CARVIN C1644(P, Руководство по эксплуатации

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DIRECT OUT
Plug a 1/4” mono cable “half way” into
the Channel Insert Jack. The “half” insert
connection creates a send signal without
breaking the channels signal path. The
insert in this mode is no longer used as
an insert but becomes what is called an
DIRECT out.
FULL INSERT
The insert jack is a Tip Ring Sleeve (TRS)
1/4” phone jack, where the tip is the send,
the ring is the return and the sleeve is
ground. When used as an insert point or
in full INSERT mode, the channel is opened
up to allow an external piece of equipment
to be inserted into the channels signal
path. The signal coming from the micro-
phone preamplifier will be forced to go
through the external equipment before it
can continue back through the channel, re-
entering before the channel EQ controls.
Most external equipment is not set up for
the TRS plug directly so an adapter cable
such as the Carvin
AP1 or PP10 is required.
Plug the 1/4” stereo TRS end into the
mixer insert all the way. The two mono 1/4”
TS jacks at the opposite end are the send
and return cables. If both an INSERT and
a DIRECT out is required, “Y” the SEND
cable.
MIC
INSERT
1
12
3
6
9
12
9
6
3
- 0 +
GAIN
HI
MID
LOW
5
4
3
2
1
010
9
8
7
6
12
3
6
9
12
9
6
3
- 0 +
12
3
6
9
12
9
6
3
- 0 +
LINE
MIC Pre-Amp
PIN 2 (+)
PIN 3 (–)
GAIN
TO EFFECTS
STEREO PLUG
FULL INSERT
INSERT JACK
SEND RETURN
TIP: SEND
SLEEVE: GROUND
RING: RETURN
INSERTS AND DIRECT OUTS
MIC
INSERT
1
12
3
6
9
12
9
6
3
- 0 +
GAIN
HI
MID
LOW
5
4
3
2
1
010
9
8
7
6
12
3
6
9
12
9
6
3
- 0 +
12
3
6
9
12
9
6
3
- 0 +
LINE
PIN 2 (+)
PIN 3 (–)
MONO PLUG
1/2 INSERT
MIC Pre-Amp
GAIN
INSERT JACK
TO RECORDER
TIP: SIGNAL
SLEEVE: GROUND
PHANTOM
1-2
3-4
MONO
L-R
EQ 1 EQ 2
00
010
5
010
5
010
5
010
5
010
5
RTN 3 MON 2 MON 1 MON 4 RTN 4 MON 3
TAPE IN RETURN MONITORS
010
5
PK
PK
MONO
MUTE
MUTE
MON4
EFF2
SOURCE
LR
POWER
PFL
PHONES
LEFT /
MON 1
RIGHT /
MON 2
+18
+12
+6
0
- 6
-12
-18
-24
-30
PEAK
dB
CONCER CONCERT SERIES T SERIES
C1644 C1644
010
5
OFF
9 9
6 6
3 3
1 MON 2 MON
OFF
9 9
6 6
3 3
1 MON 3 MON
-30
-50
-12
-24
12
6
-30
-50
-12
-24
12
6
-30
-50
-12
-24
12
6
-30
-50
+
-12
-24
12
010
5
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
24-BIT DUAL STEREO EFFECTS
125 250 500 63 1K 2K 4K 8K 16K
0
8
4
4
8
± 12
+12
0
8
4
4
8
12-
12+
PARAM
ECHO
REGEN
TIME
REVERB
DAMPING
DECAY
FLANGE
SPEED
DEPTH
CHORUS
REV LEVEL
DEPTH
SELECT
SELECT PARAMETER
10 1
2
3
4
56
7
8
9
10 1
2
3
4
56
7
8
9
EFFECTS 2
TO MONITORS RETURN
EFFECTS 1
0
8
4
4
8
± 12
+12
0
8
4
4
8
12-
12+
L R
TAPE IN
1
L
TAPE OUT
R
MON 1
4 23
PHONES
EFF 1 3L 3R
RETURN
MONO
MON 2 MON 3
RTN 4
MON 4
EFF 2
GROUPS
10 0
1
2
3
4 5 6
7
8
9
10 0
1
2
3
4 5 6
7
8
9
METERS
12 3 4 L R
PFL PFL PFL PFL
0 0
MON
MON
EFF SW 1 2
-
0
-12
-24
-30
-50
+12
+6
-6 -6 -6 -6 -6
+6
1-8
POWER
1
1
LINE
1
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
2
2
LINE
2
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
3
3
LINE
3
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
4
4
LINE
4
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
5
5
LINE
5
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
6
6
LINE
6
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
7
7
LINE
7
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
8
8
8
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
PHANTOM
9-16
POWER
9
9
LINE
9
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
10
10
LINE
10
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
11
11
LINE
11
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
12
12
LINE
12
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
13
13
LINE
13
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
14
14
LINE
14
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
15
15
LINE
15
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
16
16
16
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
E C
H
O
R
E
V E
RB
CH O
R U
S
F
L A
N
G
E R
E
C H
O
R
E V
E RB
CH
O R
U
S
F L
A
N
G E
R
A multi-track recorder can be connected to the Channel Insert jacks (1/2 plugged).
