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4

V-AMP PRO

2. CONTROL ELEMENTS

2.1 Front panel

Fig. 2.1: V-AMP PRO front panel (section 1)

Use  the 

POWER 

switch  to  put  the  V-AMP  PRO  into

operation.
The 

GAIN

  control  determines  the  distortion  level  of  an

amp simulation.
The 

VOLUME

  control  determines  the  volume  of  the  se-

lected  preset.
The 

BASS

  control  in  the  EQ  section  is  for  boosting  or

cutting  the  low-frequency  range.
The 

MID

  control  is  for  boosting  or  cutting  the  mid-range

frequencies.

TREBLE

 controls the high-frequency range of the selected

preset.

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If the TAP key 

 is down (see fig. 2.2), the TREBLE

control  functions  as  a  PRESENCE  control.  This

enables  you  to  boost/cut  a  high-frequency  filter

tuned  to  whatever  amp  model  is  active,  thus

simulating  the  frequency-dependent  coupling  of

tube  amps.

The 

AMPS

  control  is  for  selecting  one  of  32  different

amplifier simulation models. The control is surrounded by a

ring  of  16  LEDs.  Each  LED  corresponds  to  two  types  of

amplifier. The first 16 simulations can be selected by turning

the AMPS control (marked on the housing in: white).
To  select  the  simulation  models  17  -  32  (marked  on  the

housing in: gray), press down the TAP key while making

your selection by turning the AMPS control.

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The  LED  “17  -  32”  in  the  bottom  left-hand  corner  of

the  DISPLAY  indicates  that  one  of  the  simulation

models  17  -  32  has  been  selected.

In  addition,  you  can  activate  a  PREAMP  BYPASS  by

pressing  the  key  combination  TUNER  and  TAP.  If

PREAMP BYPASS has been selected, none of the LEDs

on  the  AMPS  control  lights  up.  To  disable  PREAMP

BYPASS,  simply  select  a  different  amp  model  or  press

both keys again.

1. INTRODUCTION

Congratulations! With the V-AMP PRO you have acquired the

professional 19" rack version of the V-AMP 2. Our ultimate aim in

developing it was to create the authentic sound of classic guitar

amplifiers by means of “physical modeling” and to combine this

with the latest DSP effects.

The V-AMP PRO has a number of decisive advantages over

its  “little  brother”,  the  V-AMP  2:  the  output  signal  can  now  be

taken  in  digital  form—and  you  can  even  select  the  output

format. External synchronization of your V-AMP PRO is possible

via  word  clock  and,  what  is  more,  the  V-AMP  PRO  features

an  additional  analog  speaker  simulation,  giving  you  unprece-

dented  flexibility.  But  if  you  think  the  V-AMP  PRO  has  been

designed for guitarists only, you’re wrong: for example, with its

innovative  preamp  bypass  feature  you  can  even  use  it  purely

as  an  effects  processor.  And  thanks  to  its  digital  signal

processing, the V-AMP PRO also works as an all-purpose A/D

converter  with  an  extremely  low-noise,  high-impedance  input.

But enough of this talk. Nothing we say will convince you as

readily  as  what  you  hear  and  feel  when  you  test  your

V-AMP PRO for the first time. But...

1.1 ... before you get started

The V-AMP PRO was carefully packed at the factory and the

packaging is designed to protect the unit from rough handling.

Nevertheless,  we  recommend  that  you  carefully  examine  the

packaging  and  its  contents  for  any  signs  of  physical  damage

which  may  have  occurred  during  transit.

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If  the  unit  is  damaged,  please  do  NOT  return  it  to

BEHRINGER, but notify your dealer and the shipping

company  immediately.  Otherwise,  claims  for

damage  or  replacement  may  not  be  granted.

Be sure that there is enough space around the unit for cooling

and, to avoid overheating, please do not place the V-AMP PRO

near  radiators  etc.

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Before  you  connect  the  V-AMP  PRO  to  the  mains,

please  make  sure  that  the  voltage  setting  on  the

unit  matches  the  local  voltage!

