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EURODESK MX2442A
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EURODESK insert points are, of course, simultaneously inputs and outputs. For goodness sake,
get them onto a patchbay, where they can appear as independent sockets, and do away with
all these fiddly Y-connectors that always seem to be the first to get knotted in the flightcase.
Now it is possible to do the incredibly useful patch shown in fig. 5.3 without having to make up
what would amount to a ring-to-tip, tip-to-ring stereo patch lead.
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Insert points may also be used as pre-EQ direct outputs without interrupting the signal flow.
See fig. 7.1 Direct out connection.
6. MAIN SECTION
6.1 Aux Masters
Aux sends
Much of the main section (situated left and below the bargraph meters) is taken up by master aux sends and
returns.
Stacked in a vertical column are six master AUX SEND LEVEL pots
, one for each bus. Each has a gain
structure of -oo to +15 dB. The extra 15 dB of gain comes in once a knob passes a center detent (representing
the normal unity gain position), enabling insensitive outboard FX to be properly driven. Each aux send has a
SOLO button
, and, as with other areas of the mixer, a local SOLO LED
, which starts flashing when
any of the aux master sends are solo-ed.
(This is to help you see exactly
what
has been solo-ed. Any experienced engineer will have had occasion to
painstakingly search through
every
SOLO button on his / her console trying to find out why one of the main
SOLO LEDs was flashing, while the control room monitors remained silent!)
Aux returns
On the right hand side are the stereo aux returns, which can also be seen as two additional mono or stereo line
inputs. On these inputs there is up to 20 dB of gain available. Alternatively, a
mono
(center-panned) signal
may be returned by plugging into the
left
aux return jack only.
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This feature is disabled if all line-level l/Os from the EURODESK are wired permanently to a
patchbay.
Aux returns 1 & 2
Aux returns 1 and 2 have full group routing matrices to enable returning FX to be sent to tape, plus main mix
bus assignment. The functions for aux return 1 (mirrored by aux return 2) are: routing-switches
,
,
,
LEVEL
, BALANCE
and SOLO
. Level controls the amount of signal being blended into the mix or
a group, while balance controls the relative amounts of left and right processed signal. Be sure to have BALANCE
control in center-position, if youre not actually working with it.
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As always, there are exceptions to the rule above. Some short stereo delay effects (say 30 ms
to left, 50 ms to right) cause a psycho acoustic effect where the earlier delay seems louder. A
similar effect is noticeable when harmonizing in stereo: A slight pitch shift upwards will seem
louder than one that goes down. In both cases use BALANCE
to compensate. (An analogy
comes from greece: the columns of the Parthenon in Athens are slightly bowed so as to appear
straight.)
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When carrying out the setup mentioned above or any other stereo imaging exercise, dont just
rely on the control room monitors. Get a pair of headphones and listen in stereo and in reverse
stereo, to allow for any hearing discrepancy between your ears.
SOLO
Below the aux returns lies a local SOLO LED
. This flashes whenever a SOLO button in the column above
is pressed.
6. MAIN SECTION
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