Aphex 1100 MkII Скачать руководство пользователя страница 3

Aphex

Thermionics

 

- Division of Aphex Systems Ltd.

Thermionics

  refers  to  the 

practical  use  of  the  “therm-
ionic  emission  of  electrons”. 
Vacuum tubes use thermionic 
emission by heating the metal 
cathode  to  incandescence. 
Electrons  are  consequently 
emitted  into  space  from  the 

high  temperature  cathode  surface.  The 
emitted  electrons  become  the  source 
of  current  flow  through  the  amplifying 
tube. A thermionic amplifier, then, is just 
another name for a vacuum tube ampli-
fier.

Aphex

 

Thermionics

:

 

The Story

That  patent  was  issued  to  inventor 
Donn  Werrbach  and  assigned  to 
Aphex  Systems  Ltd.  on  September 
12,  1995.  A  close  examination 
of  the  patent  reveals  that  it  is  a 
“method”  patent  and  not  just  a 
patent  on  some  particular  circuit. 
That  means  it  is  possible  to  apply  the  patent 
teachings  to  a  wide  variety  of  applications  and 
circuit  variations  with  full  patent  protection. 
Other manufacturers will not be able to duplicate 
our RPA based products. Nevertheless, no one at 
first really knew just how significant that inven-
tion would prove to be. 

The  first  product  to  apply  an  RPA  circuit  was 
our  model  107  Thermionic  Mic  Preamplifier. 
The  outstanding  sonic  quality  of  the  unit  has 
become world reknown and tens of thousands of 
units have been sold. Anything new and better is 
sure to stir up controversy. Not surprisingly, the 
success  of  our  tube  circuitry  has  alarmed  other 
manufacturers of  tube products. Some of  them 
reacted with claims that our circuit is not “clas-
sic”  and  therefore  not  “real  tube”.    The  claim 

is  ludicrous,  but  less  than  erudite 
reviewers  hooked  on  conventional-
ity have misreported it. For example, 
one  particularly  delusional  reviewer 
rather  condescendingly  declared  it 
nothing more than a “starved plate 
amplifier”  (as  if  he  ever  saw  one). 

Fortunately, these cases are greatly offset by the 
phenomenal word of mouth praise and promo-
tion we have received for the RPA products from 
their actual owners over the years.   

Since the original patent was filed, we have dis-
covered new ways to create many useful circuits 
with  RPA  principles  that  would  be  impossible 
to  realize  with  conventional  tube  circuitry.    For 
example, the Model 1100 MkII Mic Preamp incor-
porates  a  very  low  noise  second  stage  opamp 
using just one single triode RPA. Future products 
will  feature  many  new  tube  circuits  now  in  the 
laboratory. Aphex’s unique servo balanced input 
and output stages translated into RPA implemen-
tations are examples. 

It has become apparent that the principles of the 

Page A-3

RPA patent are the keys to gaining the unparal-
leled sonic benefits of tubes in an almost unlim-
ited range of audio products. To fully distinguish 
our highest level of tube based audio products, 
we created the division of “Aphex Thermionics”. 

Watch  for  more  exciting  new  products  from 

Aphex

Thermionics

.

Abstract From U.S. Patent Number 5,450,034

“A reflected plate amplifier (RPA) for use with electronic audio equipment. The RPA comprises an input circuit for receiving an input signal, a vacuum tube, 
a plate current reflector, and an output circuit for delivering an output signal. The vacuum tube has a control grid coupled to the input circuit for receiving 
the input signal, and a plate for delivering a plate current responsive to the input signal. The plate current reflector is a transistor having an input terminal 
coupled to the plate of the vacuum tube for receiving the plate current, and an output terminal for delivering a reflected current which is responsive to the 
plate  current  of  the  vacuum  tube 

and therefore responsive to the input signal, while the plate current reflector holds the 

plate  voltage  of  the  vacuum  tube 

substantially constant for a wide range of the plate current of the vacuum tube.” 

Dual Triode

Содержание 1100 MkII

Страница 1: ...duced without permission AphexThermionics Division of Aphex Systems Ltd Manual designed and written by Donn Werrbach 02 03 Creation tool Adobe InDesign 1 5 for Windows Printed in U S A Model 1100 MkII Dual Class A Discrete Tube Microphone Preamplifier with Integrated 24 Bit 192kHz A D Converter Document No 999 4200 ...

