ever
y time. The Concert 44 Series is built to strict standards.
For your records, you may wish to record the following: Serial No.________________________ InvoiceDate___________
Optional Accessories:
C844:
CB800
Heavy padded bag
FS22
foot switch for all models
C1644:
CB1600
Heavy padded bag
RW1644
Road W
arrior
™
case
C2444:
CB2400
Heavy padded bag
RW2444
Road W
arrior
™
case
C3244:
RW3244
Road W
arrior
™
case
CONCER
T 44 SPECIFICA
TIONS:
For C1644P
power amp specifcations, see back page
Mic Input:
Balanced XLR, Mic Imp. 150
Ω
Line Input:
Balanced 1/4” Jack Imp. 10k/20k bal.
Frequency Response:
Mic or Line Inputs: 20Hz-20KHz ±0.5dB
Total Harmonic Distortion:
Less than .01%
Equivalent Input Noise:
150 ohm sour
ce: -117dBu
Output Noise:
less than -90dBu Master Line Out
Output Headroom:
+28dB XLR bal, +20dB 1/4” unbal.
Maximum Gain:
Mic in to Master Line Out: 74dB
Crosstalk:
Adjacent channels: -60db at 1KHz
Common Mode Rejection:
-75db at 1KHz
Phantom Power:
All XLR Mic in (channel groups of 8)
Channel EQ.:
3 band active,
LOW: 80Hz ±15dB
MID: 100Hz to 5kHz ±15dB
HI: 11.5KHz ±15dB
9 Band Graphic EQ.:
±12dB 63, 125, 250, 500, 1k, 2k, 4k, 16k
Mixers Only:
90 to 250V
AC 50-60Hz, 20 to 50V
A
Powered C1644P:
120V
AC 60Hz
or
240V
AC 50Hz model,
1200V
A
Size:
C844: 14.25”D x 14.5”W x 3.25”H
C1644: 14.25”D x 22.25”W x 3.25”H
C1644P: 16”D x 24”W x 9”H
C2444: 14.25”D x 30”W x 3.25”H
C3244: 14.25”D x 38.1”W x 3.25”H
“OUT”
position turns on front L/R
speakers
