13
E
7
The
HIGH MIX
control of the high band determines the amount of signal used for sound enhancement
(from zero to six). It would depend on the application as to whether a high-quality system is to be given
the finishing touch with the ULTRAFEX PRO, or whether maximum intelligibility is to be achieved in
a relatively poor sound reinforcement system.
8
When the
SOLO
switch is depressed, the unit operates in solo mode and separates the pure effect
signal from the main signal. Thus, the BEHRINGER ULTRAFEX PRO may be used as a sidechain
processor (cf. chapter 7.1.2 The ULTRAFEX PRO As Sidechain Processor).
+
Please note that pre-monitoring of the solo signal will only allow for a rather restricted evaluation
of the sound, since this signal only provides sound enhancement if it is combined with the
original signal.
4.2 The Bass Processor Section
9
10
11
Fig. 4.3: Controls of the Bass Processor section
9
The
SHIFT
switch determines the cut-off frequency of the bass processor. Depending on the program
material, you can select between Low and Ultra-low.
10
The
LOW MIX
control of the low band determines the amount of signal used for sound enhancement
(from zero to six). The setting depends on the application you are addressing.
+
Please note that the bass processor should be set carefully to avoid possible speaker damage.
Most near-field monitors are not capable of handling the bass produced by the ULTRAFEX
PRO.
11
With the
MODE
switch you can define the sound effect of the bass processor. If the switch is on
(Tight) the bass will sound dry and punchy, whereas the released switch mode (Soft) creates a
warm and full bass.
4.3 Surround Processor Section
13
12
Fig. 4.4: Controls of the Surround Processor section
12
With the
SURROUND
switch you can activate the Surround section. Please note that this switch has
to be released if you want to process two separate input signals. Otherwise there will be undesired
cross-talk between the two channels.
4. CONTROLS
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