Страница 2: ...protection against electric shock do not remove the cover No user serviceable parts inside WARNING This equipment has been tested and found to comply with the limits for a Class A digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reason able protection against harmful interference when the equipment is operated in a commercial environment This equipment gener...

Страница 3: ...nately these cases are greatly offset by the phenomenal word of mouth praise and promo tion we have received for the RPA products from their actual owners over the years Since the original patent was filed we have dis covered new ways to create many useful circuits with RPA principles that would be impossible to realize with conventional tube circuitry For example the Model 1100 MkII Mic Preamp in...

Страница 4: ...2 Preamp Gain 13 MicLim Detector 14 Reflected Plate Amplifier Output Stage 15 Headroom Meter 16 24 Bit A D Converter 17 AES EBU Output 18 Line Output Page A 4 Block Diagram 1 2 4 5 6 12 3 15 16 9 8 10 11 13 17 18 14 7 19 20 10 LoCafTM Low Cut Cancellation Filter 19 700Hz Tone Generator 20 Tone Relay 21 21 Return Jack 22 22 Send Jack 23 23 Impedance Compensator 24 24 S PDIF and TOSLINK Digital Outp...

Страница 5: ...tching and high attenuation The patented Reflected Plate Amplifier output stage adds 3dB of gain to the front end yielding the specified gain range of 21 to 65dB Because of graduated power rails the front end clip point matches the output stage clip point very closely Therefore metering the output of the front end accurately displays the headroom of the total system Also connecting the A D convert...

Страница 6: ...nding Using MicLim Interfacing Cables Installation Instructions Service Warranty Specifications Tube Topics White Paper More Gain No pain Page A 6 Contents Aphex Thermionics The Story A 2 Block Diagram A 3 Introduction A 4 Appendix A Word Clock Wiring 2 3 4 5 6 7 8 9 10 ...

Страница 7: ...t the output calibration trim and possibly the rear panel output normal switch to get a 0dB indication on the VU meter of an analog recorder or console This assures you will get 20dB of recording headroom along with the lowest possible noise The tone is also useful for calibrating the drive to an external A D converter 1 4 Phantom This button turns on and off the 48 volt phantom power to the micro...

Страница 8: ...selected then word clock is taken from the rear panel BNC clock input jack The 1100 MkII will go into a hunt mode until it finds the word clock parameters and locks on The frequency indicator lights DO NOT come on to tell you the locked frequency These lights are reserved to indicate clock frequencies during internal sync only If external clock is not pres ent then the 1100 MkII will continue hunt...

Страница 9: ...o oxidize including these points of contact When that happens metal oxide point contact diodes are created that rectify the audio signal causing distortion The extremely minute current from a microphone signal cannot break down these diodes and eventually the diode effect grows worse and worse until it is plainly audible We chose to avoid the problem alto gether albeit at a higher cost by using se...

Страница 10: ...larity Normal Reverse 5 16 Tone 20dB reference level 700Hz 6 17 Phantom Power 48V On Off 7 18 Mute On Off 8 19 MicLim On Off 9 20 Line Output Calibrate 3 Turns 0 to 12dB 10 21 Headroom Meter 0 to 50dB indicated 11 22 Clip Limit LED Flashes to indicate clip or MicLim action 23 Internal External Sync Clock Source 24 A D Converter Indicators Internal External Locked 25 Clock Rate 44 1 48 88 2 96 and ...

Страница 11: ...or the chassis of other equipment for example To meet legal requirements we have not pro vided a means to lift the power cord ground from the chassis If you determine it is necessary to lift the power cord ground you must use a ground lift adapter on the power plug You will not be able to lift the power cord ground from inside the chassis 2 3 AES EBU Digital Audio Output Preamplifier channels 1 2 ...

Страница 12: ...g in internal clock mode the Clock Out jack is discon nected from Clock In and instead is connected to the unit s internal clock source Thus any Model 1100 MkII operating in internal clock mode can serve as a master clock source when required The internal clock is derived from a low jitter crystal oscillator and is fully competent as a master clock 2 4 3 Local Clock Mastering In the absence of a s...