The mains connection is made using the enclosed power cord

and a standard IEC receptacle. It meets all of the international

safety  certification  requirements.

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Please  make  sure  that  all  units  have  a  proper

ground  connection.  For  your  own  safety,  never

remove  or  disable  the  ground  conductor  from  the

unit  or  of  the  AC  power  cord.

The MIDI connections (IN, OUT/THRU) are for standard DIN

connectors.  Data  is  transferred  via  ground-free  opto-couplers.

Further information can be found in chapter 8 “INSTALLATION”.

1.1.1 Serial number

The V-AMP PRO’s serial number is located on the rear. Please

take the time to fill in and return the warranty card within 14 days

after the date of purchase, so as to benefit from our extended

warranty.  Or  register  online  at  www.behringer.com.

1. INTRODUCTION

Содержание V-amp pro

Страница 1: ...Version 1 0 September 2002 User s Manual V AMP PRO ENGLISH...

Страница 2: ...lation such as a bookcase or cabinet that may impede the flow of air through the ventilation openings Heat The appliance should be situated away from heat sources such as radiators heat registers stov...

Страница 3: ...rchasing terms for components etc Isn t it only fair to pass this benefit on to you Because we know that your success is our success too I would like to thank all of you who have made the V AMP PRO po...

Страница 4: ...put format External synchronization of your V AMP PRO is possible via word clock and what is more the V AMP PRO features an additional analog speaker simulation giving you unprece dented flexibility B...

Страница 5: ...44 1 48 or 96 kHz sample rate or external synchronization via word clock see tab 2 1 in this user s manual Use the arrow keys to select the appropriate sample rate with respect to the receiving devic...

Страница 6: ...inet model the V AMP PRO will also select a default speaker simulation automatically as soon as you plug in your headphones This improves the aural impression when using headphones The standard cabine...

Страница 7: ...necessary to distinguish between the balanced XLR outputs DI OUT and the 1 4 jack outputs UNBALANCED 3 1 Selecting CONFIGURATION modes Your V AMP PRO left the factory set in Studio 1 S1 mode To chang...

Страница 8: ...sts of a maximum of five ingredients s amp simulation including GAIN EQ and VOLUME settings s cabinet simulation s pre amp effect such as noise gate compressor auto wah and wah wah s post amp multi ef...

Страница 9: ...P PRO makes it child s play for you to choose one of the legendary guitar amps be it for Brit Pop Blues Heavy Metal or whatever In addition you can tailor the sound of the respective amp to suit your...

Страница 10: ...n a Mesa Boogie Dual Rectifier top Unlike the Trem O Verb this amp produces a more modern high gain sound The tone control is most effective at high gain settings MODERN HI GAIN Here too the tone cont...

Страница 11: ...e music please press the TAP button twice in time to the music 6 1 Effect descriptions The following section contains short descriptions of the effects that can be produced using the multi effects pro...

Страница 12: ...for tuning your guitar you can change the preset reference pitch A For clarity s sake let s look at this in more detail The so called concert pitch A has been raised steadily over time For example th...

Страница 13: ...xclusive data from other MIDI devices provided that the MIDI function button A has been activated in EDIT mode However this means that all presets on the V AMP PRO will be overwritten automatically Yo...

Страница 14: ...mpedance 75 Nominal output level 0 5 V peak to peak not grounded unbalanced Format AES EBU and S PDIF switchable Sample frequency 44 1 48 96 kHz internal 44 1 96 kHz wordclock sample rate converter WO...

Страница 15: ...Effect Par 2 6 47 N request only Y pre Effect Par 3 6 48 N request only Y pre Effect Par 4 6 49 N request only Y Delay Type 0 2 7 50 Y Y Delay Time hi 0 117 8 51 Y Y Delay Time lo 0 127 8 52 N request...

Страница 16: ...ler s invoice Any product deemed eligible for repair or replacement by BEHRINGER under the terms of this warranty will be repaired or replaced within 30 days of receipt of the product at BEHRINGER 2 I...

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