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17
LIMITER
band split [Hz]
L i m i t e r L o w
B a n d [ d B ]
Vo l u m e L o w
B a n d [ d B ]
Vo l u m e
H i g h
B a n d [ d B ]
AGC PURE
800
0
0
0
ACOUSTIC
2500
-2
2
6,5
MASTER
630
-2
4
-4,5
CLEAN
3150
-3
0
5
DANCE
160
-1,5
6,5
2
KICK DRUM
250
-1,5
8
2,5
MIX DOWN
5000
-3
2
2
JUMPING UP
1250
-1
2
4
5.7 Compression Effects Summary Table
COMPRESSOR
T h r e s h o l d
[ d B ]
R e l e a s e [ d B / s ]
A t t a c k [ d B / s ]
A G C P U R E
0
-
-
A C O U S T I C
- 2
3 3
111
M A S T E R
- 2
3 4
2 9
C L E A N
2 , 5
3 0
111
D A N C E
- 1 , 5
5 0
7 2
K I C K D R U M
- 0 , 5
8 6
1 3 7
M I X D O W N
- 2
3 2
2 5
J U M P I N G U P
- 1 , 5
5 7
7 2
C l a s s i c
1 , 2 , 3 , 4 , 5 , 6 , 7 , 8
- 6
6 , 5
8 5 , 5
AGC
EXP SPEED
[dB/s]
CMP SPEED
[dB/s]
EXP THR
[dB]
CMP THR
[dB]
THR HOLD
[dB]
EXP RATIO
[In:Out]
AGC 1
3,5
23
-61
-26
-44
1:2
AGC 2
3,5
19,5
-34
-29
-32
1:2
AGC 3
3,5
19,5
-42
-26
-3 8
1:2
AGC 4
4
24
-34
-29
-31
1:2
AGC 5
3,2
24
-44
-29
-31
1:2
AGC 6
3,3
22,5
-44
-29
-42
1:2
AGC 7
3,2
24,3
-37
-29
-33
1:2
AGC 8
4,1
23
-37
-22
-31
1:2
AGC 9
4,1
23
-37
-27
-31
1:2
AGC 10
4,5
24,3
-37
-27
-30
1:2
AGC 11
4,5
22,5
-44
-27
-29
1:2
AGC 12
5,6
24
-44
-27
-42
1:2
AGC 13
6
19,5
-42
-27
-31
1:2
AGC 14
6
19,5
-34
-27
-30
1:2
AGC 15
6
23
-61
-27
-32
1:2
have been made thinking for them an use with single instruments. More, the
presets are well tailored on classic guitars or acoustic instruments, where
different equalizations of the sound can give to the instruments more or less character
and deepness, passing from bright equalizations to warmer ones.