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EUROPORT EPA800

6. EFFECTS TABLE

No.

EFFECT

Description

No.

EFFECT

Description

00 SMALL HALL 1

approx. 1.0s reverb decay

50 SHORT DELAY 1

Like a short shattering

01 SMALL HALL 2

approx. 1.2s reverb decay

51 SHORT DELAY 2

1-2 short impulse(s)

02 SMALL HALL 3

approx. 1.5s reverb decay

52 SHORT DELAY 3

1-2 short impulse(s)

03 MID HALL 1

approx. 1.8s reverb decay

53 MID DELAY 1

Classical Delay for up-tempo music (115-125 BPM)

04 MID HALL 2

approx. 2.0s reverb decay

54 MID DELAY 2

Classical Delay for mid-tempo music (105-115 BPM)

05 MID HALL 3

approx. 2.5s reverb decay

55 MID DELAY 3

Classical Delay for slow-tempo music (95-105 BPM)

06 BIG HALL 1

approx. 2.8s reverb decay

56 LONG DELAY 1

Classical Delay for reggae-tempo music (85-95 BPM)

07 BIG HALL 2

approx. 3.2s reverb decay

57 LONG DELAY 2

Classical Delay for dub-tempo music (75-85 BPM)

08 BIG HALL 3

approx. 4s reverb decay

58 LONG DELAY 3

Extra long (nearly infinite) delay effect

09 CHURCH

approx. 7s reverb decay

59 LONG ECHO

Extra long canyon echo effect

10 SMALL ROOM 1

approx. 0.5s reverb decay

60 SOFT CHORUS 1

Unobtrusive effect

11 SMALL ROOM 2

approx. 0.8s reverb decay

61 SOFT CHORUS 2

Unobtrusive effect with different color

12 SMALL ROOM 3

approx. 1.0s reverb decay

62 WARM CHORUS 1

Analog sounding

13 MID ROOM 1

approx. 1.2s reverb decay

63 WARM CHORUS 2

Analog sounding with different color

14 MID ROOM 2

approx. 1.5s reverb decay

64 PHAT CHORUS 1

Pronounced chorus effect

15 MID ROOM 3

approx. 1.8s reverb decay

65 PHAT CHORUS 2

Pronounced chorus effect with different color

16 BIG ROOM 1

approx. 2.0s reverb decay

66 CLASSIC FLANGER

Standard flanger effect

17 BIG ROOM 2

approx. 2.2s reverb decay

67 WARM FLANGER

More analog touch

18 BIG ROOM 3

approx. 2.5s reverb decay

68 DEEP FLANGER

Deep modulation impression

19 CHAPEL

approx. 3s reverb decay

69 HEAVY FLANGER

Extremely pronounced effect

20 SHORT PLATE

approx. 1.0s reverb decay

70 CLASSIC PHASER

Standard phaser effect

21 MID PLATE

approx. 1.5s reverb decay

71 WARM PHASER

More analog touch

22 LONG PLATE

approx. 2.2s reverb decay

72 DEEP PHASER

Deep modulation impression

23 VOCAL PLATE

approx. 1.2s reverb decay

73 HEAVY PHASER

Extreme strong effect

24 DRUMS PLATE

approx. 1.0s reverb decay

74 PITCH SHIFT DETUNE

2-3-times detune for a wider solo voice sound

25 GOLD PLATE 1

approx. 1.2s reverb decay

75 PITCH SHIFT +3

Minor third added voice

26 GOLD PLATE 2

approx. 2.0s reverb decay

76 PITCH SHIFT +4

Major third added voice

27 SHORT SPRING

approx. 1.0s reverb decay

77 PITCH SHIFT +7

Quint above added voice

28 MID SPRING

approx. 2.0s reverb decay

78 PITCH SHIFT -5

Fourth down added voice

29 LONG SPRING

approx. 2.5s reverb decay

79 PITCH SHIFT -12

1 octave down added voice

30 GATED REV SHORT

approx. 0.8s gate time

80  REVERB 1

Soft  medium-short reverb

31 GATED REV MID

approx. 1.2s gate time

81  REVERB 2

Deep  medium-long reverb

32 GATED REV LONG

approx. 2.0s gate time

82 F REVERB 1

Soft f medium-short reverb

33 GATED REV XXL

approx. 3.0s gate time

83 F REVERB 2

Deep f medium-long reverb

34 GATED REV DRUMS 1

approx. 0.8s gate time

84  REVERB 1

Soft  medium-short reverb

35 GATED REV DRUMS 2

approx. 1.2s gate time

85  REVERB 2

Deep  medium-long reverb

36 REVERSE SHORT

approx. 0.8s reverb raise

86 PITCH + REVERB 1

Soft voice de medium-short reverb

37 REVERSE MID

approx. 1.2s reverb raise

87 PITCH + REVERB 2

Fourth above in medium-long reverb

38 REVERSE LONG

approx. 2.0s reverb raise

88 DELAY + REVERB 1

Short delay + medium-short reverb

