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SYN2B – Quadrature Sine

The SYN2B is a wide-ranging and high stability / purity Quadrature Sine-wave Voltage Controlled 
Oscillator module. It's main features are:

10-turn tuning dial covering a 10 octave range 

Osc or LFO rates 

1V/Oct input (0.1% summing resistors) + variable depth FM input switchable between 
Exp(onential) DC-coupled or Lin(ear) AC-coupled

accurate tracking (less than 0.1% error) over 8 o temperature compensation

four bipolar (-5 to +5 V) outputs at 0/90/180/270 degree phases with bipolar LEDs

The module is set up such that one rotation of the tuning dial raises the pitch by 1 octave (ie. Doubles 
the frequency) with the zero point of each rotation (see scale on the dial) giving tuning to approximately 
A (ie. 440Hz etc.) in VCO mode. 

Via the tuning dial, ranges are about 13.75Hz to 14.08kHz in Osc mode and 0.014Hz to 14Hz in LFO 
mode. But ranges extend well beyond what is set by the tuning dial – approximately 1V above the 
upper range and at least 5 octaves below the low range (thus, by applying a -5V DC signal you could 
get the LFO mode to cycle around 30 minutes!). 

Typical tuned Osc FM operation can be achieved with the pair of SYN2Bs – both receive the same 
1V/Oct signal and then one is used to FM the other in Linear mode. Note that detuning can occur on the 
FM'd VCO when the modulation is dialed above about 1 o'clock – the input could have been attenuated 
to prevent this, but it was felt that the possibilities of the stronger modulation settings should be kept. 

You can also achieve richer waveform timbres by Self-FM – patch an output back to the FM CV input 
and adjust Linear FM depth to suit. Using different phase outputs as the self-FM signal will give different 
end results – ramp waves or parabolas. 

A quasi noise source can be achieved by cross-modulating the two modules – set both to Osc mode, 
connect an output from each module to the FM CV input of the other module and set the FM to Exp with 
the dial turned up full. Experiment with different rates on each Osc then try turning down the FM depth 
to bring back in pitch effects. 

Note that in LFO mode it can take a long time for oscillations to get going when the system is first 
switched on – this is the nature of the circuit as the oscillations basically reinforce themselves to build 
up to full amplitude. The simplest way to get oscillations going is to apply a +10V signal to the 1V/Oct 
input until you can see that the LEDs are showing oscillation. Once you have got the oscillations going 
you can freely switch between LFO and Osc modes without having to repeat this step.

There are three trimmers on the back of the module for fine-tuning but these have been accurately 
adjusted at testing and should only be adjusted when you are sure that they should be.

tuning offset 

can be used to shift the base range of the tuning dial (eg. It is currently set so that 

each 0 rotation point gives an A in Osc mode, but you could adjust it so that C is the zero point)

V/Oct Scale

 adjusts for accurate tracking but please ensure that your source (eg. External 

keyboard or Midi-to-CV) is accurately tuned before adjusting this

Hi-Freq Trim

 is also used for accurate tracking as the Exponential Converter section will detune 

at high frequencies. 

An Allen Key is also supplied with each module in case adjustment of the tuning dial is required.

Содержание 1Frame SynthVoice

Страница 1: ...g the lines of traditional subtractive synthesis VCO VCF VCA The patchable modular approach not only gives great scope and versatility around such areas but also opens up many more esoteric arenas for...

Страница 2: ...ity of connections 1 4 Jack Sockets are employed for Input Output from the system these provide the required ground connection that is not present when solely using banana plugs Black banana sockets a...

Страница 3: ...tract from the setting given by the Master control a 0 10v signal will add to the setting given by the Master control Consider a VCA mplifier which is swept from fully closed at one extreme to fully o...

Страница 4: ...nect external CV Gate signals either via the jack to banana connectors on the Mini Power or via custom interface cables Note that due to the signal amplitudes within the system most audio signals will...

Страница 5: ...attenuated and fully right the signal passes non inverted with unity gain INTERNAL UNIPOLAR The joystick generates a DC output voltage rising from zero volts at fully left to 10 volts at fully right...

Страница 6: ...es or other waveforms can be used eg Try feeding a VCO waveform into the Gate input The End Out socket provides a means to chain sequential events the output is High 10v when inactive and goes Low 0v...

Страница 7: ...ck to the FM CV input and adjust Linear FM depth to suit Using different phase outputs as the self FM signal will give different end results ramp waves or parabolas A quasi noise source can be achieve...

Страница 8: ...mixes an inverted signal while in the centre position no signal is passed This proves an extremely useful module for mixing both audio and or control signals the operation is basically the same as for...

Страница 9: ...om zero output with the Folds dial fully counter clockwise and with the first little turning of the Folds dial or external CV the response is exactly like a regular VCA But the interest comes when the...

Страница 10: ...Resonance also has main dial plus CV modulation with depth control Note that such filters do not offer self oscillation resonance but interesting areas can be achieved through patching check otoskope...

Страница 11: ...the CTL2 Joystick to achieve this The Amplitude Modulation AM mode can be thought of as a little bonus it does not behave as a true VCA in that it doesn t take the signal down to zero but gives a very...

Страница 12: ...banana switchable between positive and inverted phases useful for feeding signals back through the system Out2 passes through a master level control before output on Mono 1 4 Jack On the rear PCB are...

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