CARVIN ENGINEERING DATA
PG. 7
WM5
TRANSMITTER
RECEIVER
LINE
LINE
LINE
LINE
LINE
LINE
LINE
8
6
5
4
3
2
7
1
1-
8
PHANTOM
POWER
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
13
12
11
10
9
HI
HI
HI
HI
HI
HI
HI
HI
FREQ
Q
E
R
F
Q
E
R
F
Q
E
R
F
Q
E
R
F
Q
E
R
F
Q
E
R
F
FREQ
100 5k
1k
0
50
GAIN
LO CUT
LINE
100 5k
1k
0
50
GAIN
LO CUT
100 5k
1k
0
50
GAIN
LO CUT
100 5k
1k
0
50
GAIN
LO CUT
100 5k
1k
0
50
GAIN
LO CUT
100 5k
1k
0
50
GAIN
LO CUT
100 5k
1k
0
50
GAIN
LO CUT
100 5k
1k
0
50
GAIN
LO CUT
0
0
0
0
0
0
0
0
0
-15 +15
LINE
LINE
LINE
LINE
LINE
MIC
MIC
MIC
MIC
MIC
INSERT
INSERT
INSERT
INSERT
INSERT
H
HI
HI
HI
HI
FREQ
Q
E
R
F
Q
E
R
F
Q
E
R
F
Q
E
R
F
100 5k
1k
0
50
GAIN
LO CUT
100 5k
1k
0
50
GAIN
LO CUT
100 5k
1k
0
50
GAIN
LO CUT
100 5k
1k
0
50
GAIN
LO CUT
1
0
50
GAIN
0
0
0
0
0
0
-15 +15
0
-15 +15
0
-15 +15
0
-15 +15
0
-15 +15
W
M5
W
M5
W
M5
W
M5
W
M5
W
M5
W
M5
W
M5
Connecting Up - Multiple Channels
To connect multiple WM5 to a mixing console, we recommend the
use of short XLR patch cables to connect the receivers to the mixing
console. The width of the receiver is too large for the spacing on most
consoles and would require skipping channels in order to make room
for the next receiver. By using XLR patch cables, you can keep the
microphones grouped together. Use up to 4 WM5 wireless systems.