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XONE:464

 User Guide 

21 

AUXILIARY SENDS

 

  These controls route the channel signal to the AUX 1 

to 6 mix.  These are independent from the main mix and can therefore provide 
additional outputs for monitors, effects, cleanfeed, zone, recording feeds etc. 

AUX LEVEL

 

  Adjusts the level of the channel signal in each mix.  Turn fully 

anticlockwise to turn the signal off, fully clockwise for a m6dB boost.  
The normal ‘0’ position is marked.  Each of the 6 aux mixes has its own 
dedicated channel level control.  Note that Auxes 3-4 and 5-6 are fed as a 
stereo pair from the stereo channels.  Adjust the two related level controls when 
feeding the mono channel to a stereo aux. 

PRE/POST

   Auxes 1-4 are always pre-fade.  Aux 5-6 can be switched pre or 

post-fade.  With the switch in the up position the post-fader channel signal is 
routed.  Press the switch to select the pre-fader signal instead.   

Set the switch to POST to send to external effects devices such as reverb 
processors.  The amount of signal sent to the device follows the fader level.  
The processed (wet) signal returned to the mix elsewhere is therefore in 
proportion to the direct (dry) routed signal regardless of fader position.  Post-
fade sends are also used to provide zone or recording feeds where the outputs 
should follow the fader movements. 

Set the switch to PRE to send to monitors such as stage or remote foldback or 
recording cue.  The amount of signal in the monitor mix is independent of the 
fader movements.  therefore adjustments made to the main mix will not affect 
the balance of the monitors.  Note that selected channels in a monitor mix can 
still be set post-fader if required, for example to prevent ‘dressing room’ talk 
when working with radio microphones.  The pre-fade sends are set post-EQ 
post-ON as standard.  These can be reconfigured pre-EQ and/or pre-ON by 
resoldering internal links. 

 

PAN

   Positions the channel signal between left and right in the stereo mix to 

create the required image.  The centre (mono) position is detented for quick 
resetting. 

ON

   Turns the channel signal on or off.  The green LED lights when the 

channel is turned on.  All outputs except the insert send and Cue are muted 
when the channel is turned off.  Note that the pre-fade aux sends can be 
internally reconfigured so that they are not affected by this switch if required. 

PEAK

   The red LED lights when the channel is within 9dB of clipping.  This 

warns that you should turn back the GAIN control to reduce the signal level. 

CUE

   Press CUE to listen to the pre-fader channel signal using the 

headphones or local monitor (if enabled).  This does not affect the main outputs 
and lets you audition the signal before you raise the fader and introduce it into 
the mix.  The signal level is also displayed on the console monitor meters so 
that GAIN can be set to achieve the correct operating levels.  The PEAK LED 
half lights to show which channel PFL has been selected. 

MIX1 (2)

   Routes the post-PAN channel signal to Mix1 and Mix2.  None, one or 

both may be selected. 

FADER

   A 100mm long throw fader adjusts the level of the channel signal and 

provides a clear visual indication of its contribution to the mix.  It does not affect 
the pre-fader AUX sends.  It does affect DIR OUT unless it has been 
reconfigured pre-fader.  The ‘0’ mark indicates normal operating position.  The 
fader can be set above or below this depending on the balance required in the 
mix.  A further 10dB of boost is available at the top of its travel.  Use the Cue 
system to check that the channel gain is correctly set before raising the fader to 
add the channel to the mix. 

 

Содержание XONE 464

Страница 1: ...USER GUIDE Publication AP4147...

Страница 2: ...s product has been manufactured in the UK by ALLEN HEATH and is warranted to be free from defects in materials or workmanship for period of one year from the date of purchase by the original owner To...

Страница 3: ...not remove or tamper with the ground connection in the power cord Water and moisture To reduce the risk of fire or electric shock do not expose the console to rain or moisture or use it in damp or wet...

Страница 4: ...to the controls and cosmetics avoid placing heavy objects on the control surface scratching the surface with sharp objects or rough handling and vibration Environment Protect from excessive dirt dust...

Страница 5: ...oved dealers and service agents You can also access our Web site on the Internet for information on our product range assistance with your technical queries or simply to chat about matters audio To he...

Страница 6: ...UE DPR O TE CTIO NAG AINSTRISKO FFIR E AVIS R ISQ UEDECHO CE LE CTR IQ UE NEPASO UVR IR DONO TE X PO SETHISAPPARATUSTOR AINO RMO ISTUR E R E PLACEFUSEW ITHSAMETY PEANDR ATING 100 240V T500mA 250V 20mm...

Страница 7: ...for stage reverb returns or sub inputs Or it can be configured as an external monitor source VCA Crossfader Uses a DC voltage to control the audio meaning no clicks bangs or crackles as the fader wear...

Страница 8: ...S N TRS jack 83dBu 83dB S N RCA phono 91dBu 83dB S N Power Supply Internal switch mode power unit with auto sensing mains input MAINS IN socket IEC 3 pin Power lead Country dependent with moulded main...