Страница 13: ...per level into your gear when the Model 1100 MkII s Head room Meter is peaking within the proper range To learn about the Headroom Meter look in sec tion 1 of this manual 2 5 3 Mic Input This is where you plug in the microphone Pins 2 and 3 are phantom powered when the phantom power is turned on by the front panel button There is little more to say about this jack The input phase is matched to the...

Страница 14: ...allowances It may run hotter if you are pushing the MicLim heavily You should use the input gain controls of your outboard equipment to match this level rather than turn down the preamp gain The return audio level should be adjusted on the outboard equipment to match the send level The front panel Headroom Meter indicates the level at the Return This is also the A D converter feedpoint so the mete...

Страница 15: ... showing a conventional line driver where there are two output amplifiers to drive the balanced line in counter phase through two equal resistors The only real difference between the counter phase driver of figure 2 8 and the impedance balanced driver of figure 2 7 is that to make up for a zero signal on one wire the impedance balanced driver must double the voltage output to the signal wire In ot...

Страница 16: ...ssis Ground Lug Digital Audio AES EBU 24 Bit Digital Audio Output Channel 1 LEFT Channel 2 RIGHT Sample Rates 44 1 48 96 192 KHz S PDIF and OPTICAL digital audio outputs Word Clock I O Jacks W C passes directly through in external mode Output is from internal generator in internal mode Analog Audio Output level noninal 0dBVu switch Provides 4dBu or 10dBV nominal reference level Impedance balanced ...

Страница 17: ... under severe con ditions That s because there is typically at least 16dB of limiting headroom afforded to any microphone of 150 ohms or higher Effectively that means that with MicLim you get 16dB more preamp headroom before distortion 3 2 How MicLim Works in Detail This discussion is especially for the technically astute reader The rest of you can skip this until later or forever if you re not re...

Страница 18: ...e are no special rules about making MicLim work for you The concept is simple run the preamp gain at a point where the peaks indicated on the Headroom Meter only reach the MicLim threshold infrequently or unexpectedly It may be evident to the astute that if one delib erately increased the preamp gain until peaks frequently limit one could obtain a very dense output level by bringing the average si...

Страница 19: ...R to XLR above 4 4 XLR to Phone Unbalanced The preferred method to make an unbalanced cable is shown below Note the use of balanced wire This technique improves hum rejection over standard single conductor shielded wire The method for using single conductor shielded wire is shown below You should use high grade shielded wire to assure the lowest hum pickup 4 5 Grounding Practices Over the years th...

Страница 20: ...onsumer operat ing levels by providing a normal level switch on the back panel 4 9 Mute Function Wiring The rear panel mute jack accepts either a mono or stereo phone jack Refer to section 2 on Back Panel Features for wiring diagrams and instruc tions for use 4 10 Insert Jacks The 1100 MkII s rear panel send and return jacks are intended to allow you to insert a compres sor or other processing dev...

Страница 21: ... not stack units directly on top of one another Use some type of blocking to leave at least an inch of airspace between units 5 7 Safety Considerations To minimize the risk of shock or fire do not expose the unit to moisture Allow adequate ventilation for cooling Do not open the chassis cover there are no user serviceable parts inside Installation should be performed only by qualified individuals ...

Страница 22: ...y through your audio wiring The best way to stop these prob lems is to reassign the power distribution panel so all outlets in the same room are from the same power phase If that is not possible then you should consider placing suitable power isolation transformers in your room to isolate the equip ment power from the house wiring When possible you can plan the house wiring to include insulated gr...

Страница 23: ...ce agencies by contacting Aphex Systems by phone fax or on the Internet 6 2 Warranty Claims All warranty claims must be presented to the Aphex factory customer support department or to an authorized dealer distributor or agency for processing Unauthorized repairs and modifica tions to the unit may void the warranty at the sole discretion of Aphex Systems Qualification for warranty service will be ...

Страница 24: ...s required WHAT WE WILL PAY FOR We will pay for all labor and material expenses for covered items We will pay return shipping charges if the repairs are covered by the warranty LIMITATION OF WARRANTY No warranty is made either expressed or implied as to the merchantability and fitness for any particu lar purpose Any and all warranties are limited to the duration of the warranty stated above EXCLUS...

