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Frequency Response

50Hz - 15kHz (± 3dB)

Total Harmonic Distortion

Less than 0.08% @ 1kHz

Signal To Noise Ratio

-78dB (all channels at centre position)

Tone Controls

Bass @ 100Hz, Boost +12dB, Cut -12dB; Treble @ 10kHz, Boost +9dB, Cut -9dB

Inputs

6 dual mic/line. The mic inputs are active balanced with 3 pin XLR 

female sockets (200-600 Ohms). Maximum input level is 100mV. 

The line inputs are dual female RCAs (47K Ohms). Maximum input level: 2.5V/10V

Input Sensitivity

Mic: 0.6mV @ 200 Ohms; Line: 150mV @ 47K Ohms 

Phantom Power

18V DC available on all mic channels (overall internal on-off link)

Outputs

Master output is via a 3 pin male XLR socket (1.5V @ 600 Ohms). Maximum output 

level: +20dB. Mono headphone output via 1/4” socket (3.5V @ 600 Ohms). 

Mono tape output via dual female RCA connectors (700mV @ 10K Ohms)

Controls

Level control per channel, Overall bass & treble controls, Master level control

Indicators

Power “on” LED, 7 segment LED meter on master output

Power Sources

120VAC 60Hz 3 pin IEC connector; 24VDC via 2.1mm DC socket

Power Consumption

7 vA

Dimensions/Weight

1.75" H x 19" W x 9.85" D (Chassis Dimensions Only). 6.6lb

ARCHITECTURAL AND ENGINEERING SPECIFICATIONS

The mixer shall have six dual mic/line inputs. The microphone inputs shall be active balanced and feature 3

pin female XLR sockets. The line inputs shall feature dual female RCA sockets. 

Overall bass and treble controls shall be provided with front panel access. They shall provide 12dB cut or

boost at 100Hz and 9dB cut or boost at 10kHz. The master section shall include a master level control and

a 7 segment output level LED meter. The master output shall be via a balanced 3 pin XLR male socket. The

tape output shall be via dual female RCA sockets whilst a 1/4” headphone socket shall be provided on the

front panel for monitoring purposes. The mixer shall have facilities for plug-in muting cards as well as a 4

tone generator card.

The mixer shall be of high quality, suitable for both live and commercial applications. It should have ample

headroom and a frequency response of no less than 50Hz - 15kHz (±3dB). Total Harmonic Distortion shall be

no more than 0.08% at 1kHz. The S/N ratio shall be -78dB or better. Phantom power shall be available to all

microphone inputs and shall be switchable via an internal link. The unit shall be packaged in a one rack unit

rugged metal chassis suitable for desk or rack mounting.

The mixer shall be an Australian Monitor Installation Series model TX6000.

UL APPROVED

PO Box 3126, Lynnwood, WA 98046

• Voice: 

425-673-5175

• Fax: 

425-673-7825

• Website: 

www.australianmonitor.com

• Email: 

[email protected]

AUSTRALIAN MONITOR AUDIO INC.

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