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11

EFFECT

RING MOD

This creates a bell-like sound by ring-modulating the bass sound 

with the signal from the internal oscillator. The sound can be 

unmusical and lack distinctive pitches.

Parameter

Value

Explanation

FREQ

0–100

Adjusts the frequency of the internal oscillator.

E.LEVEL

0–100

Adjusts the volume of the effect sound.

D.LEVEL 

(DIRECT LEVEL)

0–100

Adjusts the volume of the direct sound.

MODE

This selects the mode for the ring modulator.
NORMAL This is a normal ring modulator.

INTELLI

By ring-modulating the input signal, a bell like 

sound is created. The intelligent ring modulator 

changes the oscillation frequency according 

to the pitch of the input sound and therefore 

produces a sound with the sense of pitch, which 

is quite different from NORMAL. This effect does 

not give a satisfactory result if the pitch of the 

bass sound is not correctly detected. So, you 

must use single notes, not chords.

HUMANIZER

This creates human vowel-like sounds.

Parameter

Value

Explanation

MODE

This selects the mode that switches the vowels.

PICKING

It changes from VOWEL1 to VOWEL2 along 

with the picking. The time spent for the 

change is adjusted with the rate.

AUTO

By adjusting the rate and depth, two vowels 

(VOWEL1  and VOWEL2) can be switched 

automatically.

VOWEL1 *1

a, e, i, o, u

Selects the first vowel. 

VOWEL2 *2

Selects the second vowel.

SENS
*2

0–100

Adjusts the sensitivity of the humanizer.
When it is set to a lower value, no effect 

of the humanizer is obtained with weaker 

picking, while stronger picking produces 

the effect.
When it is set to a higher value, the effect of 

the humanizer can be obtained whether the 

picking is weak or strong.

RATE

0–100,  

BPM 

ª

 – 

˜

Adjusts the cycle for changing the two 

vowels.
*  When set to BPM, the value of each 

parameter will be set according to the 

value of the “MASTER BPM” specified for 

each patch. This makes it easier to achieve 

effect sound settings that match the 

tempo of the song.

*  If, due to the tempo, the time is longer 

than the range of allowable settings, it is 

then synchronized to a period either 1/2 

or 1/4 of that time.

DEPTH

0–100

Adjusts the depth of the effect.

MANUAL
*3

0–100

This determines the point where the two 

vowels are switched. When it is set to 50, 

VOWEL1 and VOWEL2 are switched in the 

same length of time. When it is set to lower 

than 50, the time for vowel 1 is shorter. When 

it is set to higher than 50, the time for vowel 

1 is longer.

LEVEL

0–100

Adjusts the volume.

*1 Setting available with Mode set to PICKING or AUTO.
*2 Setting available with Mode set to PICKING.
*3 Setting available with Mode set to AUTO.

CHORUS

In this effect, a slightly detuned sound is added to the original 

sound to add depth and breadth.

Parameter

Value

Explanation

MODE

Selection for the chorus mode.

MONO

This chorus effect outputs the same sound 

from both L channel and R channel.

STEREO1

This is a stereo chorus effect that adds 

different chorus sounds to L channel and 

R channel.

STEREO2

This is a dimentional space chorus, with 

the direct sound output in the L channel 

and the effect sound output in the R 

channel.

RATE

0–100,  

BPM 

ª

 – 

˜

Adjust the speed of the chorus effect for 

the high frequency range.
*  When set to BPM, the value of each 

parameter will be set according to the 

value of the “MASTER BPM” specified 

for each patch. This makes it easier 

to achieve effect sound settings that 

match the tempo of the song.

*  If, due to the tempo, the time is longer 

than the range of allowable settings, it 

is then synchronized to a period either 

1/2 or 1/4 of that time.

DEPTH

0–100

Adjusts the depth of the chorus effect.
*  To use it for doubling effect, set the 

value to 0.

E.LEVEL 

(EFFECT LEVEL)

0–100

Adjusts the volume of the effect sound.

LOW CUT

FLAT, 20 Hz–800 Hz

This sets the frequency at which the low 

cut filter begins to take effect. When FLAT 

is selected, the low cut filter will have no 

effect.

