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Controls and Operation
IN A(B), OUT A(B), CV A, SIG ATTN Pot:
The 2410 has two VCA sections. A signal applied to In A(B) will
appear at Out A(B). The signal level will be determined by the setting of the Sig Attn (signal attenuation) pot and
the level of any external control voltage input at CV A.
With no plug present at the CV A jack, an internal 10V source is connected to the circuit, allowing 100% output.
The control voltage range is 0-10V with a linear response. A level of 0 volts results in no output, a level of 5V allows
an output of 50% of the input (assuming the Sig Attn pot is FCW), and 10V results in 100% output. There is no gain
associated with the VCA.
IN B, OUT B, CV B, CV ATTN Pot:
The second section of the 2410 operates in a similar manner, except for the
presence of jack normalling. If nothing is plugged into In B, then the In A(B) signal will be connected internally to the
B VCA. This allows splitter and panner functions without external multiples.
If nothing is plugged into Out B, then the Out B signal will be summed internally with the A signal and appear at the
Out A(B) jack. This allows mixer and VC fader functions without an external mixer.
The diagrams below illustrate some typical configurations.
For VC stereo panning, use the “Splitter” configuration with a source of normal (0-10V) and inverted CVs (10-0V)
(such as the Blacet EG1) connected to the CV ins.
For a VC fader, use the “Mixer” configuration and a CV source as in the “Splitter” mode.
CV
IN
OUT
OUT
IN
CV
A
B
CV
IN
OUT
OUT
IN
CV
A
B
CV
IN
OUT
OUT
IN
CV
A
B
Independent VCAs
Mixer
Splitter
Power Input Connector J7:
This PCB connector requires a source of reg15Vdc and -15Vdc power to run the
module. Use a Blacet PS500 supply or the equivalent.
Connections to J7 should be made only when the power supply is OFF and the connector must be positioned
correctly on the pins.
As using the wrong supply can cause damage to the unit, please contact us if you have any
questions! Do not attempt to use “wall warts” to power the module.
Safety Information
The use of any audio equipment requires some care to avoid potential damage to the hearing of the operator or their
audience. Even short term exposure to high audio levels can lead to temporary hearing loss and ringing in the ears.
Repeated exposure can eventually lead to permanent hearing problems.
Your ears have to last you all your life; take a few precautions to keep them happy so that you can enjoy music even
when you are older!
• When using mid to high volume levels, be aware that the ear will loose sensitivity at some point, causing you
to turn up the volume to compensate. In an extended session, this can happen repeatedly, until the volume is
quite high and potentially dangerous.
• Break up sessions into half hour segments; avoid “all night” jams.
• Take breaks often and choose a maximum volume setting for “mandatory” breaks.
• Try using very, very low volumes as a break.
• Music can sound quite different at low levels; use low volumes for initial setup and routine practice, saving
high levels for final mixes.
• If your music starts to sound “painful”, it’s most likely causing hearing damage as well!