39 REVERSE XXL

approx. 3.0s reverb raise

89 DELAY + REVERB 2

Medium-long delay + medium-long reverb

40 EARLY REFLECTION 1

Short

90 DELAY + GATED REV

Short delay + medium-long gated reverb

41 EARLY REFLECTION 2

Medium-short

91 DELAY + REVERSE

medium-short delay + medium-long reverse reverb

42 EARLY REFLECTION 3

Medium-long

92 DELAY + CHORUS 1

Short delay + soft chorus

43 EARLY REFLECTION 4

Long

93 DELAY + CHORUS 2

Medium-long delay + deep chorus 

44 SHORT AMBIENCE

Short

94 DELAY + FLANGER 1

Short delay + soft flanger

45 MID AMBIENCE

Medium-short

95 DELAY + FLANGER 2

Medium-long delay + deep flanger

46 LIVE AMBIENCE

Medium-short

96 DELAY + PHASER 1

Short delay + soft phaser

47 BIG AMBIENCE

Medium-long

97 DELAY + PHASER 2

Medium-long delay + deep phaser

48 STADIUM

Long

98 DELAY + PITCH 1

Short delay + fourth down interval

49 GHOST AMBIENCE

Extra-long special FX

99 DELAY + PITCH 2

Medium-long delay + minor third above interval

CHORUS 60-69

PHASE/PITCH 70-79

EFFECT PRESETS

GATED/REVERSE 30-39

MULTI 2 90-99

MULTI 1 80-89

DELAY 50-59

EARLY REFLECTIONS 40-49

HALL 00-09

ROOM 10-19

PLATE 20-29

6. EFFECTS TABLE

Содержание EUROPORT EPA800

Страница 1: ...A50 43113 00004 EUROPORT EPA800 User Manual...

Страница 2: ...unding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for...

Страница 3: ...arate CD inputs V 4 high quality mic preamps with switchable 48 V phantom power for condenser microphones V Effective extremely musical 2 band EQ switchable Pad and Clip LEDs on all mono channels V St...

Страница 4: ...excellent technical and audio properties at an extremely reasonable price All of this will let you give free rein to your creativity without being hampered by budget constraints We are often asked how...

Страница 5: ...on For your own safety never remove or disable the ground conductor from the unit or of the AC power cord The unit shall always be connected to the mains socket outlet with a protective earthing conne...

Страница 6: ...band graphic equalizer is used to process the stereo bus or the two mono paths 3 1 Mono Channels 1 4 Channels 1 4 are designed as mono channels and are used to connect microphones or mono line level...

Страница 7: ...ompletely to the left to hear only the left signal component of the stereo source on the LEFT MAIN path V completely to the right to hear only the right signal component of the stereo source on the RI...

Страница 8: ...should be reduced through lowering of the Send level using the EFFECTS controls for the input channels V The SIG LED signalizes that the effects processor is receiving a signal and is working If the L...

Страница 9: ...playback sound or karaoke applications as well as for demanding tasks such as band amplification or stage monitor sound A typical example of use as a sound system for music with live instruments and p...

Страница 10: ...TS jack unbalanced 1 x stereo minijack unbalanced Impedance approx 100 k unbalanced Input sensitivity 8 dBu Signal to noise ratio 90 dB A weighted TAPE OUT Type 2 x cinch jack unbalanced Impedance ap...

Страница 11: ...PITCH SHIFT DETUNE 2 3 times detune for a wider solo voice sound 25 GOLD PLATE 1 approx 1 2s reverb decay 75 PITCH SHIFT 3 Minor third added voice 26 GOLD PLATE 2 approx 2 0s reverb decay 76 PITCH SH...

Страница 12: ...st be accompanied by a description of the problem BEHRINGER will then issue a return authorization number 2 Subsequently the product must be returned in its original shipping carton together with the...

Страница 13: ...allation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications H...

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