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NITID N26P_N12P_N15P

Sep 2018

6

Amate Audio

2.2.4. Bi-Amplified configuration with
Subwoofer

A wire with the maximum available section
(4mm

2

minimum)  should  link  the  low

frequencies output channel of the amplifier
to one of the subwoofers. Two subwoofers
can  be  also  connected  by  bridge  one  to
another,  as  long  as  the  polarity  is  strictly
respected.

Connect  the  other  output  of  the  amplifier
to the Full-Range cabinets.

It is also possible to use only one amplifier
for the low reinforcement, connecting each
one  of  the  subwoofers  to  the  two  outputs
of 

the 

amplifier 

and 

consequently,

connecting  the  Full  Range  cabinets  to  a
second amplifier.

Fig. 5.

Bi-amplified with subwoofer

configuration (option 1)

Fig. 6.

Bi-amplified with subwoofer configuration (option 2)

Содержание NITID Series

Страница 1: ...User s manual September 2018...

Страница 2: ...power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus 10 The equipment must be repaired by qualified technical servi...

Страница 3: ...coustic system NL4MPR Speakon input parallel output 1000 W program power Sensitivity 1 W 1 m 98 dB 1 x 12 woofer with 3 voice coil 1 75 PETP diaphragm neodymium magnet driver 50 to 100 H x 55 V asymme...

Страница 4: ...induce to important power and quality losses 2 2 Configurations 2 2 1 Full range stereo configuration Connect each output of the amplifier LEFT RIGHT to each cabinet using two independent wires Fig 2...

Страница 5: ...the whole system Connect one of the outputs of the amplifier to the subwoofer through a wire Then make a bridge from the link Speakon connector of the subwoofer to its respective mid high top unit al...

Страница 6: ...by bridge one to another as long as the polarity is strictly respected Connect the other output of the amplifier to the Full Range cabinets It is also possible to use only one amplifier for the low re...

Страница 7: ...ion of the acoustic cabinet systems it is strongly recommended to carefully read the following advices 3 1 Placement When possible cabinets should be located in a high position slightly inclined to th...

Страница 8: ...ence short throw narrow coverage for distant areas long throw The asymmetrical dispersion horn coverage varies from short throw to long throw along the vertical axis keeping a constant vertical direct...

Страница 9: ...ts Flown and aiming to the audience We need wide coverage 100 for the closest listeners and narrow coverage for the distant audience Fig 10 Horizontal position The horns have the Nearfield mark printe...

Страница 10: ...erformers move away from the cabinet long stages than when they are close to it 50 Fig 13 Stage monitor use case 2 3 4 Rotatable logo All grille s logo can be rotated 3 5 Stage monitor use The wedge s...

Страница 11: ...s may be wall mounted by the UB L wall mount bracket accessory Refer to U BL instructions manual for more information Fig 15 U BL bracket 3 6 2 Vertical and horizontal flying with ACR M8 eyebolts All...

Страница 12: ...NITID N26P_N12P_N15P Sep 2018 12 Amate Audio Fig 16 N26P rigging points Fig 17 N12P rigging points...

Страница 13: ...18 N15P rigging points 3 6 3 Vertical flying with HR bar For N26P use HR C or HR C GT flying bar for vertical flying Refer to HR C instructions manual and HR C GT instructions manual for more informa...

Страница 14: ...flying bar for N12P For N15P use HR L or HR L GT flying bar for vertical flying Refer to HR L instructions manual and HR L GT instructions manual for more information Fig 20 HR L and HR L GT flying b...

Страница 15: ...coil with carbon fibre cone 1 x 12 woofer 3 voice coil 1 x 15 neodymium woofer 3 voice coil HF 1 x 1 titanium diaphragm neodymium tweeter 1 x 1 75 PETP diaphragm neodymium magnet driver 1 x 2 5 titani...

Страница 16: ...SPAIN by Amate Audio S L Perpiny 25 Pol gon Industrial Nord 08226 Terrassa T 34 93 735 65 65 F 34 93 735 60 48 info amateaudio com R D and FACTORY Violinista Vellsol 18 08222 Terrassa T 34 93 736 23...

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