This set up could be used with a live set up to record a live show.
PHANTOM
1-2
3-4
MONO
L-R
EQ 1 EQ 2
00
010
5
010
5
010
5
010
5
010
5
RTN 3 MON 2 MON 1 MON 4 RTN 4 MON 3
TAPE IN RETURN MONITORS
010
5
PK
PK
MONO
MUTE
MUTE
MON4
EFF2
SOURCE
LR
POWER
PFL
PHONES
LEFT /
MON 1
RIGHT /
MON 2
+18
+12
+6
0
- 6
-12
-18
-24
-30
PEAK
dB
CONCER CONCERT SERIES T SERIES
C1644 C1644
010
5
OFF
9 9
6 6
3 3
1 MON 2 MON
OFF
9 9
6 6
3 3
1 MON 3 MON
-30
-50
-12
-24
12
6
-30
-50
-12
-24
12
6
-30
-50
-12
-24
12
6
-30
-50
+
-12
-24
12
010
5
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
24-BIT DUAL STEREO EFFECTS
125 250 500 63 1K 2K 4K 8K 16K
0
8
4
4
8
± 12
+12
0
8
4
4
8
12-
12+
PARAM
ECHO
REGEN
TIME
REVERB
DAMPING
DECAY
FLANGE
SPEED
DEPTH
CHORUS
REV LEVEL
DEPTH
SELECT
SELECT PARAMETER
10 1
2
3
4
56
7
8
9
10 1
2
3
4
56
7
8
9
EFFECTS 2
TO MONITORS RETURN
EFFECTS 1
0
8
4
4
8
± 12
+12
0
8
4
4
8
12-
12+
L R
TAPE IN
1
L
TAPE OUT
R
MON 1
4 23
PHONES
EFF 1 3L 3R
RETURN
MONO
MON 2 MON 3
RTN 4
MON 4
EFF 2
GROUPS
10 0
1
2
3
4 5 6
7
8
9
10 0
1
2
3
4 5 6
7
8
9
METERS
12 3 4 L R
PFL PFL PFL PFL
0 0
MON
MON
EFF SW 1 2 -
0
-12
-24
-30
-50
+12
+6
-6 -6 -6 -6 -6
+6
1-8
POWER
1
1
LINE
1
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
2
2
LINE
2
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
3
3
LINE
3
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
4
4
LINE
4
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
5
5
LINE
5
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
6
6
LINE
6
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
7
7
LINE
7
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
8
8
8
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
PHANTOM
9-16
POWER
9
9
LINE
9
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
10
10
LINE
10
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
11
11
LINE
11
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
12
12
LINE
12
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
13
13
LINE
13
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
14
14
LINE
14
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
15
15
LINE
15
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
16
16
16
MIC
INSERT
MID
HI
C
LR
0
0
0
PAN
PEAK
SIG
010
5
010
5
2/3
MON
4
MON
EFF
1/2
1
MON
050
GAIN
LO
CUT
PFL
MUTE
3-4
1-2
L-R
OFF
MON
3 MON 2
9 9
6 6
3 3
OFF
EFF 2 EFF 1
9 9
6 6
3 3
LOW
FREQ
EFF
ALT
2
0
-12
-24
-30
-50
+12
+6
-6
100 5k
1k
+ 15 - 15
+ 15 - 15
+ 15 - 15
E
C
H
O
R
E
V
E
R B
CH
O R
U
S
F
L
A
N
G
E
R
E C
H
O
R
E
V E
R
B
CH
O
R
U S
F
L
A
N
G
E R
MULTI-TRACK RECORDING
Follow this set up for mixing down to a two track recorder.
Connect the Multi-track recorders’ outputs to the line inputs
of the channels. Use the headphones or connect a profes-
sional power amplifier (Carvin’s
DCM power amps) and high
quality studio monitors (Carvin’s SRS6.5 ) to your main L/R
outputs to monitor your mixdown sessions. Mixing is a prac-
ticed skill. A trained ear will know when to add EQ, effects,
compression, gate. Listen to your favorite CD through the
same headphones or monitoring system you plan to mix
through. Note each instrument’s level and position in the
stereo mix. Use this as a guide to help mix your project.
MULTI-TRACK MIXDOWN
5
ADJUSTING THE 9-BAND EQ
When the 9 band graphic EQ sliders are in their “center” position, they do not affect the
audio signal. When the EQ sliders are raised or lowered from this position, they boost
or cut respectively a narrow band of frequencies. To reduce feedback in the low frequency
range, try lowering one of the 63, 125 or 250 Hz sliders. High frequency feedback is reduced
by lowering one of the 2k or 4k Hz sliders. To help with feedback reduction, the main speaker
should always be placed in front of the microphones.
For tone enhancement, you may want to raise the 63, 125 (for deeper bass) and the 4, 8
and 16k (for crisper highs). At the same time you may want to reduce the mid frequency at
1k forming a “smile” curve as shown.
125 250 63
GRAPHIC EQ
500 1K
0
8
4
4
8
12
12
+
-
4K 16K 8K 2K
0
8
4
4
8
12
12
+
-