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Guitar amplifier AMT SH-100R 

 

Quick start 

 

A little bit of history 

 

For AMT the quest to reproduce tube amp characteristics in a foot pedal began about 10 years ago. Our 
engineers discovered a way to create a "tube" like sound using cascade modeling semiconductor devices 
and the design of the first “Legend Amps” series began. 

LA-1. 

With the release in 2008 of the first Legend Amps pedals, guitarists got the opportunity to have 

at  their  disposal  compact  pedals  simulating  preamplifier  overloads  which  became  legendary  for  guitar 
players.  Cascades  with  JFET  transistors  and  Schottky  diodes  were  the  base  for  overloading  and  grid 
limiting. 

LA-2.

  During  the  next  several  years,  the  AMT  engineers  were  working  on  improvements  of  the  first 

series, taking in mind “non ideality” of the first series modeling, and a new series appeared in 2012. 

 
The list of modeled amps was significantly expanded,a new and effective way of "triode" limiting was 

applied,and the schematic of a cabinet simulation became more complicated.The additional drive output 
was implemented, that gave the opportunity to plug the device directly to the input of an amplifier’s Clean 
channel and use the LA-2 series device as a drive pedal.  

 
However, despite the obvious successes, the quality of emulation in terms of full compliance with the 

originals  left  much  to  be  desired,  primarily  due  to  restrictions  on  the  supply  voltage  (recall  pedals  are 
powered  by  a  voltage  source  +  9..12V).  Increasing  the  voltage  in  the  preamp  SS-30  "Bulava"  and  the 
amplifier StoneHead-50 helped in many ways to get rid of these limitations and improved the brightness 
and dynamics of the sound. 

The  power  amplifier  “StoneHead”  SH50-4  can  be  called  the  “crowning”  of  the  emulation  technology 

applied in the LA-2 series. It is no coincidence it was warmly accepted by the guitar community and many 
guitarists are happy to use this compact, lightweight, and functional power amplifier in rehearsals and on 
tour.. 

But despite the restrictions due to low voltage, which makes the emulation of LA-2 not ideal, there is a 

fact  that  LA-

2  emulates  only  tube  limitations  without  taking  in mind  the  “triodeness”  of   voltage-current 

characteristics inherent to real tubes, which significantly impacts the overall sound 

LA-3.

  The  development  in  2013  of  solid-state  analogues  of  12AX7  tubes  has  created  the  basis  for  the 

emergence of solid-state preamps, virtually copying the behavior of tube prototypes and giving impetus to 
the development in 2014 of micro-triodes (basic of LA-3 series), i.e., the devices with the voltage-current 
characteristics which are miniature replicas of the characteristics of the vacuum triode. A lot of work had 
been  done  during  2014  to  make  the  micro-triodes  have  characteristics  which  have  a  complete  vacuum 
prototypes’ identity (including scale). In 2015 the company began to develop a new LA-3 line. 

 

Some words about micro-triodes. 

 

     The new AMT analog modeling technology is based on the use of micro-triodes, which have reduced 
copies  of  the  electrical  characteristics  of  real  vacuum  tubes.  You  can  take  an  image  of  the  anode 
characteristics  of  a  conventional  "guitar"  ESS83  (12AX7)  and  compare  them  with  the  following  picture, 
which shows the AMT micro-triode "anode" curves and make sure that the forms are almost identical and 
differ only in scale.  

Содержание SH-100R

Страница 1: ...to get rid of these limitations and improved the brightness and dynamics of the sound The power amplifier StoneHead SH50 4 can be called the crowning of the emulation technology applied in the LA 2 se...

Страница 2: ...o triodes the schematics of tube amplifiers prototypes remain practically unchanged only power voltages are reduced in K times and the signals in the device are simply K times reduced copies of the on...

Страница 3: ...at maximum sensitivity and crystal clarity and brightness at moderate sensitivity values The channel has a standard tone stack treble middle bass and gain control As an addition channel 1 has a knob...

Страница 4: ...tch connected to the socket AB Loop has no special features and work in a clear way By pressing one button you choose master section A or B by pressing the other button you switch On or Off the amp s...

Страница 5: ...ay channel switching this function is realized in the versions since 2019 In addition to channel switching with footswitches you can use the CH 1 4 TRS socket for relay amp s channel control with an e...

Страница 6: ...di channel number in binary code MSB Most Significant Bit the first switch S1 LSB Least Significant Bit the fourth switch S4 Channel 1 corresponds to a binary code 0 Channel 16 corresponds to a binary...

Страница 7: ...toggle commands buttons LOOP and A B the second data byte CC2 has to be set as it is in default commands see p 6 6 below 6 4 The sent command is stored the button s LED stops blinking and constantly l...

Страница 8: ...LOOP CC 15 CC2 64 127 LOOP_ON CC2 0 63 LOOP_OFF Button A B CC 14 CC2 0 63 A_ON CC2 64 127 B_ON Preprogrammed MUTE command is being enabled with the 6th DIP switch MUTE CC 7 CC2 64 127 MUTE_ON CC2 0 63...

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