10
the level of that side of the cross fader. This way it is possible to punch in a piece of music, typically a certain
drum track or lyric, into the playing piece of music. Traditionally this is done by rapidly pushing the fader up
from minus infinity to 0 or +6 dB or moving a cross fader from one side to the middle to give a stuttering or
gated effect. These methods are still valid, but if you are looking for instantaneous transforming check out our
ergonomic alternative - a pair of big PUNCH buttons
, operating on channels 2 and 3. We are sure you will
grow to love their speed and ease of operation.
+
The big PUNCH buttons on the DX100 are designed to get a quick control. At this point its
worth pointing out that all the smaller switches on your DX100 are latching. This means they
stay down until you hit them again. PUNCH buttons are non-latching, or momentary in opera-
tion. This means that they are only active when your finger (or other appendage) is actually
holding them down, like the keys on a MIDI keyboard. These are ideal for executing transfor-
mations, as you will very quickly find as you get into using your DX100.
J
Try running a rhythm track through channel 1 (cross fader fully to the left). Now use the chan-
nel 2 PUNCH button to manually chop in a sustained signal like orchestral music, ambient
sounds, noise, whatever.
5.3 Equalizer
Master EQ comprises three control knobs which enable cut and boost of TREBLE
, MID
and
BASS
frequencies respectively (see below for specs.) EQ can sweeten or effect the mix, with the fading
out and in of frequency bands being very popular.
Control
EQ
Frequency
Gain
OFF position
Treble
Shelving
10 kHz
+/- 12 dB
Centre
Mid
Peaking
700 Hz
+/- 8 dB
Centre
Bass
Shelving
50 Hz
+/- 12 dB
Centre
Tab. 5.1: EQ section of your DX100
J
The EQ can have a great influence. It can enhance or ruin your sound. The EQ is particularly
useful if you use both sides of the centre position.
5.4 Outputs
Stereo outputs include MAIN
and TAPE
(see
chapter 7 CONNECTIONS
). Level to these outputs is
controlled by the rotary control MAIN OUT
, top right on the top panel. MAIN OUT level is displayed on the
bargraph meters
unless PFL is engaged.
+
Watch the output meters! Remember - distortion is not volume, and any distortion introduced
before the power amplifiers and speakers will worsen your sound and cause amps and speak-
ers to clip sooner.
MAIN would normally feed the main PA system (or Hi-Fi amp if you are mixing at home). The TAPE stereo
output is primarily for recording, but it could also be used for feeding the mix into a separate sound system,
such as DJ foldback or another room or area in a dance club.
5. OUTPUT SECTION
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