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Picture 1 Tab
Sharpness
Adjusts the picture sharpness value from 0 to 15.
Effect
Select from Monochrome Image (B&W) or Color image (OFF).
Noise Reduction
Can reduce the level of image noise. Select from 6 levels -
OFF, 1 - 5 (MAX).
Flip
Flips the image upside down for ceiling mounted cameras.
Select from upright mode (OFF) or ceiling mount (ON).
Mirror
Displays a mirror image of the video image.
Picture 2 Tab
IR Cut Filter
An IR (infrared) cut filter can be disengaged for
increased image sensitivity in low light conditions.
The filter will automatically engage depending on
the ambient light, allowing the camera to be effective
in day/night environments. When the mode is set to
NIGHT, a monochrome (black and white) image will
be displayed.
Chroma Suppress
The chroma suppress mode can be engaged for low
light conditions when color noise may be particularly
noticeable. You can set the brightness from OFF,
LOW, MID, HIGH in each mode of the variable
gamma modes.
Highlight Light Compensation (HLC)
Attempts to adjust AE and AF to compensate for when high intensity spot lights are detected.
Highlight Light Compensation Mask
This setting determines how much of the spotlight is removed when making the compensation calculation.
Backlight Comp
Compensates for strong scene backlighting that can otherwise lead to the subject being too dimly exposed when
shooting in auto exposure mode.
Stabilizer
(Available on 30X zoom)
This function can reduce image blur caused by camera movement. The correction effect works best at vibration
frequencies of around 10 Hz and may not be as effective in conditions of high frequency vibration. In such high
frequency vibration conditions, turn the image stabilizer function off. The image stabilizer function uses the digi-
tal zoom methodology and may result reduced angle of view and resolution.
Gamma
Adjusts the gamma of the image from 0 to 1.
Содержание NDI A200
Страница 1: ...USER GUIDE NDI 5 2022...
Страница 44: ...41 Camera Dimensions Unit mm Weight 5 5 kg 30 333 176 6 47 2 211 R75...
Страница 47: ...WELCOME TO THE FUTURE...
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