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Connections

NanoCompressor Manual

11

• 

Stereo.

 Connect two 1/4" phone cords to the [

LEFT

] and [

RIGHT

] INPUTS of the

NanoCompressor from a stereo source , and two other 1/4" phone cords from
the [

LEFT

] and [

RIGHT

] OUTPUTS of the NanoCompressor to a stereo

amplification system or two mixer inputs.

Note:

 This hookup will work only for a stereo source, and should not be used on two

independent mono sources.  This is because the NanoCompressor is designed for stereo linked
operation between the two channels, so the left input will reduce the level of the right input
and vice versa.

Mixer Inserts

If your mixer features individual channel or buss inserts, you can dedicate the
NanoCompressor to a specific channel or buss on the mixer. Insert jacks on the back of
a mixer provide a way of “inserting” external processing equipment into the signal
path. The insert occurs after the input amplifier, and before the channel fader;
essentially it is the same as connecting the source (instrument or microphone) into the
NanoCompressor before the mixer’s channel input. If nothing is connected to the
channel’s Insert jack, the signal passes through with no effect.

Usually, insert connections require a special, stereo-splitting Y-cord to be connected
(one stereo plug provides both send and return while two mono plugs connect
separately to the effects unit’s input and output). These are known as TRS connectors
(tip-ring-sleeve). The tip of the stereo plug typically carries the send or output of the
insert jack, while the ring carries back the return. (You should check your mixer’s
referance manual to see if it follows this polarity.) The sleeve represents a common
ground for both signals.

This involves connecting a 1/4" TRS (tip-ring-sleeve) Y-cable to the Insert jack of a
single channel on a mixing console. The other end of the cable (which splits into two,
1/4" mono connectors) are connected to the [

LEFT

] input and [

LEFT

] output,

respectively. If you do not hear any audio after making these connections, swap the
input and output cables at the NanoCompressor, as these may be wired backwards.

Once the proper connection has been made, you must set the output level so that you
aren’t clipping the mixer input. As a general rule, if the [

REDUCTION]

 meter is

showing an average -6 dB of gain reduction, the [

OUTPUT]

 knob should be set for

+6dB (one tick above the 0 marker).

Содержание NanoCompressor

Страница 1: ...ALESIS NanoCompressor Reference Manual...

Страница 2: ...pter explains how to connect the NanoCompressor to an instrument mixing console or amplifier Chapter 3 Description of Controls An explanation of all connectors and knobs on the NanoCompressor Use this...

Страница 3: ......

Страница 4: ...to an Instrument 12 Mixer Inserts 13 Using the NanoCompressor with a Powered Mixer 14 Mixer Main Outputs 14 Avoiding Ground Loops 14 Description of Controls 17 Front Panel 17 Threshold 17 Ratio 17 Att...

Страница 5: ...Contents 4 NanoCompressor Manual Refer All Servicing To Alesis 28 Obtaining Repair Service 28 Customers in the USA and Canada 28 Customers outside the USA and Canada 28 Specifications 29...

Страница 6: ...ply Adapter Alesis P3 Mounting Screw and Rubber Feet Alesis warranty card It is important to register your purchase if you have not already filled out your warranty card and mailed it back to Alesis p...

Страница 7: ...ect that is applied to an entire signal Unlike reverb or delay where a new sound is created and added to the original sound the compressor should have the complete signal going through it This is why...

Страница 8: ...ression above threshold or soft knee gradual transition to compression Peak RMS Switch This controls whether the compression will be Peak or RMS average style When set to RMS the Attack and Release co...

Страница 9: ...the direct signal to pass through the NanoCompressor unchanged This is done by pressing the BYPASS COMP switch so that it is set for COMP pushed out Note that the OUTPUT knob does not function when t...

Страница 10: ...replaced if they ve been hit by an extremely strong spike Line filters These generally combine spike surge protection with filters that remove some line noise dimmer hash transients from other applian...

Страница 11: ...stereo buss outputs of a mixer to a mix down tape machine or amplifier These applications are outlined and illustrated in detail on the following pages Connecting Directly to an Instrument When conne...

Страница 12: ...ted to the channel s Insert jack the signal passes through with no effect Usually insert connections require a special stereo splitting Y cord to be connected one stereo plug provides both send and re...

Страница 13: ...er Insert You can also connect the NanoCompressor or multiple NanoCompressors to the individual channel insert s Note Be careful not to use too much compression when mixing live sound the speakers may...

Страница 14: ...C wiring in some instances make sure that the audio wires don t run parallel to any AC wire they should only cross at right angles if possible TO ELIMINATE HUM IF THE ABOVE HAS FAILED A Disconnect the...

Страница 15: ......

Страница 16: ...signal crosses the Threshold the NanoCompressor will begin compressing at a ratio set by the RATIO control In the diagram above Figure a shows the input signal to the NanoCompressor In this example t...

Страница 17: ...s of the stick attack Release The RELEASE knob controls the amount of time the compressor takes to stop compressing after the signal crosses under the threshold The range of this control is 50ms to 3...

Страница 18: ...compression or limiting on a signal When the compression gradually fades in it doesn t sound as obtrusive as when it suddenly starts limiting the signal If you re looking for a brick wall limiter the...

Страница 19: ...rranty Sidechain This is a 1 4 stereo Tip Ring Sleeve phone jack This jack is used in two cases when you want the compressor limiter to be keyed or controlled by an external signal instead of its own...

Страница 20: ...xing console insert sends and line level instruments For mono applications use the LEFT input The nominal level is 10dBV 316 volts Output Left Right These are 1 4 unbalanced phone jacks which connect...

Страница 21: ......

Страница 22: ...nd louder peaks will be kept under control Threshold set so that the loudest sections get around 6 of reduction usually around 3 o clock Ratio set for 6 1 Knee set for Soft Peak RMS set for RMS The Th...

Страница 23: ...Bass doesn t jump around in the mix Also adding compression to bass tracks or almost anything else can make it punchier generally a good thing in rock tunes Try the settings below on a rock bass trac...

Страница 24: ...moving the microphone but often a de esser is required The NanoCompressor allows you to perform de essing on a track by using a sidechain By placing an equalizer in the sidechain you can set the NanoC...

Страница 25: ...n return the ring connection isn t used in this example In the example below the sound of a radio announcer s voice will automatically turn the music down when he speaks and it will slowly fade back i...

Страница 26: ...ut LEDs are lit Too much compression Turn the Ratio down or the Threshold up Sound is excessively noisy Green Input LED barely lit Input level is too low Turn up the level going to the input No audio...

Страница 27: ...nd COD shipments will not be accepted For prompt service indicate the RO number on the shipping label Units without an RO will not be accepted If you do not have the original packing ship the NanoComp...

Страница 28: ...Troubleshooting NanoCompressor Manual 27...

Страница 29: ......

Страница 30: ...sion Specs Threshold of Limiting 40dBv to 8dBV Peak Mode Attack Time 0 1ms to 200ms Peak Mode Release Time 50ms to 3 sec RMS Attack Release Times Program Dependent Compression Ratio 1 1 to 1 selectabl...

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