Audya KETRON, Руководство пользователя

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Audya Style Structure
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KETRON • AUDYA STYLE COMPILER
Audya Style Structure
Audya Style Structure
The Audya Style structure is compounding by 4 x Main Arranger (A, B, C, D) , 4 Fill ins,
4 Breaks, 3 Intro and 3 Ending.
How to program a Midi file suitable for Audya Style
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A Midi file suitable for Audya Style must be programmed as single Midi file ( 0 format) with related Marker for the
following section: (please refer to the file KetronStyleSetUp.mid).
4 Arranger : A , B , C, D. The standard length of an arranger is typically 8 bars but also 2,4,16,24 and 32 bars are
accepted accordingly with different musical needs.
Important: if Audio Drums are used into the Style, on Midi part must have the same length of the Audio Drum file
(See chapter Audio Style Modeling).
For example, if the Audio Drum has a length of 8 bars and a Time signature of 4/4, also the Midi must be 8
measures and Time Sign. 4 / 4.
4 Fill Ins : A, B, C, D. 1 Bar. Each Fill on is related to its Arranger A, B, C and D.
4 Breaks : A, B, C, D. 1 Bar. Each i Break is related to its Arr.A, B, C and D.
Intro 1: Very short Intro only with drum and / or percussion.
End 1: Short Ending with a Corona stop.
The End 1 composing must be done straight on C Major without chord changing or melody lines. Most
of Live Guitar database are already programmed with an END 1 template (See chapter “Audio Style
Modeling”)
Intro 2: Typically a couple of bars programmed straight on C Major and Minor without chord changing or melody
lines.
End 2: Typically 2 or 3 bars plus and stop as Corona.
To be programmed straight on C Major and Minor without chord changing or melody lines. Most of Live
Guitar database are already programmed with END 2 templates (See chapter “Audio Style Modeling”)
Intro 3 – End 3: To be programmed on C Major and Minor with free harmonizations according to the music style.
Markers
Each Midi section must be well identified with some specific Markers properly assigned. Here the names to be
written for to each Marker, according with the Major, Minor or Seventh arrangement programmed:
MAJOR
ARRA_MAJ FILA_MAJ BRKA_MAJ INT1_MAJ END1_MAJ
ARRB_MAJ FILB_MAJ BRKB_MAJ INT2_MAJ END2_MAJ
ARRC_MAJ FILC_MAJ BRKC_MAJ INT3_MAJ END3_MAJ
ARRD_MAJ FILD_MAJ BRKD_MAJ
MINOR
ARRA_MIN FILA_MIN BRKA_MIN INT1_MIN END1_MIN
ARRB_MIN FILB_MIN BRKB_MIN INT2_MIN END2_MIN
ARRC_MIN FILC_MIN BRKC_MIN INT3_MIN END3_MIN
ARRD_MIN FILD_MIN BRKD_MIN
SEVENTH
ARRA_SEV FILA_SEV BRKA_SEV INT1_SEV END1_SEV
ARRB_SEV FILB_SEV BRKB_SEV INT2_SEV END2_SEV
ARRC_SEV FILC_SEV BRKC_SEV INT3_SEV END3_SEV
ARRD_SEV FILD_SEV BRKD_SEV