Страница 9: ...NPUT A STEREO INPUTS x 6 L SELECT RIAA CH 5 6 9 10 ONLY INPUT RIAA HF 4 BAND EQ MF1 GAIN EQ IN RING RETURN 0dBu RING INSERT 0dBu TIP TIP SEND LF MF2 MONO INPUTS x4 INPUT BALANCED GAIN TIP 2 PAD 30dBu...

Страница 10: ...nded for turntables with magnetic cartridges requiring RIAA equalisation Plug in the headphones You can plug into either the top panel or the rear panel socket Two pairs can be plugged in at the same...

Страница 11: ...ix1 output To hear the signal in the headphones press the MIX1 monitor select switch Make sure the other select switches are up as these will automatically override Mix1 if pressed Similarly any CUE s...

Страница 12: ...hange the filter type Press one or any combination of the large HPF BPF and LPF filter type switches to experiment with different performance effects For example pressing HPF and LPF together produces...

Страница 13: ...the two screws PRECAUTION Do not transport or carry the console with the locking screws removed Do not attempt to remove the connector pod from the console 19 Rack or Plinth Mounting Mount the consol...

Страница 14: ...also used to shield audio cables from external interference such as the hum fields associated with power transformers lighting dimmer buzz and computer radiation Problems arise when the signal sees m...

Страница 15: ...ignal cancellation effects For live work where long cables runs are required balanced interconnections should be used However interconnections between more affordable 2 wire signal ground unbalanced e...

Страница 16: ...antom power is selected Use 48V only with balanced microphones which require powering Note that harm will not be done to non powered microphones as long as they are balanced To avoid loud clicks alway...

Страница 17: ...rference rejection when connecting to 3 wire balanced sources using long cables The socket automatically grounds the cold input to accept unbalanced 2 wire TS jack sources To connect an unbalanced sou...

Страница 18: ...0 on the meters These outputs typically feed the main amplifier speaker systems or stereo DJ to large FOH console Mix1 can feed Mix2 by pressing a tamperproof front panel switch Typically this could p...

Страница 19: ...e more sensitive than others and can produce higher output levels To avoid damage to your hearing start with the PHONES level control at minimum and turn up only as much as is needed to maintain comfo...

Страница 20: ...ser can have on the sound The XONE 464 mono channel provides separate tone control over four frequency bands including two swept frequency parametric mids The frequencies in each band may be boosted o...

Страница 21: ...when working with radio microphones The pre fade sends are set post EQ post ON as standard These can be reconfigured pre EQ and or pre ON by resoldering internal links PAN Positions the channel signal...

Страница 22: ...crossfader Set the switch to PRE to send to monitors such as stage or remote foldback or recording cue The amount of signal in the monitor mix is independent of the fader movements That means that ad...

Страница 23: ...s similar to MID 1 but affects the lower mid frequencies centred around 250Hz It can drastically alter the texture of the bass sound Boost gives a hard edge to bass frequencies useful for Techno style...

Страница 24: ...ds are off if the signal is not routed through the crossfader An led above each side of the crossfader helps you visually check which channel is routed to which side CHANGING THE CROSSFADER CURVE Usin...

Страница 25: ...able Make sure you order the correct version The original model uses the Alps crossfader assembly XONE 464 Crossfader Assembly Part number XONE XFADER The revised model uses the Penny Giles crossfader...

Страница 26: ...ing the filters have a gentle roll off knee giving a subtle smooth response At the clockwise WILD setting they produce a resonant feedback boost around cut off resulting in some very dramatic performa...

Страница 27: ...minimum This can create an atmosphere of anticipation as the dance floor awaits the power of the beat to kick in BPF Press this switch to select the band pass filter Frequencies above and below the cu...

Страница 28: ...l Use a pointed object such as a pen to select the routing switches as required Monitor Only Input To return sources to the monitor selector for monitoring only With both switches in the up position t...

Страница 29: ...l leaves plenty of mix headroom MONITOR MIX2 METERS A pair of meter bars displays the level of the selected monitor source or CUE With all selector switches up these default to display the post master...

Страница 30: ...MONITOR MIX2 METERS A pair of meter bars displays the level of the selected monitor source or CUE With all selector switches up these default to display the post fader left and right output levels of...

Страница 31: ...feeds a booth speaker system The DJ may prefer to cue using headphones only MUTE Press this switch to mute the local monitor output The switch cap lights when the monitor is muted The headphones are n...

Страница 32: ...32 XONE 464 User Guide DANCE FLOOR...

Страница 33: ...the beat between tracks The local monitor output feeds high power booth monitor speakers so that the DJ can feel the music In this case the music only mix feeds these speakers with cue disabled to pre...

Страница 34: ...tes the local monitor as standard It can be reconfigured to attenuate the signal by 20dB by cutting a pair of track links on the right master circuit card Remote control of the MUTE function The right...

Страница 35: ...trol vocal microphone dynamics patch a COMPRESSOR into the mono channel insert Start with its threshold set to 0dB and ratio around 2 or 3 1 There are loud clicks when I plug microphones in Check that...

Страница 36: ......

Страница 37: ...XONE 464 CUE SHEET Photocopy and use to log your console settings...

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