Anthony Gallo Acoustics Reference SA Скачать руководство пользователя страница 4

Why do you offer crossover points 

up to

 

200Hz 

if 40Hz

 

is the natural speaker rolloff?

  

Because you can also use the SA with other makers’ passive subwoofers or speakers which may require 

bringing the SA in well above 40Hz  – more on that below. 
 

Do I need to worry about the phase controls? 

Usually you will set these phase controls to 0. This avoids bass cancellation and timing errors. The Ref³ 

loudspeakers are minimum-phase time-coherent designs. They don’t require any phase adjustments to exhibit their 
remarkably transparent performance. Like the higher crossover frequencies, this feature is only included for 
applications with speakers other than our own – 

with one exception

 

If your room were heavily asymmetrical, one Ref³ speaker might end up being positioned far closer to a 

sidewall than its mate. This would cause bass reinforcement in one speaker but not the other. To overcome 

some 

of 

this audible imbalance, a careful adjustment on the phase control of the imbalanced speaker (together with the 
appropriate crossover frequency) will introduce some deliberate frequency-specific out-of-phase 

cancellation

. Set 

correctly, this can address the most severe frequency response peak. However, this is an advanced application that 
will require lengthy experimentation by ear to get right. Ideally, a dealer or custom installer who takes some 
acoustical on-site frequency response measurements to scientifically assist in the process should perform it. 
 

What about the EQ function? 

The SA includes an EQ cut/boost from –3dB to +6dB and in 1dB increments. This includes 0 or bypass. 

Careful employ of this feature can extend bass response of our Ref³ to 22Hz 

flat

. That is true no-compromise 

subwoofer bass 

in full stereo

. With the SA, you categorically do not need a separate external subwoofer. The EQ 

only affects the frequency range 

below

 the crossover frequency you’ve selected on the front panel. In most cases, 

this will merely be the bottom octave of 20-40Hz (unless you decide to set the crossover frequency higher). 
Depending on your room and speaker positioning, you may not need any additional bass boost outside of driving 
the 2

nd

 voice coils directly. Remember that our ‘twin-drive’ scheme already is a major bass boost in and of itself. It 

will be sufficient in most environments. Whether you need/want to set the EQ control into the active gain range 
above 0 will depend on your room. It will also depend on your main amplifier that drives the speakers’ upper 
input. If your main amplifier is unusually bass-shy or a lower-power tube design with limited bass response, the 
usual flat-to-40Hz extension of the Ref³ 

without

 a second amp could already be compromised. In such a case, the 

additional boost of the EQ circuit can restore this lost bass. However, adjust by ear and to personal taste just as 
with the crossover control setting  
 

What about the volume controls? 

Next to the crossover control, this is the most important feature of the SA. Whenever you bi-amplify even 

in a regular scenario, you must have a means of trimming gain on the second amplifier if it isn’t identical to your 
main unit. Because the bi-amp scheme of our Ref³ speakers is far from conventional, this attenuator feature 
becomes even more important. Let us highlight another unique aspect of our approach to bi-amping (which, 
unfortunately, only works with our speakers). 

 
Have you ever heard of the old “tubes on top, solid-state on the bottom” idea? In a nutshell, it refers to 

capturing the “sweetness” of tubes for the midrange and treble and the “muscle, grunt and control” of high-current 
high-power transistor amps in the bass. Besides issues with gain matching (which can be overcome with amplifiers 
that have their own level controls), this mix-and-match approach of different output devices and sonic signatures 
creates very audible discontinuities of harmonic envelope, timbre and texture in a speaker that is supposed to speak 
with one single voice, not many different ones. 
 

Our SA’s unique flexibility complements your main amp to perfection and 

without

 creating sonic 

discontinuity. How so? Remember that your main amp runs the speakers full-range. That includes the woofer to as 
low as it reaches (40Hz flat and lower depending on room and setup, all from the 1

st

 voice coil alone). The sonic 

signature of your main amp of choice (tube, solid-state or digital, high-power or low-power) thus affects all 
frequencies seamlessly top-to-bottom. The SA merely fills in the very lowest octave with high-current, high 
damping-factor transistor muscle. In audiophile speak, it runs in “parallel” or 

simultaneously

 with your main amp 

Содержание Reference SA

Страница 1: ...pplications 2 Power two of our own Gallo Acoustics MPSB DV passive subwoofers 3 Bi amp bi wirable loudspeakers from other manufacturers or 4 Power one or two passive subwoofers from other companies 5...

Страница 2: ...ceiver in a moment For right now let s stay with a stereo system which will use a preamp or integrated amplifier instead This preamp integrated via a second pair of pre outs or a Y adaptor would send...

Страница 3: ...ent support they receive But the farther you pull them into the room the more spectacularly they will soundstage Conventionally full range speaker positioning always revolves around this compromise be...

Страница 4: ...ady is a major bass boost in and of itself It will be sufficient in most environments Whether you need want to set the EQ control into the active gain range above 0 will depend on your room It will al...

Страница 5: ...that still sounds coherent just a little bit stronger in the low bass than is perfectly flat but great fun What about the other two front panel adjustments the stereo mono and auto on off switches In...

Страница 6: ...from 0 in 1dB steps listening in between from your usual seat until you have rock solid but even extension down to the very lowest notes on your recordings 1b Anthony Gallo Acoustics Nucleus Referenc...

Страница 7: ...ingle sub stereo operation for two subs and set the SA to low pass Take your SA input signal from either a second or Y d pre out of your preamp integrated or HomeTheater receiver Connect the subwoofer...

Страница 8: ...dB 91dB stereo 75dB mono full range full rated power 1kHz Bass EQ 1W 35Hz 100Hz 0dB level and xover at max booster at 6dB 6 2dB 1W 35Hz 100Hz 0dB level and xover at max booster at 3dB 3 2dB Frequency...

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