HIGH CUT

630 Hz–12.5 kHz, 

FLAT

This sets the frequency at which the high 

cut filter begins to take effect. When FLAT 

is selected, the high cut filter will have no 

effect.

SUB DELAY

This is a delay with the maximum delay time of 1,000 ms. This 

effect is useful for making the sound fatter.

Parameter

Value

Explanation

TYPE

Use this to choose the type of delay.
MONO

Use this to choose the type of delay.

PAN

Provides a tap delay effect that divides 

the delay time between the left and right 

channels.

TIME 

(DELAY TIME)

1 ms–1000 ms,  

BPM 

˜

 – 

¸

Adjusts the delay time.
*  When set to BPM, the value of each 

parameter will be set according to the 

value of the “MASTER BPM” specified 

for each patch. This makes it easier 

to achieve effect sound settings that 

match the tempo of the song.

*  If, due to the tempo, the time is longer 

than the range of allowable settings, it 

is then synchronized to a period either 

1/2 or 1/4 of that time.

FEEDBACK

0–100

Adjusts the volume that is returned to the 

input. Higher settings will result in more 

delay repeats.

E.LEVEL 

(EFFECT LEVEL)

0–120

Adjusts the volume of the delay sound.

HIGH CUT

630 Hz–12.5 kHz, 

FLAT

This sets the frequency at which the high 

cut filter begins to take effect. When FLAT 

is selected, the high cut filter will have no 

effect.

Содержание GT-1B

Страница 1: ...Parameter Guide Sound List 02...

Страница 2: ...S NOISE SUPPRESSOR 14 FOOT VOLUME 14 DELAY 15 REVERB 16 MASTER SETTING 17 MASTER SETTING 17 MASTER EQ 17 Controllers 18 CTL 1 EXP SW CTL 2 CTL 3 18 EXP 1 EXP 2 18 ASSIGN 1 6 18 Virtual Expression Peda...

Страница 3: ...the 1 3 knobs to edit the value of the parameters shown in the screen When tabs are displayed on the screen you can switch pages by pressing the ENTER button 5 Press the EXIT button a number of times...

Страница 4: ...hod SORT TYPE Value Explanation GENRE Search by the patch category DRIVE Search by the distortion type EFFECT Search by the effect type 3 Use the 2 knob to choose the search item SORT TYPE GENRE SORT...

Страница 5: ...button a number of times to return to the play screen Assigning Favorite Parameters to 1 3 Knobs You can assign the parameters that are controlled by parameter knobs 1 3 when the play screen is displ...

Страница 6: ...reates a cyclic change in volume ROTARY This produces an effect like the sound of a rotary speaker UNI V This models a Uni Vibe Although this resembles a phaser effect it also provides a unique undula...

Страница 7: ...MID Q 0 5 16 Adjusts the width of the area affected by the EQ centered at the LOW MID FREQ Higher values will narrow the area LM GAIN LOW MID GAIN 20 20 dB Adjusts the low middle frequency range tone...

Страница 8: ...Adjust the volume of the defretter sound TONE 50 50 Adjusts the amount of blurring between the notes D LEVEL DIRECT LEVEL 0 100 Adjust the volume of the direct sound BASS SYNTH This is a synth sound t...

Страница 9: ...ier to achieve effect sound settings that match the tempo of the song If due to the tempo the time is longer than the range of allowable settings it is then synchronized to a period either 1 2 or 1 4...

Страница 10: ...set to FAST When set to BPM the value of each parameter will be set according to the value of the MASTER BPM specified for each patch This makes it easier to achieve effect sound settings that match...

Страница 11: ...e with Mode set to PICKING or AUTO 2 Setting available with Mode set to PICKING 3 Setting available with Mode set to AUTO CHORUS In this effect a slightly detuned sound is added to the original sound...

Страница 12: ...nge in the wah sound produces a robust wah effect with no dilution of the sound RESO WAH This completely original effect offers enhancements on the characteristic resonances produced by analog synth f...

Страница 13: ...eter Value Explanation ON OFF OFF ON Turns this effect on off TYPE Refer to PREAMP TYPE GAIN 0 120 Adjusts the distortion of the amp LEVEL 0 100 Adjusts the volume of the entire preamp Be careful not...

