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6

ULTRAMATCH PRO SRC2496

2. CONTROL ELEMENTS

Similarly to the input section, the display provides you with

all the information on the output signal.

2.1.1 Monitor and input sections

Fig. 2.2: Input section control elements

Use the 

GAIN

 control to adapt the signal level perfectly to

the circuitry of your ULTRAMATCH PRO. The level should

be as high as possible, but the 0 dB LED should only light

up occasionally or never at all to avoid distortion.
The 

PHONES

 control governs the headphones volume. You

can monitor either the analog output or input by setting the

SOURCE  switch  accordingly.  The  analog  output  always

provides the signal applied to the selected digital input, so

this signal can be monitored with the headphones, too.

+

When the ULTRAMATCH PRO operates as an A/D-D/A

converter, the digital input signal is applied to the analog

output only in DIG IN mode (see 

).

This is the stereo 1/4" TRS connector for your headphones.
The 

ANALOG IN

 and/or 

ANALOG OUT

 LEDs indicate which

signal (input or output) is being displayed by the level meter.
The 

SOURCE

 switch routes the analog input or output signal

to the level meter.

LEVEL  METER

.  The  signal  shown  here  can  always  be

monitored with the headphones.

Fig. 2.3: Input section control elements

This 

LED

  array  displays  the  sampling  rate  of  the  digital

input signal. One LED lights up constantly when the sampling

rate is kept accurately or does not deviate from the nominal

value by more than approx. 2 kHz. Otherwise, the LED for

the next value starts flashing.
The 

LOCK 

LED lights up when a valid digital signal—to which

the ULTRAMATCH PRO can be synchronized—is applied

to  the  active  input.  When  digital  input  signals  are  being

processed, this LED should be on all the time, showing the

presence of a stable input signal.

The 

ERROR 

LED warns you of erroneous (or the absence

of any) input signals. It displays various error modes, such

as “Unlock”, “Parity Error”, “Bi-Phase Error” and “Confidence

Error”. The signal is then checked as to whether or not it is

an audio signal. Any detected error makes the SRC2496

mute all of its outputs to protect down-stream audio devices.

As long as the ERROR LED is lit, the ULTRAMATCH PRO

cannot process any input signals.

The 

EMPH 

LED shows you whether or not the input signal

includes an emphasis marker. “Emphasis” is a high-frequency

boost function that is applied during the digital recording but

is undone during playback. When the LED lights up, the signal

was emphasis-processed during recording. You should always

make  sure  that  the  EMPH  LEDs  in  the  input  and  output

sections read the same status.
The 

COPY 

LED (= copyright) lights up when the input signal

was supplied from a copy-protected data carrier.
The 

ORIG 

LED (= original) informs you that the audio signal

received is an original signal, i.e. that it can be copied (see

chapter 2.1.3, section 

).

The 

AES/EBU 

LED lights up when an AES/EBU signal has

been applied at the active input connector.
The  same  holds  true  for  the 

S/PDIF 

LED,  i.e.  when  a

consumer-format signal has been applied.
If the unit is set to A/D and D/A converter mode, the S/PDIF

LED lights up even when no digital signal is present. This is

due to the circuitry used and does not indicate a malfunction

of the unit. Further information on the formats AES/EBU and

S/PDIF can be found in chapter 4.2.
Use the 

SOURCE

 switch to select the active input. Only one

digital input can be activated at a time. However, in A/D-D/A

converter mode, you can use one digital input and the analog

inputs simultaneously (parallel A/D and D/A conversion). For

further information please refer to chapter 3.1.3.
The  LEDs 

XLR

RCA

  and 

OPTICAL 

indicate  the  input

activated by the user.

2.1.2 Mode section

Fig. 2.4: Mode section

The two LEDs 

SAMPLE RATE CONV

 and 

A/D & D/A CONV

inform you about the operating mode of your SRC2496, i.e.

sampling rate converter or A/D-D/A converter.
Use the 

MODE

 switch to switch over between these two

operating modes.

2.1.3 Output section

Fig. 2.5: Output section

The 

SAMPLE RATE

 switch selects the sampling rate which

the input signal is to be converted to or made available at

the outputs. For this purpose, the SRC2496 must be set to

internal mode, i.e. it has to function as a master unit (see

sections 

 and 

).

Содержание Ultramatch Pro SRC2496

Страница 1: ...ENGLISH Version 1 0 July 2002 User s Manual ENGLISH www behringer com ULTRAMATCH PRO SRC2496...

Страница 2: ...s or used in a built in installation such as a bookcase or cabinet that may impede the flow of air through the ventilation openings Heat The device should be situated away from heat sources such as ra...

Страница 3: ...conversion s Allows direct manipulation of emphasis and copy protection bits s High precision quartz clock generator removes jitter and corrects off tune incorrect sample rates s Extremely fast track...

Страница 4: ...n large sales volumes enabling us to get better purchasing terms for components etc Isn t it only fair to pass this benefit on to you Because we know that your success is our success too I would like...

Страница 5: ...s two basic functions A D and D A converter or sampling rate converter is currently active Select the function of your choice at the touch of a button The output section gives you the buttons and dis...

Страница 6: ...dio signal Any detected error makes the SRC2496 mute all of its outputs to protect down stream audio devices As long as the ERROR LED is lit the ULTRAMATCH PRO cannot process any input signals The EMP...

Страница 7: ...ly result in rounding errors and misinterpretations of the analog signals quantization errors In particular signals with a very small amplitude are affected by an audible system error known as granula...

Страница 8: ...Fig 2 11 Analog outputs and inputs ANALOG OUTPUTS These balanced analog XLR outputs stereo provide the analog signal generated by conversion from a digital format ANALOG INPUTS Use these balanced anal...

Страница 9: ...al media Fig 3 2 Example A D conversion of tape recordings Since subgroup outputs on mixing consoles as well as tape and line outputs on hi fi amplifiers usually provide unbalanced signals only please...

Страница 10: ...tudio is met by connecting the equipment to one central sync source For example the console could be the master supplying the remaining devices with a reference signal wordclock However this will only...

Страница 11: ...roblems with the format required While some devices specifically need S PDIF signals on the input side others can only output AES EBU With the SRC2496 this problem is now history The input of your ULT...

Страница 12: ...110 Ohms 75 Ohms Level 0 2 V to 5 Vpp 0 2 V to 0 5 V pp Clock accuracy Not specified I 50 ppm II 0 1 III Variable pitch Jitter 20 ns Not specified Tab 4 1 Important data for AES and IEC 958 Type II s...

Страница 13: ...strates how to correctly connect the balanced input and output connectors Basically it is the same wiring scheme normally used for balanced audio connections such as for example the connection between...

Страница 14: ...ally available cable T connectors terminating resistors in specialist computer shops Fig 5 6 Unbalanced connection termination of the wordclock input to the ULTRAMATCH PRO When the ULTRAMATCH PRO is u...

Страница 15: ...FS adjustable S N Ratio 105 dB Analog outputs Type XLR balanced Output impedance 160 ohms Converter 24 bit 96 kHz 128 times oversampling delta sigma AKM D A converter Output level 16 dBu 0 dBFS S N Ra...

Страница 16: ...lacement by BEHRINGER under the terms of this warranty will be repaired or replaced within 30 days of receipt of the product at BEHRINGER 2 If the product needs to be modified or adapted in order to c...

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