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Quick Start Guide

Insert two AA batteries 

matching the polarity inside 

the battery compartment.

Slide the microphone’s 

shoe into your camera’s 

shoe slot.

Tighten the thumb wheel 

by turning it counter-clock-

wise to secure the 

microphone. WARNING: 

Do Not Overtighten!

Connect one end of the 

audio output cable to the 

microphone’s output jack.

Connect the other end of 

the audio output cable to 

the mic input on your 

camera.

The SMX-30V requires AA batteries in order to function. Please install before use.

Power Switch

The microphone is powered off and will not drain the batteries.

The microphone is powered on and will continue to drain the batteries even 

when disconnected from a camera.

The microphone will be powered on/off in conjunction with the connected 

camera, and will be automatically powered off when disconnected. In order to 

work, the AUTO feature requires the connected camera’s MIC input to provide 

plug-in power. If the AUTO feature is not working, consult your camera’s manual.

The LED Battery Indicator light illuminates RED continuously to indicate good battery life. 

From the time the LED first goes out, about 1 hour of battery life will remain; It is 

recommended to change the batteries as soon as possible once this occurs.

Postition of the power switch

OFF

BATT

AUTO

OFF

BATT

AUTO

OFF

BATT

AUTO

Stereo/Mono Mixing Dial

By turning the mixing dial, you can vary the balance of audio 

captured by the stereo microphone and shotgun microphone. 

To record only from the stereo microphone, turn the dial fully 

counter-clockwise. To record only from the shotgun 

microphone, turn the dial fully clockwise. Or set the dial at any 

place in-between to create the desired mix of sound from the 

two microphones.

STEREO

MONO

Gain Adjustment Switch

Reduces the audio output level by 10 dB. Use this setting if the level going 

into your camera is initially too loud. The level reduction occurs before the 

microphone’s gain stage so to protect against internal distortion as well. 

Disengages the gain adjustment and the output level is left unaffected.

Increases the audio output level by 20 dB. This setting is best for recording 

very soft sounds or for optimizing signal-to-noise ratio with DSLR cameras.

-10

0

+20

Shock Mount

When the subject is located near the edge of the visual field, the swivel function in the 

mount lets you point the microphone towards the subject without changing the position 

of your camera, via a horizontal rotation adjustment of approximately 30 degrees to 

the left or right. After attaching your camera to the microphone, rotate the microphone 

to the position you like. Attach the cable firmly to one of the notches on the shock 

mount to reduce noise produced by contact. For more effective attachment, run the 

cable along the shoe adapter before attaching it to a notch.

Windscreen

The Windscreen is designed to 

protect against light wind condition 

when recording outdoors.

Cable (3.5 mm)

Connect each end of the cable 

to the microphone’s output jack 

and your camera’s input jack.

Function

MIC

Low-Cut Filter Switch 

The low-cut filter switch can be used to help mitigate low-frequency noise when it’s 

present in the surrounding environment by reducing the gain of low frequencies 

recorded by the microphone. Examples of low-frequency noise include the hum 

from a fan, vehicles passing on a busy nearby street, buzz from fluorescent lights, 

air blowing from an HVAC system, etc.  

The low-cut filter switch has two positions, indicated by a flat line and an angled line.

 

Low-Cut Filter is OFF   

Low-Cut Filter is ON

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