Страница 14: ...ropriate If the noise level is low a lower setting is appropriate Adjust this value until the decay of the bass sound is as natural as possible High settings for the threshold parameter may result in...

Страница 15: ...value of the MASTER BPM specified for each patch This makes it easier to achieve effect sound settings that match the tempo of the song If due to the tempo the time is longer than the range of allowa...

Страница 16: ...reverberation E LEVEL EFFECT LEVEL 0 100 Adjusts the volume of the reverb sound LOW CUT FLAT 20 Hz 800 Hz This sets the frequency at which the low cut filter begins to take effect When FLAT is selecte...

Страница 17: ...ST Major Major Minor Minor MASTER EQ Parameter Value Explanation LOW GAIN MASTER LOW GAIN 20 20 dB Adjusts the tone for the low frequency range MID GAIN MASTER MID GAIN 20 20 dB Adjusts the tone for t...

Страница 18: ...E use Assign ASSIGN 1 6 For each parameter you can specify in detail which controller will control which parameter You can create eight sets of such assignments If you want to light the CTL1 switch s...

Страница 19: ...ttings that match the tempo of the song If due to the tempo the time is longer than the range of allowable settings it is then synchronized to a period either 1 2 or 1 4 of that time WAVEFORM 2 Select...

Страница 20: ...AVE RATE DEPTH LEVEL 1 ROTARY SPEED RATE SLOW RATE FAST TRANSITION B H BAL LEVEL 1 UNI V RATE DEPTH LEVEL 1 VIBRATO RATE DEPTH TRIGGER RISE TIME LEVEL CATEGORY TARGET 1 RngMOD FREQ E LEVEL D LEVEL MOD...

Страница 21: ...TRIGGER RISE TIME LEVEL CATEGORY TARGET 2 RngMOD FREQ E LEVEL D LEVEL MODE 2 HUMAN MODE VOWEL1 VOWEL2 SENS RATE DEPTH MANUAL LEVEL 2 CHORUS RATE DEPTH E LEVEL MODE LOW CUT HIGH CUT 2 SubDELAY TYPE TIM...

Страница 22: ...as set on the GT 1B When using an external footswitch or other controller that acts as an on off switch MIN is selected with Off and MAX is selected with On When using an external expression pedal or...

Страница 23: ...patches are switched ON If the EXP 1 2 PEDAL s FUNC p 18 are the same between 2 patches the operational status is carried over when patches are switched For example if EXP 1 2 PEDAL FUNC is set to FO...

Страница 24: ...FX1 PHASER TYPE 1PhTYP FX1 PHASER RATE 1PhRAT FX1 PHASER DEPTH 1PhDPT FX1 PHASER MANUAL 1PhMAN FX1 PHASER RESONANCE 1PhRES FX1 PHASER E LEVEL 1PhELV FX1 PHASER D LEVEL 1PhDLV FX1 FLANGER RATE 1FlgRAT...

Страница 25: ...TrmRAT FX2 TREMOLO DEPTH 2TrmDPT FX2 TREMOLO LEVEL 2TrmLVL FX2 ROTARY BALANCE 2RotBAL FX2 ROTARY SPEED 2RotSPD FX2 ROTARY RATE SLOW 2RotSLW FX2 ROTARY RATE FAST 2RotFST FX2 ROTARY TRANSITION 2RotTRA F...

Страница 26: ...ue Explanation MIX LEVEL 0 200 Adjusts the level of the audio input from the computer At this time the audio input from the computer is mixed at the final stage of the GT 1B EFX OUT EFFECT OUT LEVEL 0...

Страница 27: ...45 Hz Specifies the reference pitch 3 OUTPUT MUTE Sound will not be output while tuning BYPASS While tuning the sound of the bass being input to the GT 1B will be output without change All effects wil...

Страница 28: ...ound P32 CRY VIBE Drive sound combining a classic pedal wah and UNI V P33 ROCK N ROLL SOLO Drive sound for blues or rock with phaser added P34 METALMASTER Distortion tone that goes into the frequency...

Страница 29: ...ong CTL1 switch controls octave and expression switch controls reverb P83 REVOLUTION SYNTH Reminiscent of a 90s acid jazz song P84 RESONANCE SAW Synth sound with prominent resonance P85 PHASER SYNTH S...

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