Страница 25: ...se Gain 65dB input shorted BW 100Hz to 22KHz EIN 135dBu THD Output level 15dBu 0 09 output level 4dBu 0 05 IMD Output level 15dBu 0 12 output level 4dBu 0 08 DIM Below noise floor at all possible measurement levels Slew Rate 22V uSec Analog Dynamic Range 97dB to 101dB depending upon preamp gain setting Analog Output Noise 70dBu to 74dBu depending upon preamp gain setting Analog Signal To Noise Rat...

Страница 26: ... Off 30 36 44 53 63 77 92 111 134 162 195 Hz Line Output Calibration each channel 3 Turn precision potentiometer 0 to 12dB range 20dB Pad each channel on off Polarity each channel positive negative Tone each channel on off Phantom each channel on off Mute each channel on off MicLim each channel on off Clock Source Internal External Internal Rate 44 1 48 88 2 96 192 KHz Power on off Rear Panel Cont...

Страница 27: ...types because of their low noise rugged construction and low microphonics They are readily available in pre mium quality from new old stock and not very popular for audio equipment making their con tinuing supply well assured Bear in mind as already stated the difference between tubes will be sonically very subtle not as great as heard when substituting tube types in other equipment using conventi...

Страница 28: ...that the Aphex patented Reflected Plate Amplifier takes full advantage of thermionic tube amplification at a relatively low plate volt age and current With the RPA the plate voltage is held essentially constant while the low plate current is extracted reflected and magnified by a linear current mirror It is the reflected plate cur rent that generates the output voltage The tube runs much cooler ye...

Страница 29: ...er will be overloaded due to an unexpected increase in input level but the nominal output level will con sequently be very low That low output level will have to be boosted in a following gain stage This how ever shifts the problem of overload distortion to the following stage That is why it is quite common to see a compressor or a limiter in between the preamplifier and the following stage The pr...

Страница 30: ...headroom in the low cut range as compared to conven tional techniques Additionally the added low frequency headroom eliminates the need for the MicLim to trigger earlier than necessary from excessive low frequency energy c Drift Stabilized A D Converter Conventional analog to digital converters utilize high pass filters in the digital domain to block any DC generated in the conversion process or a...

Страница 31: ...g an open circuit mutes the preamplifier while a closed circuit un mutes This facilitates the convenient use of mute controls such as floor mat switches step on to un mute and musician s footswitches j Internal Switchmode Low Noise Power Supply One of the technology improvements comprising the model 1100 MkII is a highly efficient switchmode linear hybrid power supply Switchmode design is used to ...

Страница 32: ...er having a very low output impedance and high output current drive The maximum output level of 27dBu meets the needs of any professional application Matched impedance balancing assures peak performance whether driving balanced or unbalanced lines A rear panel switch is assigned to insert a 12dB low impedance pad into the output line for systems based on IHF semi pro operating levels Rear panel XL...

Страница 33: ...ially at high fre quencies When the cable exceeds a certain length depending on the cable s quality cable equalization may be required to recover addi tional bandwith Nevertheless a general rule is that matched transmission lines will always have better bandwidth and less jitter than unmatched lines of equal length It should be noted from figure 1 that when a matching line driver is not loaded by ...

Страница 34: ...ly unmatched transmission lines as best as one can and then rely on brute force clocking to hold it all together With brute force clocking 4 5Vp p clock pulses are fed out from a low impedance line driver with no intention of impedance matching the coaxial cable Daisy chaining is not usually pos sible because the magnitude of jitter rapidly rises Very short cable runs are necessary Every piece of ...

Страница 35: ...E because of the 1100 MkII s automatic input level adaptation you can convert a brute forced clock source into a workable matched line by inserting an in line 75Ω 10dB pad at the sending end of the cable and then install ing a 75Ω termination adapter at the receiving end This may reduce or eliminate jitter problems when the word clock distribution cable is of appreciable length Typical 75Ω Attenua...

Страница 36: ...Notes Model 1100 MkII Mic Preamp Owner s Manual ...

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